Vintage Pulp Jan 25 2017
BEATS OF SAN FRANCISCO
Delon and company play cops and robbers in the City by the Bay.

Once a Thief opens with a San Francisco nightclub drummer playing a cracking solo, cymbal crashes synched to quick edits, and we immediately think we're in for some sort of revolutionary beat generation noir, with the edgy rhythms and nervous energy that idea entails. But the movie quickly subsides to conventional pacing, telling the story of a former thief gone straight suspected of a recent murder, and the cop determined to put him away—guilty or innocent. Alain Delon plays crook-turned-family man Eddie, and Ann-Margret is his wife Kristine. Even if the movie doesn't live up to its jazzy opening, getting Sweden's hottest actress and France's hottest actor together should be a can't-miss proposition.

Though Eddie is innocent of the murder, police harassment costs him his job. But when you're broke you can always count on family—to make things worse, that is. Eddie's criminal brother shows up and wants help with a bank robbery. After a few fraternal preliminaries, Eddie decides to partner up with his erratic bro, which is when his troubles really start, because his darker nature emerges and it isn't a pretty sight. Ann-Margret, working from the hysteria-as-acting playbook, is not pleased with these developments and over-emotes her displeasure at every opportunity. Even if criminal conspiracy doesn't do Eddie in, marital strife might.

Once a Thief oozes cool, but in the end it's a middling heist drama that asks a bit too much of its principals. It didn't do well in 1965, and we suspect it'll be the least liked offering at Noir City. Audiences may respond to a few aspects, though: there are some nice San Fran exteriors, Lalo Schifrin's soundtrack is top notch, and character actor John Davis Chandler knocks his role of the druggy hepcat villain Jimmy Sargatanas out of the park, over the promenade, and into McCovey Cove. His line, “I don't dig women,” paired with a sneer and a fatal gunshot, will probably bring the house down. As for Delon and Ann-Margret, well, at least they look good.

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Femmes Fatales Oct 20 2016
ANN JUST LIKE THAT
This is nothing. Let me get loose and I'll really show you what I can do.

This really nice promo shot of a gyrating Ann-Margret was made to promote the film Bus Riley's Back in Town, about a sailor who returns from three years abroad to find that his love has married another man. Notice how she hints at untying that laced up top of hers. 1965 on this unique image.

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Intl. Notebook May 26 2016
CINEMONDE VERITE
Lifestyles of the French and famous.


Does this image of Karin Dor look familiar? Possibly because it’s the same one we used in a femme fatale post on her late last year. It was made to promote the film You Only Live Twice, and appeared in many places, here for example on the cover of the French magazine Cinémonde. Focusing pretty much exclusively on movies and movie stars, Cinémonde launched in 1928 and lasted until 1971, with seven years of dormancy from 1940 to 1946, and another two in 1969 and 1970. The examples you see here are all from the mid- to late-1960s, when director Maurice Bessy moved toward less conservative graphics than in the past. Generally Cinémonde cover stars were women, often French, but every once in a while a guy made the cut, such as the fronts with Marlon Brando and Gérard Philipe below. We’ll get to the interiors of Cinémonde a bit later.

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Hollywoodland May 21 2016
LOWDOWN BEAT
Mid-century tabloid hits all the familiar tabloid notes.


Lowdown makes the rounds in this issue published in May 1965. Inside, Ann-Margret claims she doesn't want to be a tease (fail), editors ask if women are more immoral than men (which they really are, once you take war, genocide, faithlessness, and generally violent tendencies off the table), and June Wilkinson's photo is among those used in a story about women supposedly receiving insurance covered breast implants from Britain's National Health Service.
 
Probably the most interesting story concerns Swedish actress Inger Stevens disappearing for a week. Lowdown hints at an alcohol binge, which is nothing special (hell, we do those) but while there are plenty of sources citing a 1960 suicide attempt, we found no other mention anywhere of Lowdown's missing week. The story is notable because Stevens would die at age thirty-five of a drug overdose.
 
Elsewhere you get nude skiing in Austria, Richard Chamberlain and his hit television show Dr. Kildare, the sex powers of mandrake root, and Belgian born actress and dancer Monique Van Vooren endorsing regular exercise. Scans below—oh, and sorry about the quality. Lowdown's printing process caused scanner problems. It's never happened before, so hopefully we won't encounter the issue again.
 


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Vintage Pulp Feb 15 2016
SPLITTING ADAMS
Getting down to the fine details.


Two issues of Adam to share—one from Australia and one from the U.S.—proved too much work for one day, so we posted Aussie Adam yesterday, and today we’re on to the American Adam. These magazines have no relationship to each other apart from coincidentally sharing a name. U.S. Adam relies on photo covers rather than painted art, shows a dedication to cheesecake photography that far outstrips its Australian cousin, and also has less fiction. However, what fiction it does offer extends beyond Aussie Adam’s adventure and crime focus, such as the short piece from counterculture icon Harlan Ellison called, “The Late Great Arnie Draper.” We’ve scanned and shared the entirety of that below if you’re in a reading mood.

