Hollywoodland Oct 30 2015
Sørensen throws Playboy fans off her trail.

Tempo was a pocket-sized celeb and pop culture magazine published bi-weekly out of Atlanta and New York City by Sports Report, Inc. We don’t know how long it lasted—this one is vol. 7, issue 9—but we know we’ve never seen one dated before 1953 or after 1958. When Dane Arden appeared on the cover of this one from today in 1956, she was already famous thanks to her appearance as Playboy’s centerfold just the previous month. But she had posed under her real name Elsa Sørensen, and back then that may have kept most Playboy readers from realizing Sørensen and Arden were the same person. We have no idea if that was her intention, or why she’d have wanted to do it, but it’s curious. Our guess is that Playboy wanted an exclusive association with her Sørensen identity, and pressed her to choose a new name for future modeling. Or perhaps she thought of magazines like Tempo as lower class, and didn’t want to diminish her Playboy image. Strange, considering Tempo had been around longer, but possible. Or maybe she simply thought Elsa Sørensen was a little too Danish sounding for Hollywood. But there’s no evidence she ever had an interest in movies, and if she did wouldn’t she have been sacrificing much of the useful recognition she’d gained as a Playboy centerfold? All we can say is it’s one of history’s little mysteries. Hmm… that has a nice ring. Think we’ll claim that one—History’s Little Mysteries™. More Dane/Elsa below, plus Brigitte Bardot, Shirley Falls, Erroll Garner, Sabrina, the Cleveland Browns, Anita Ekberg, et al.


Vintage Pulp Jun 23 2015
Golden Ekberg spruces up a patch of green.

We haven’t had luck identifying the models in our last several Technicolor lithographs, so today we’re going with one we know—Swedish icon Anita Ekberg. This one comes from Champion Line, is entitled “Golden Siren,” and dates from around 1960. Are you good with obscure 1960s celebs? See if you recognize her, her, and her.


Vintage Pulp Apr 19 2015
With the sweet often comes bitter.

La dolce vita, aka The Sweet Life, is one of those movies everyone claims to have seen, but surprisingly few have actually sat through. Fellini’s ironically titled 1960 masterpiece hit American shores for the first time today in 1961. There’s nothing we can tell you about it that hasn’t been said, as reviews both professional and amateur abound on the interwebs. But the two posters above, both painted by Giorgio Olivetti, may be new to you. You can see more examples of Olivetti’s work here. In the meantime watch the movie. Seriously.


Intl. Notebook Jan 11 2015
Anita Ekberg dies in Italy.

She was born Kerstin Anita Marianne Ekberg in Malmo, Sweden, but became famous as simply Anita Ekberg. Some of her screen roles included 1955’s Artists and Models, and 1956’s Zarak Khan and Back from Eternity, films that made her very famous. But it was 1960’s La Dolce Vita and her portrayal of the wild starlet Sylvia for which she’s most remembered. The uniquely talented Anita Ekberg, dead in Rocca di Papa, Italy, aged 83


Femmes Fatales Nov 16 2014
Ekberg is as good as gold.

Promo image of Swedish superstar Anita Ekberg in costume for her role in Zarak, aka Zarak Khan, 1956. The shot appeared a few years later in the French film magazine Cinémonde, March 1959.

Hollywoodland | Vintage Pulp Oct 30 2014
The mission statement was simple—take cheap shots at every star in the firmament.

Top Secret is in fine form in this issue from October 1962 as it goes after all the biggest celebrities in Hollywood and Europe. Treading the line between journalism and slander is no easy feat, but take notice—Top Secret’s editors and hacks manage to pull off a high wire act. And of course this was key to the tabloids' modus operandi—they had to present information in a seemingly fearless or even iconoclastic way, yet never actually cross the line that would land them in court.

