Vintage Pulp Jan 27 2019
KNOCKOUT ON SOUTH STREET
Widmark/Peters noir looks great and packs a punch.


It wouldn't be a film noir festival without at least one anti-commie thriller and Pickup on South Street is it. The movie stars Richard Widmark as a two-bit pickpocket who lifts a wallet during an NYC subway ride and unexpectedly ends up with a priceless government secret meant to be given to commie spies by a cabal of sweaty traitors. Widmark sneers his way into a position where he thinks he can sell the stolen info for fifty grand. He's got another think coming.

Best line: If you refuse to cooperate you'll be as guilty as the traitors that gave Stalin the A bomb!

Well, Stalin had help from spies but we don't think any gave him the bomb like a borscht recipe. He had help on other fronts as well, including from captured German scientists and homegrown Russian knowhow, but this is film noir, so go with it. The good team vs. bad team dynamic continues throughout, and numerous people try to convince Widmark to put his own interests aside and play for the home squad. They're wasting their breath.

The movie co-stars Jean Peters, a good actress and amazing knockout who's been a bit forgotten, even though she was in a few other good films and went on to marry nutball billionaire Howard Hughes. Her opening scene on a humid subway will stick with you. Sadly, she harbors yet another inexplicable film noir infatuation with a male lead who's about as nice as a sack of cold dick tips, but this is film noir so go with it. Ditto for the pushing and slapping Peters endures. She's even knocked cold by Widmark in their initial encounter. Deliberately.

His apology: You okay or did I bust something?

These sly flirtations increase Peters' ardor. The female heart wants what it wants, at least in the minds of wannabe-tough-guy Hollywood screenwriters. That screenwriter would be Samuel Fuller, who actually was acquainted with the underworld from his days as a crime reporter. So it could be that he knew more about gutter love than we do, but we doubt it. Here's what really matters—Peters absolutely kills her role, and does her own stunts too. Thelma Ritter, later of Rear Window, also gets a pivotal turn and nails her part as a tired older lady just trying to get by.

In the end Pickup on South Street comes full circle. While it's about patriotism, and trying to survive in New York City with zero means, and a weird kind of masochistic 1953 infatuation we'll never really understand, it starts with pickpocketing and eventually returns, in a symmetry that feels very modern in screenwriting terms, to that idea for the excellent climax. With Fuller directing and Joe MacDonald handling the cinematography, the final result is a knockout in both senses of the word—looks great, packs a punch.
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Vintage Pulp Oct 13 2011
CONTINENTALLY YOURS
Deneuve shows off the best hair in French history.

We’re posting scans from this issue of the British film magazine Continental Film Review for one reason—22-year-old Catherine Deneuve and her amazing, shampoo commercial hair. You can really understand why the world was so smitten with her. You also get images of Claudia Cardinale, Nadja Tiller and others, all below, October 1964. 

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Vintage Pulp Jul 4 2011
LET'S REVIEW, SHALL WE?
Continental Film Review mixed serious cinema scholarship with cheesecake.

We located this July 1965 copy of the British cinema magazine Continental Film Review, and found two good reasons to post it—the great Sylva Koscina cover shot, and the adverts for London’s x-rated Compton Theater, at bottom. In between you get Ugo Tognozzi, Rosanna Podesta, Luciana Gilli and more. CFR was actually one of the most serious and informed film magazines of its era, but instead of sharing scans of pages and pages of text, we posted the photos. However, in this issue are articles on the San Sebastian and Berlin film festivals, Canadian and Québécois cinema, and near-scholarly treatments on Italian neorealist director Vittorio De Sica, and Pier Paolo Pasolini’s award winning biblical film The Gospel According to St. Matthew. Doesn't that all sound great? See a CFR with Christina Lindberg here, and Laura Gemser here. 

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Vintage Pulp Dec 8 2010
CONTINENTAL FLAIR
Continental Film Review specialized in international film coverage and uncoverage.

Cover and assorted interior pages of the spicy British cinema magazine Continental Film Review, with uncovered shots of Laura Gemser, Laura Antonelli,  Ursula Andress, Ingrid Steeger and others, December 1977. You can see another issue here. 

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Vintage Pulp Apr 4 2009
WINKIN' CONTINENTAL
Was it journalism, pornography, or both?


Here’s one of our favorite old magazines, the great Continental Film Review, with a cover shot of one our favorite pulp actresses, Christina Lindberg, who you may remember from our post about Sex & Fury a while back. CFR was published in Britain and, like other magazines of its ilk, such as France’s Cine-Revue, purposely blurred the line between journalism and smut by publishing sober reviews and features, while not-so-incidentally showing acres of skin. Their wry, we’re-not-really-porn approach was a roaring success across four decades, from 1952 until 1983. We have some racy interior pages below, featuring more Lindberg, as well as Marion Forster, Gabriela Grimaldi, Veronique Vendell and others. And at bottom, in the final panel, we've located the orginal image upon which CFR based their cover image. Enjoy.

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History Rewind
The headlines that mattered yesteryear.
April 25
1939—Batman Debuts
In Detective Comics #27, DC Comics publishes its second major superhero, Batman, who becomes one of the most popular comic book characters of all time, and then a popular camp television series starring Adam West, and lastly a multi-million dollar movie franchise starring Michael Keaton, then George Clooney, and finally Christian Bale.
1953—Crick and Watson Publish DNA Results
British scientists James D Watson and Francis Crick publish an article detailing their discovery of the existence and structure of deoxyribonucleic acid, or DNA, in Nature magazine. Their findings answer one of the oldest and most fundamental questions of biology, that of how living things reproduce themselves.
April 24
1967—First Space Program Casualty Occurs
Soviet cosmonaut Vladimir Komarov dies in Soyuz 1 when, during re-entry into Earth's atmosphere after more than ten successful orbits, the capsule's main parachute fails to deploy properly, and the backup chute becomes entangled in the first. The capsule's descent is slowed, but it still hits the ground at about 90 mph, at which point it bursts into flames. Komarov is the first human to die during a space mission.
April 23
1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder, Carmen Jones, The Man with the Golden Arm, and Stalag 17, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease.
1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot.
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