Being the object of every man's desire will tend to take a toll.
It took us a while to figure it out, but this is a West German poster for Anita Ekberg's drama Screaming Mimi, which we talked about a couple of years ago. Die blonde Venus is a pretty generic re-titling, in our opinion, but we do like this unusual visual approach for the poster. The movie is about a woman suffering from the effects of a traumatic event in her past, who takes on a new identity and suffers the double misfortune of being dominated by her lover and targeted by a killer. It's definitely worth a watch. You can read more about it here. After opening in 1958 it finally premiered in West Germany today in 1960.
The Lowdown has the scoop on a fantastic plastic.
Today we're back to tabloids with an issue of The Lowdown published this month in 1962. The cover features Bob Hope goofing around, Elizabeth Taylor looking serious, Kim Novak nuzzling, and a random naked party girl randomly partying naked. Inside the issue are stories on Hope getting the hots for trans star Coccinelle in a French nightclub, Novak raking a series of suitors over the coals, and baseball players succumbing to greed. So much material in these tabloids, and so little time to highlight a story or two. But forced to make a choice, we're opting to discuss a piece on something called Scoobeedoo. How can we not? We all remember the cartoon, and now this story seemed guaranteed to tell us where the name of the legendary dog came from. We never knew we wanted to know that. But when we saw the word Scoobeedoo we realized, yes, we want to know.
Lowdown describes Scoobeedoo as a craze and a do-it-yourself gimmick. Apparently, it was popularized when French singer Sacha Distel wrote a 1958 song of the same name. But he didn't invent it—he just sang about it. The actual thing was invented by a French plastics company and called Scoubidou. It was basically a spool of brightly colored plastic cord that could be woven or tied to make—well, whatever you wanted. Youcould make lampshades, baskets, placemats, keychains. A California man famously used it to make bikinis. We imagine it would work for household repairs, light sexual bondage, whatever you needed it for. The stuff was as popular as the hula hoop for a while. Apparently figures in the electrical industry even complained that a shortage of wiring insulation was due to Scoubidou because it used the same type of plastic.
Readers above a certain age will already know about all this, of course, but we had no idea. We weren't around back then. And that, succinctly, is why we maintain this website—because we learn about a past we never experienced. But surprisingly Scoubidou isn't just the past. It apparently still exists. It even has a Wikipedia entry with examples of the many things you can make (but no bikinis). So this was a very informative issue of The Lowdown, all things considered. The only thing we're bummed about is that our Scoubidou research provided no actual confirmation that the cartoon dog Scooby-Doo got his name from the toy. But he had to, right? Maybe a reader has the answer to that. In the meantime we have more than twenty scans below for your enjoyment and other issues of The Lowdown you can access by clicking the magazine's keywords at bottom.
Update: a reader does have the answer. One of you always does. J. Talley wrote this:
The series was originally rejected by CBS executives, who thought the presentation artwork was too frightening for children and that the show must be the same. CBS Executive Fred Silverman was listening to Frank Sinatra's “Strangers In The Night” (with the scatted lyric “dooby-dooby-doo”) on the flight to that ill-fated meeting. After the show was rejected, a number of changes were made: the Hanna-Barbera staff decided that the dog should be the star of the series instead of the four kids, and renamed him Scooby-Doo after that Sinatra lyric. The spooky aspects of the show were toned down slightly, and the comedy aspects tuned up. The show was re-presented, accepted, and premiered as the centerpiece for CBS's 1969-1970 Saturday Morning season.
Thanks, J. That's another hole in our historical knowledge successfully filled in. Is it any surprise Sinatra was involved somehow? That guy really got around.
She was one of the seven wonders of the natural world.
The Grand Canyon? Forget it. Mount Everest? Overrated. When it comes to natural wonders nothing beat Anita Ekberg, who you see here looking impressively statuesque in two killer shots used by Movieland magazine for a supplement called “Pin-Ups.” These were published in 1955, but they're timeless.
The statue was for the public. The photos were strictly private.
Hungarian artist Sepy Dobronyi puts the finsihing touches on what was for a while possibly the most famous statue in the world—his stylized sculpture of Swedish sex bomb Anita Ekberg. Dobronyi made it by using nude reference photos he'd shot of his subject, and it was those photos, more than the statue, that interested the public. Ekberg was one of the world's biggest stars at the time and the idea that nude shots existed was flogged by the tabloids and helped burnish Dobronyi's reputation as a sort of jetsetting artist. His depiction of her became known as the Ekberg Bronze. He went on to sculpt Brigitte Bardot, Ava Gardner, Beverly Aadland, and Jayne Mansfield, though as far as we know no nude photographs were involved in those efforts.
