|Vintage Pulp||Jan 28 2016|
Above, top notch cover art by Jacques Thibésart, aka Nik, for Jo Claver’s Bombe atomique à Port-Lyautey, which was published by Éditions Le Globe and Éditions Le Trotteur in 1956. Claver was aka Georges Claver-Peyre, and this particular book is Cold War intrigue and romance set in Morocco. See more fine Thibésart here and here.
|Femmes Fatales||Dec 9 2014|
French actress Nathalie Delon was born in Oudja, Morocco as Francine Canovas, during the period when the North African country was occupied by France. She appeared in more than thirty films, including Bluebeard, Sex Shop, and Un sussurro nel buio, aka A Whisper in the Dark, and she also wrote, directed, and recorded music. We love this photo because not only was it shot in the world’s swankiest bar, but because it looks like it was photographed from the perspective of someone who got drunk and fell off his stool. No beer goggles here, though—Delon is a celebrated beauty. The shot is from 1977.
|Vintage Pulp||Feb 11 2014|
|Vintage Pulp||Feb 3 2014|
On this Confidential from February 1965 the publishers give their cut-and-paste artists a month off and grace the cover with a simple portrait of Brigitte Bardot and her famed pout. Inside the editors air out her love life in a way that today would be called slut shaming—pretty much stock-in-trade for Confidential. The suggestion is she won’t come to the U.S. to act because she’s busy Morockin’ around the clock with Moroccan-born producer Bob Zaguri. Elsewhere in the issue you get Romy Schneider, Jean Harlow, Alain Delon, Peter O’Toole, love behind the Iron Curtain, and an outraged report on pharmaceutical companies marking up medicines 200%, 500%, even 7,000%. Yes, medicines cost too much in the U.S. even back then. But don’t take our word for it. Take Confidential’s—their story ends by declaring that drug companies have Americans by the balls and the only way to avoid the drug price racket is to not get sick.
The cruise is eventually reported to the boat rental agency in Miami, whose owner vows that he will never again allow his vessels to be used for such debauchery. The response from the organizer of the cruises was this: “There are approximately one-hundred thousand boats or ships of some sort or another. I think we’ll be able to find some way to balance supply and demand.” Ouch—zinged right in the Econ 101s. Doubtless Confidential expected the congressional switchboard to light up over this outrageous appropriation of boats meant for exclusively heterosexual usage, but whether it happened we can’t say—the story ends there. And Confidential readers were left to endure thirty days of disquiet until the next gay bashing issue came out. We won't wait quite that long—we'll explore this subject in another tabloid soon. More scans below.
|Vintage Pulp | Sex Files||May 6 2013|
Rampage is not the most visual of tabloids, but the stories are colorful enough to make up for it. Of those, there’s one clear winner in this issue published today in 1973. It deals with a live sex show in “the Casbah,” presumably Morocco, in which a girl teaches a monkey oral sex by shoving a banana inside her vagina. Once the chimp reaches third base, it’s only a matter of time before he slides into home. We’ll let Rampage scribe Casey Coozer (uh, right) describe the climax, so to speak, of the story: “Now came the best part of the show. As the audience watched these monkeyshines on stage, a troupe of Casbah whores took each man in the crowd and [snip] started blowing us right there. The ape is balling, the chicks are blowing, and at the end it seemed like everyone came at the same time. God, the fucking noise was unbelievable. [snip] The whore onstage is going absolutely bananas, the monkey is screaming like he just woke up with a leopard’s jaws around his head, and everybody, I mean everybody, is creaming!”
Nothing much we can say about that except we never saw anything of the sort during our trip to Morocco. Would we actually want to see chimp on human sex? Well no, but we still have to wonder if it might be preferable to having a knife-scarred maniac utter these words to us: “You talk big now, but next time I see you I’m going to kill you.” Monkeysex or murder threat? Hmm, tough call. Elsewhere in Rampage there’s an amusing story about sexual promiscuity in the Greek isles, more bestial action involving a woman and a cocker spaniel, and the tale of a woman held captive in a Haitian sex camp. A while back we posted an issue of Rampage from 1969 and said the paper promised but didn’t deliver. Amazing what four years and a loosening of American obscenity laws can do. This Rampage delivers all the madness and mayhem anyone could want. Of course, another change from 1969 is that the paper now bears a slogan: “America’s top satire and humor weekly.” In other words, the stories are made up. But what imaginations these guys had. Ten scans below.
|Intl. Notebook||Dec 26 2012|
|Intl. Notebook||Dec 15 2012|
So turns out the Morocco thing is going to happen, which means we’ll probably be incommunicado for ten days. As we said, it’s a bit of a spontaneous deal—we have a hotel room in Tangier and that’s all. The rest we’ll improvise. Of course, we’ll be checking out the ancient souks, and perhaps we’ll find some pulpworthy items. If that happens, and we can find a way to post them, we’ll do it. Otherwise we’ll share our findings when we return. And all you Goodtime Weekly Calendar fans don’t worry. We’ll post the missing weeks as soon as we’re back.
