Tate gives chase in an international fortune hunting comedy about a missing chair.
In ¿Las cual de 13?, aka 12 + 1, aka Twelve Plus One, an Italian barber played by Vittorio Gassman inherits thirteen chairs and, deeming them useless, sells them to a London antique shop. He later discovers one of the chairs contains a fortune, but when he returns to the shop he's told they've all been sold. So he offers the antique shop employee Sharon Tate half of the fortune to help him track down the chairs, which of course have scattered to the four winds. Their search takes them to Paris, Rome, and beyond, in 1960s screwball fashion with its expected pratfalls, mix-ups, and sticky situations. Gassman and Tate do reasonable jobs with the goofy script that's been made of Soviet authors Ilf and Petrov's satirical source novel, and the film is boosted by appearances from Vittorio De Sica, Mylène Demongeot, Terry-Thomas, and Orson Welles. This was an Italian production, but the poster above was painted for the film's Spanish run by Carlos Escobar, who signed his work “Esc.” This is the best we've ever seen from a very good artist. Since the movie didn't premiere in Italy until after Tate had been slain this month in 1969, and didn't reach Spain until mid-1970, the poster very likely was painted post-murder, which means Escobar probably was thinking of how to best portray someone who'd become a tragic figure. We suspect he put special effort into his work as a tribute, and if so, a fitting tribute it was.
Like Shakespeare wrote, what's past is prologue.
This unusual poster was made to promote the Spanish run of Retorno al pasado, a movie better known as Out of the Past. The title says it all. A man who thinks he's left his sordid past behind sees it rear its ugly head and threaten to ruin the good future he's planned for himself. Starring Robert Mitchum, Jane Greer, and Kirk Douglas, this is one of the top noir thrillers, in our opinion. Certainly it's one of the most beautifully shot, thanks to director Jacques Tourneur and cinematographer Nicholas Mesuraca. Like the poster art by Macario Gomez, the film is richly textured and lushly black, which makes for a nice sense of gathering danger, especially in the pivotal fight sequence about forty minutes in. Plus it has the always compelling Mexico connection used by many excellent noirs, as well as nice location shooting around Lake Tahoe and Reno. Highly recommended, this one. After opening in the U.S. in November 1947 it had its Spanish premiere in Madrid today in 1948.
Nobody gets out of here alive.
We wrote about Spanish director Jesus Franco not long ago. Sort of. When we noticed another premiere date approaching for one of his films we thought we'd check it out. El reformatorio de las perdidas, originally titled Frauengefängnis, and called Barbed Wire Dolls in the U.S., is a nearly plotless exercise in sadism featuring Lina Ronay, Monica Swinn, and other overheated female convicts dealing with predatory guards and an evil wardeness. There's an escape, as usual in these Franco films, and as usual it fails. That's giving nothing away because the escape isn't the point—the nudity and sex are. Last time we discussed Franco we made a joke of it without really talking about the quality of his films. So here's the deal—they range from the arty to the ridiculous to the outright terrible. This one falls unambiguously into the latter category. That is all. Hey, but you gotta love that Spanish poster. Frauengefängnis premiered in West Germany today in 1976, and hit Spain and other countries in 1977.
Experts reach consensus—she was exquisite.
Above is a little artifact from our last swing through Spain, discovered at the Mercat del Vell de l'Estació de Sants in Barcelona. It's an issue of Colleción Idolos del Cine, a magazine that devoted itself each month entirely to one celebrity, with rare photos and personal anecdotes. This one is from 1958 and features Ana Maria Pierangeli, who adopted the lyrical stage name Pier Angeli after debuting on the international cinema scene in Vittoria De Sica's Domani è troppo tardi and winning a Nastro d'Argento, or Silver Ribbon, from the Sindacato Nazionale Giornalisti Cinematografici Italiani. Angeli was a dewy eighteen in that role and looked so young as to be almost half-formed, which was perfect for her portrayal of a teen in the throes of first love. She maintained a youthful and innocent appearance for twenty more years, and is another actress who died young, in her case aged thirty-nine, via drug overdose, though accidental, officially. The printing quality of Colleción Idolos del Cine isn't the best, but the photos are very interesting. Mucho más Angeli below, and we managed to buy five other examples of this magazine, with stars such as Ava Gardner, Analia Gadé, and Belinda Lee, so look for those later.
Round after round she goes and where she stops nobody knows.
Above, an unusual and provocative promo image of Japanese singer and actress Mari Natsuki, née Junko Nakajima, who appeared in 1983's Satomi hakken-den, aka Legend of Eight Samurai, and 1998's SF: Episode One, better known as Samurai Fiction. Does the latter movie sound familiar? We talked about it a bit when we saw it at the amazing Cinema Caravan during the San Sebastian Film Festival back in 2013.
She’s a classic work of art, and the sculpture isn’t bad either.