The striking cover model here goes by the name Lorrie Lewis, and inside you get burlesque dancer Sophie Rieu, who performed for years at the nightclub Le Sexy in Paris, legendary jazzman Charles Mingus, and many celebs such as Jane Fonda, Claudia Cardinale, Sharon Tate, and the Rolling Stones. There’s also a feature on the Dean Martin movie Murderer’s Row, with Ann-Margret doing a little dancing, and blonde stunner Camilla Sparv demonstrating how to properly rock a striped crop-top. We managed to put up more than forty scans, which makes this an ideal timewaster for a Monday. Enjoy.

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Femmes Fatales Mar 27 2012
CALAMITY ANN
Her aim is true.

Above, a 1964 Japanese promo image for Viva Las Vegas featuring Ann-Margret. We mentioned a while back that hers was the second movie with that title. See a cool promo for the first one here. 

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Vintage Pulp Oct 4 2011
WESTERN POINT OF VIEW
Britain may have colonized the island, but it was Hollywood that colonized the film culture.

Above are six issues of Hong Kong’s West Point magazine, named for a geographical feature of Hong Kong Island. The insides of these are not as visually interestings as the outsides, owing mainly to the poor quality printing and coarse paper stock, but if you’re curious you can see some interior pages here. You may also be wondering if West Point had coverage of Asian celebs. Yes, but unfortunately they weren’t allowed within light years of the magazine’s cover, as far as we can tell. These issues, top to bottom, date from the early-’50s to 1967 and feature Barbara Lang, Ann-Margret, Rock Hudson, Jeanne Crain, Michèle Girardon, and Julie Andrews. 

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Vintage Pulp May 23 2011
LADY LUCK
Two for the money.

Here’s a curious item we ran across at our favorite vintage memorabilia shop. It’s a Japanese promo poster for Viva Las Vegas, which… hey, wait a sec. Where’s Elvis? Where’s Ann-Margret? And who are these imposters? Well, turns out Elvis’s immortal Viva Las Vegas was not the first. The first film of that title starred Cyd Charisse, Dan Dailey and Agnes Moorehead, and was released in 1956. During its U.S. run it was known as Meet Me in Las Vegas, but for its international release the title was changed. Plotwise, you’ve got a flick here with a central gimmick that’s just begging to be recycled in a modern romcom. Get this—Dailey discovers that whenever he’s at the gambling tables he cannot lose as long as he’s holding hands with Charisse. If it sounds intolerably cute, well, what do you expect? It’s a mid-century musical. Actually though, the movie isn’t top notch, due mainly to some less-than-stellar acting in parts, but you do get to see Las Vegas as it was before it became the consumerist dystopia it is today, and you get cameos from Vic Damone, Sammy Davis, Jr., Debbie Reynolds, Frankie Laine, Lena Horne and others. Well worth a look. 

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Femmes Fatales Dec 31 2010
EIGHTEEN FOREVER
The women inside the movie camera.

Below are eighteen timeless Hollywood leading ladies, some well-known, some less so, but all gleamingly beautiful. They are, top to bottom, Mari Blanchard, Carmen Phillips, Grace Kelly, Jane Adams, Joan Vohs, Martha Hyer, Laurette Luez, Tippi Hedren, Marguerite Chapman, Janet Leigh, Venetia Stevenson, Annabella, Muriel Barr, Lana Turner, Kim Novak, Paula Drew, Ann-Margret, and Vera Miles. Happy New Year.  

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Vintage Pulp Nov 4 2010
HAYAT SWEETS
Ten ways to be adored.

Below, assorted covers of Hayat, which became one of Turkey’s most popular celebrity magazines beginning in the 1950s. From top to bottom the cover stars are Jayne Mansfield, Ursula Andress, Anita Ekberg, no idea because we can't read Turkish and her name isn't on the cover, Marilyn Monroe, Debra Paget, Ava Gardner, Natalie Wood, Ann-Margret, and Brigitte Bardot. 

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Next Page
History Rewind
The headlines that mattered yesteryear.
April 25
1939—Batman Debuts
In Detective Comics #27, DC Comics publishes its second major superhero, Batman, who becomes one of the most popular comic book characters of all time, and then a popular camp television series starring Adam West, and lastly a multi-million dollar movie franchise starring Michael Keaton, then George Clooney, and finally Christian Bale.
1953—Crick and Watson Publish DNA Results
British scientists James D Watson and Francis Crick publish an article detailing their discovery of the existence and structure of deoxyribonucleic acid, or DNA, in Nature magazine. Their findings answer one of the oldest and most fundamental questions of biology, that of how living things reproduce themselves.
April 24
1967—First Space Program Casualty Occurs
Soviet cosmonaut Vladimir Komarov dies in Soyuz 1 when, during re-entry into Earth's atmosphere after more than ten successful orbits, the capsule's main parachute fails to deploy properly, and the backup chute becomes entangled in the first. The capsule's descent is slowed, but it still hits the ground at about 90 mph, at which point it bursts into flames. Komarov is the first human to die during a space mission.
April 23
1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder, Carmen Jones, The Man with the Golden Arm, and Stalag 17, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease.
1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot.
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