|Vintage Pulp||Dec 11 2012|
Above are the covers of Jack Baynes’, aka Bertram B. Fowler’s, four Morocco Jones thrillers, which we’re posting for two reasons—one, we like them; two, it’s possible we may end up in Tangier on Friday. Total fly-by-night situation, which means we won’t know if it’s going to happen for another day, but if so it will bring about a brief hiatus here at Pulp Intl. Ten days max, if all goes according to plan. In any case, these covers are all by Barye Phillips and the books were published 1957-1959. And thanks to Bish’s Beat, where we got one of these images.
|Intl. Notebook||Dec 6 2012|
Above is a photo of Manhattan, New York City, in the year 1947, looking from Battery Park toward midtown. Here you see everything—the Staten Island Ferry Building at bottom, Wall Street to the right, the 59th Street Bridge crossing Welfare Island at upper right, and in the hazy distance, the Empire State Building—at that time arguably America’s most recognized symbol. In the aftermath of a war that had destroyed Europe’s and Japan’s industrial capacity, the U.S. was the unquestioned power on the planet, with massive economic might, a military that had taken up permanent residence in dozens of countries, and a growing stock of nuclear weapons. Two years later the Soviets would detonate their first nuclear bomb, shaking the American edifice to its core. Meanwhile, all around the world, the seeds of change were taking root. Below is a look at the world as it was in 1947.
Firemen try to extinguish a blaze in Ballantyne’s Department Store in Christchurch, New Zealand.
American singer Lena Horne performs in Paris.
The hustle and bustle of Hong Kong, and the aftermath of the execution of Hisakazu Tanaka, who was the Japanese governor of occupied Hong Kong during World War II.
Sunbathers enjoy Copacabana Beach in Rio de Janeiro, and a military procession rumbles along Rua Catumbi.
Assorted Brooklyn Dodgers and manager Leo Durocher (shirtless in the foreground) relax at Havana, Cuba’s Estadio La Tropical, where they were holding spring training that year. Second photo, Cuban players for the Habana Leones celebrate the first home run hit at Havana’s newly built Estadio Latinoamericano.
Thousands of Muslims kneel toward Mecca during prayer time in Karachi, Pakistan.
A snarl of traffic near St. Paul’s Cathedral in London.
The city hall of Cape Town, South Africa is lit up to celebrate the visit of the British Royal Family. Second photo, during the same South African trip, the royals are welcomed to Grahamstown.
A wrecked fighter plane rusts in front of Berlin’s burned and abandoned parliament building, the Reichstag. Second photo, a shot of ruins in Berlin’s Tiergarten quarter, near Rousseau Island.
A crowd in Tel Aviv celebrates a United Nations vote in favor of partitioning Palestine.
Men and bulls run through the streets of Pamplona, Spain during the yearly Festival of San Fermin.
Fog rolls across the Embarcadero in San Francisco; a worker descends from a tower of the Golden Gate Bridge.
Detectives study the body of a woman found murdered in Long Beach, California. Two P-51 Mustang fighters fly above Los Angeles.
Danish women from Snoghøj Gymnastics School practice in Odense.
Tens of thousands of protesters in Cairo demonstrate against the United Nations vote in favor of partitioning Palestine.
A beauty queen draped with a sash that reads “Modern 1947” is lifted high above the boardwalk in Coney Island, New York.
A woman in Barbados holds atop her head a basket filled with fibers meant for burning as fuel.
Mahatma Gandhi, his bald head barely visible at upper center, arrives through a large crowd for a prayer meeting on the Calcutta Maidan, India.
Major League Baseball player Jackie Robinson is hounded for autographs in the dugout during a Brooklyn Dodgers game.
|Vintage Pulp||Jun 13 2012|
Something a bit different today. We saw this poster and loved its colors and vibrancy. It’s for the 1968 counterculture movie Joanna, which was about a young woman in swinging 1960s London. Think of it as a distaff version of Alfie, but with the added taboo of interracial romance. The star is Geneviève Waïte, and Donald Sutherland also puts in an appearance. Like a lot of movies that tried to capture the spirit of the ’60s, Joanna has not aged particularly well, but it’s beloved by many who were in high school or college when it came out. The movie is well before our time, but we liked it anyway. It isn’t perfect, but it has some really great moments, including an interlude in Morocco. As a bonus, we’ve posted the English, Spanish and Italian promos below. You’ll note that the Italian version was painted by Enzo Nistri. He did quite a bit of nice work in the ’60s and ’70s. We’ll get back to him.