Dobronyi sold and collected many works and used his fame and fortune to become a traveller and adventurer, visiting nearly ninety countries and climbing Mount Kilimanjaro in Tanzania. Actually, he's probably worthy of a book or movie at some point, but then so are dozens of nearly forgotten Hollywood figures. He died in 2010 and as far as we know his Ekberg reference nudes never turned up, though we imagine they'd be worth plenty. But Dobronyi was a gentleman—other Ekberg nudes appeared over the years but he never revealed his and may have destroyed them at some point. We talked a bit about the Ekberg Bronze previously, which means you can learn a few more details of the story by clicking this link.
Uncensored turns its unique journalistic eye toward Anita Ekberg.
There's nothing quite like tabloid writing, a fact once again amply demonstrated by Uncensored. This issue is from June 1963, and check out this short paragraph from its feature on Anita Ekberg: “This is the Uncensored story of how Prince Philip bagged a rare and exotic Scandinavian pouter pigeon. Though its native habitat is Sweden, this double-breasted dove prefers the warmer climate of Italy. It also migrates as far from home as London and Hollywood.”
Double-breasted dove? They don't write like that anymore, and a good thing too. It's sexist, of course, but the tabs were generally belittling of both females and males—though in different ways. Women were derided for dating around, such as when Uncensored refers to Ekberg as “Sexberg,” whereas men were usually disparaged for not being manly enough. That typically involved either being rebuffed by women, not scoring with enough women, or sexually preferring men. You see this in the story on Marcello Mastroianni, who's called “lazy” for passing on Brigitte Bardot. And you see it in the story on the United Nations, which is referred to as the “U.N. pansy patch.”
From the perspective of 2017, the heteronormative insecurity is pretty obvious. Men are to be prowling wolves, and any failure to live up to the ideal prompts insults; women are to be readily available for action, but not to other men. The story on Ekberg treads the line of admiring her beauty, but being suspicious about the freeness of her affections. There's a photo of her dancing with a black G.I. in Rome, and while the caption is neutral, in the context of the story the meaning of the shot is clear: “Ekberg will even dance with a black man!”
We love the photo. Ekberg looks a bit baffled, as if the soldier is telling her, “We'd be in mortal danger for doing this in most of the United States, you know,” and Ekberg is saying, “What the hell are you talking about?” The photo also shows how tall Ekberg was, almost 5' 7”, probably 5' 10” in heels, which is towering for an actress who needed to star alongside all those mid-sized leading men. We think this is the first time this image has appeared online.
Other elements worth noting in this issue include French actress and Pulp Intl. femme fatale Dominque Boschero as a mermaid, Marlene Dietrich looking dapper in a tux, Jayne Mansfield and one of her famed toy poodles, and burlesque queen Blaze Starr sudsy in a bathtub. There are plenty of other great shots too, and you can see them all below in nearly forty scans. Uncensored will return.
Anita Ekberg bares all for art.
Anita Ekberg graces the cover of this February 1957 issue of Sir! magazine, laid back, colorized, and looking good. She gets in depth treatment inside, with a focus on a nude statue of her made by Hungarian sculptor Sepy Dobronyi. The story was perfect for Hollywood gossip rags, and accordingly they all reported breathlessly that Dobronyi wanted to make the statue a nude, and since he was headed back to his studio in Cuba and couldn't have Ekberg sit for him, took a series of nude reference photos. Dobronyi was a scuba diver in his spare time and had collected gold coins from sunken Spanish galleons to use in his art, some of which he applied to Ekberg's likeness, leading to this boob-related witticism from Sir! editors: “Anita's statue has a real honest-to-goodness treasure chest.” The sculpture was mostly bronze, though, and became known as the Ekberg Bronze, which when last seen was in a Norwegian museum, though Ekberg was actually Swedish.
Elsewhere in Sir! you get the short feature, “A Homo Speaks Out.” The title alone. Really. The author, working in confessional form, admits to deep feelings of regret, shame, self-loathing, and so forth at his “condition”—basically writing everything mid-century homophobes would have wanted to read. It ain't pretty, so we won't transcribe any of it. Readers also learn about marriage rites on the Pacific islands of New Hebrides (now Vanuatu), where tribal ceremonies involve all the male members of the groom's family having first crack at the bride. Is that true? We have no idea, and really aren't inclined to find out. To each culture their own, we say—as Americans, we come from the weirdest one on the planet. Other stories deal with Elvis Presley, burlesque, and prostitution. While Sir! wasn't one of the top mid-century tabs, it outdid itself with the Ekberg cover alone, which we consider one of the most eye-catching images of her we've seen.
All bets are off when the Für starts flying.