American actress Christa Lang is known for her many collaborations with director and husband Samuel Fuller, including The Naked Kiss, Shock Corridor, Underworld U.S.A., and his underrated racial drama White Dog. She also appeared in Jean-Luc Godard’s Alphaville, Peter Bogdanovich’s What’s Up Doc? and has already wrapped The Queen of Hollywood Blvd., to be released later this year. The above shot, showing her in front of a backdrop depicting Jean-Baptiste Carpeaux’s famous sculpture "La danse," which is located on the façade of the Opera Garnier in Paris, appeared in the Spanish magazine Triunfo in 1965.
Musically talented but not particularly handsome? No worries. Put your hot wife on your album covers.
Spanish bandleader Xavier Cugat and his wife, singer Abbe Lane, were one of the most famous musical couples in the world during the 1950s and early 1960s, performing live together and releasing albums. These four Cugat album sleeves featuring Lane as the cover model evoke pulp fiction and film noir rather nicely, we think. Also, they kinda make us want to dance.
Reaching the top isn’t easy. Staying on top is even harder.
Above is a Spanish poster by Josep Soligó Tena for La casa de la colina, which was originally released in the U.S. as The House on Telegraph Hill. The movie tells the story of a Polish concentration camp survivor—played by Valentina Cortese—who upon release takes the identity of her dead friend, and later insinuates herself into the lives of the dead woman’s San Francisco relatives. This identity swap is the classic Hitchcockian MacGuffin, which is to say it initially seems to be the plot driver, but later isn’t important at all. While Cortese’s labyrinthine lie is always a worrisome background element, the movie is really about how she finds herself embroiled in an inheritance mess and a love triangle. We thought this movie was quite good, but you do have to ignore bits like the improbable placement of a child’s playhouse above a sheer drop (in a sense, another MacGuffin, as the threat of falling has no bearing at all on later developments). Highly recommended movie, and it has nice San Fran exteriors as a bonus. The House on Telegraph Hill premiered in the U.S. in 1951, and as La casa de la colina in Spain today in 1952. See more work from Tena here.
Josep Renau Berenguer cooks up a classic poster for a classic film.
Arroz Amargo, with Silvana Mangano, Vittorio Gassman, and Doris Dowling, was originally made in Italy and called Riso Amaro, or Bitter Rice. We already delved into this particular rice paddy, but we wanted to show you this beautiful alternate Spanish poster painted by Catalan artist Josep Renau Berenguer. The movie premiered in Spain four years after it opened at the 1949 Cannes Film Festival and had a long run in Italy. That was today in 1953. If you’re interested you can read our original write-up and see the Italian poster here.
The headlines that mattered yesteryear.
1945—Hitler Marries Braun
During the last days of the Third Reich, as Russia's Red Army closes in from the east, Adolf Hitler marries his long-time partner Eva Braun in a Berlin bunker during a brief civil ceremony witnessed by Joseph Goebbels and Martin Bormann. Both Hitler and Braun commit suicide the next day, and their corpses are burned in the Reich Chancellery garden.
1967—Ali Is Stripped of His Title
After refusing induction into the United States Army the day before due to religious reasons, Muhammad Ali is stripped of his heavyweight boxing title. He is found guilty of a felony in refusing to be drafted for service in Vietnam, but he does not serve prison time, and on June 28, 1971, the U.S. Supreme Court reverses his conviction. His stand against the war had made him a hated figure in mainstream America, but in the black community and the rest of the world he had become an icon.
1947—Heyerdahl Embarks on Kon-Tiki
Norwegian ethnographer and adventurer Thor Heyerdahl and his five man crew set out from Peru on a giant balsa wood raft called the Kon-Tiki in order to prove that Peruvian natives could have settled Polynesia. After a 101 day, 4,300 mile (8,000 km) journey, Kon-Tiki smashes into the reef at Raroia in the Tuamotu Islands on August 7, 1947, thus demonstrating that it is possible for a primitive craft to survive a Pacific crossing.
1989—Soviets Acknowledge Chernobyl Accident
After two days of rumors and denials the Soviet Union admits there was an accident at the Chernobyl nuclear power plant in Ukraine. Reactor number four had suffered a meltdown, sending a plume of radioactive fallout into the atmosphere and over an extensive geographical area. Today the abandoned radioactive area surrounding Chernobyl is rife with local wildlife and has been converted into a wildlife sanctuary, one of the largest in Europe.
1945—Mussolini Is Arrested
Italian dictator Benito Mussolini, his mistress Clara Petacci, and fifteen supporters are arrested by Italian partisans in Dongo, Italy while attempting to escape the region in the wake of the collapse of Mussolini's fascist government. The next day, Mussolini and his mistress are both executed, along with most of the members of their group. Their bodies are then trucked to Milan where they are hung upside down on meathooks from the roof of a gas station, then spat upon and stoned until they are unrecognizable.
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