4 für Texas opened in West Germany today in 1968 after premiering in the U.S. the previous December as 4 for Texas. This was a high powered production, starring Frank Sinatra, Dean Martin, Anita Ekberg, Ursula Andress, Charles Bronson, and incredibly, The Three Stooges. The movie was terribly reviewed when released, but it isn't as bad as all that. Sinatra and Martin vie for a fortune in stolen cash, and later for ownership of a profitable Galveston riverboat casino, but join forces to deal with Bronson, the villain. Ekberg and Andress are mainly interested in getting married. Critics of the time might not have been dazzled, but today, with Andress the only main member of the cast still living, 4 for Texas emits a strong aura of Rat Pack nostalgia. The poster art is by Rolf Goetze, a prolific illustrator who produced something like eight-hundred promos between 1958 and 1972, of which this one is surely among the best. See another example of his work here.
Tabloid dunks readers in a pool of vice.
Exposé for Men is a new tabloid for us, which is saying something, since we've posted about 350 inside Pulp Intl. You can pick your way through those at our tabloid index. Exposé was originally launched as Sensation by Skye Publishing of New York City. The rebranding came sometime in 1959. This issue, which was published this month in 1960, flogs similar themes as other tabloids, including the blaming of women for rape in an article by criminal specialist Robert Mines where he proclaims that “frequently it's not the perpetrator but the victim of a [sex] crime who is most responsible for it.”
You'd think one article of this type would be sufficient, but Exposé offers up another piece called “The Weird Love-Hatred That Binds a Prostitute to Her Pimp.” This time the male expert on female minds is Joseph Le Baron, but at least his reasoning makes sense—i.e. prostitutes feel they need pimps around to protect them from “house dicks, bartenders, [and] vice cops out to shake them down and get tricks for free.” We'll buy that part, but we don't buy that the choice is voluntary, which is how Le Baron makes it sound.
Elsewhere readers learn that women have a natural propensity to lie, Mexico is wonderful because every man can afford a mistress, and insomniacs can't sleep because they're thinking about sex all night. Exposé also has celebrity gossip, including the claim—first we've heard of it—that Diana Dors' 1956 fall into a swimming pool was actually a publicity stunt. Considering the fact that the subsequent brawl generated terrible press we doubt the veracity of this one, but you never know. We do like the photo of Dors wet. Scans below, and more tabloids to come.
Ekberg as a stripper is a dream come true but she brings a nightmare with her.
Based on a 1949 novel of the same name by Frederic Brown, Screaming Mimi stars Anita Ekberg as a traumatized burlesque dancer who can’t shake the memory of being attacked by a knife-wielding maniac. She’s committed to a mental institution, where her psychiatrist promptly falls in love with her and helps her escape and create a new identity. Now dancing at a club in Laguna Beach, California, she’s the hottest draw in the area and her former doctor is her lover and protector, but also smothers and dominates her. Can the anonymity last? Of course not.
Enter stage right an entitled horndog who won’t take no for an answer. After Ekberg survives another knife attack the horndog—who’s also a reporter—has all the justification he needs to dog Ekberg’s every step, and the doctor tries to protect her fake identity and keep her and the reporter from falling into bed together. Chances of success? Zero. Screaming Mimi is an interesting noir—it was fertile enough to serve as inspiration for Dario Argento’s L’uccello dalle piume di cristallo, aka The Bird with the Crystal Plumage—but its b-movie budget really shows and we think Philip Carey is miscast as the reporter/hero. Carey has no charm at all in this, which renders Ekberg’s interest in him unbelievable. But his performance will be a treat for patrons of the Noir City fest—most will probably remember him from his twenty-four-year stint as the repulsive Asa Buchanan on the soap opera One Life To Live.
The headlines that mattered yesteryear.
1915—Claude Patents Neon Tube
French inventor Georges Claude patents the neon discharge tube, in which an inert gas is made to glow various colors through the introduction of an electrical current. His invention is immediately seized upon as a way to create eye catching advertising, and the neon sign
comes into existence to forever change the visual landscape of cities.
1937—Hughes Sets Air Record
Millionaire industrialist, film producer and aviator Howard Hughes sets a new air record by flying from Los Angeles, California to New York City in 7 hours, 28 minutes, 25 seconds. During his life he set multiple world air-speed records, for which he won many awards, including America's Congressional Gold Medal.
1967—Boston Strangler Convicted
Albert DeSalvo, the serial killer who became known as the Boston Strangler, is convicted of murder and other crimes and sentenced to life in prison. He serves initially in Bridgewater State Hospital, but he escapes and is recaptured. Afterward he is transferred to federal prison where six years later he is killed by an inmate or inmates unknown.
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