For example, there’s this dig at Frank Sinatra: “Mr. Snarl, Mr. Nasty, Mr. Do-You-Want-A-Belt-In-The-Mouth was as gentle as a lamb. Gone was the usual sneer, the wise-guy leer. Was this the same surly singer whose idea of a good morning’s exercise had been to watch his bodyguards work over a photographer?
Grace Kelly takes a few arrows: “It’s a pretty good bet that the immediate bust-up of the marriage won’t come in the next few months, but it sure as shooting looks like her six-year reign as the glamorous princess of that silly little kingdom on the Mediterranean is going to blow up in her prim face.”
Christina Paolozzi gets roughed up thusly: “If anything, Christina in the buff is proof that clothes are an underdeveloped girl’s best friends. Therethe Countess stands with a pleased expression that seems to say, ‘Aren’t I something, Mister?’ But all it takes is one quick look to see that there isn’t really anything to get excited about—unless [you love] barbecued spareribs.”
Anita Ekberg receives this treatment: “[La Dolce Vita] was something like a peek into the boudoir antics of its star—the gal with the fantastic superstructure that looks like nothing less than two tugboats pulling a luxury liner into port.”
And what tabloid would be complete without Marilyn Monroe? Top Secret says she’s dating writer José Bolaños (who the magazine calls a Mexican jumping bean). Editors opt to unveil the news this way: “It seems that this bold bundle of blonde has suddenly gone on a strange Mexican hayride!!! Si, amigo, MEXICAN!”
And then there’s cover star Elizabeth Taylor: “And she acted wilder than ever, satisfying all her most urgent urges for Dickie in the most wide open ways. [She] had jumped from tragedy right into disgrace by having a wild fling with Eddie Fisher a mere six months after hubby Mike Todd had been planted six feet under. ‘Mike is dead, and I’m alive,’ she said cynically after running off for a riotous romp in the fall of 1958 with the guy who just then happened to be married to Debbie Reynolds. 'I’m not taking anything away from Debbie, because she never really had it,' luscious Liz sneered."

This issue of Top Secret is, succinctly put, a clinic in mid-century tabloid writing—alliterative and spicy, insinuative and sleazy, but never quite legally actionable. How could Ekberg argue that the tugboat similie wasn’t interpretable as a compliment? Could Christina Paolozzi deny that her ribs show? Could Sinatra claim that his bodyguards neverslugged a photographer? The magazine skirts the edge a bit with Taylor—did you catch how the editors paired “urges for Dick(ie)” with “wide open ways”?—but was she misquoted or truly slandered? Highly doubtful. Top Secret is pure, trashy genius. Magazines don’t have such writing anymore, and that’s probably a good thing—but it sure is fun to look back at how things were. More scans below.


Vintage Pulp Nov 12 2013
Anita Ekberg single-handedly changes the ethnic makeup of an entire country.

The cover of this November 1956 issue of True Adventures is great by itself, but as a bonus readers are treated inside to a photo feature on superstar Anita Ekberg, who had been filming the adventure flick Zarak, aka Zarak Khan. The movie concerned the exploits of an Afghani outlaw (or resistance fighter, depending on one’s point of view), and Ekberg, rather amusingly, played an Afghani girl named Salma. Criticisms were voiced concerning the blue-eyed Swede’s casting in the role, but these rang hollow, considering the presence of Kentucky-born Victor Mature in the lead. In any case, the film’s producers Irving Allen and Cubby Broccoli didn’t care if Ekberg made an unlikely Afghan—to them having her shimmy around in a midriff-baring harem outfit was worth it. Were they right? You can be the judge of that for yourself by checking this link.


Vintage Pulp Jan 9 2013
If you think I’m having a good time now, you should see how much I enjoy it when the water isn’t fuh-reezing.

Above, the cover and some interior scans from the Dutch cinema magazine Cheerio! #117, featuring an eclectic selection of international stars, 1956. 


Vintage Pulp Nov 8 2012
Suppressed was in rare form in November 1955.

Above is the cover of the NYC based tabloid Suppressed from this month in 1955. This issue shows Suppressed in full bloom—bold, brash, fearless. Within the next two years a series of Hollywood lawsuits against scandal magazines would begin to make editors wary of being dragged into court for committing libel and slander, but 1955 was still the heyday for celeb bashing, and Supressed engaged in what might be best described as open warfare against film stars. Here’s a small sampling of some of the gut punches in this magazine:

Marlon Brando: silly.
Anita Ekberg: egocentric, a martyr.
Rita Gam: the all-time fizzle of 1955, a bad actress, with a figure that leaves something to be desired.
Judy Holliday: pudgy.
Marilyn Monroe: childishly immature, with an inferiority complex.
Debbie Reynolds: inane.
Gloria Vanderbilt: unable to think of anyone besides herself; has more neuroses than acting talents.
Robert Wagner: pompous, unintelligent.
We could go on, but you get the point. We’ve written many times on this website that nothing in media is truly new, and this is yet another example. Click over to any muckraking celebrity blog right now and you’d think journalism, as well as simple grammar, went down the toilet around the year 2000. But no, they were always in the toilet. Remember, Suppressed and its brethren Confidential, Whisper, On the QT, Hush-Hush, et.al., were not fringe. By itself Confidential was the biggest newsstand sellerin the U.S. These publications were powerful. Like modern American cable news, they assumed leading roles in making the public swallow false political memes—a commie under every bed, a black man in every bed, and the loose women who made it all possible.
But unlike today’s fawning cable news, Suppressed was generally scornful toward the rich. For instance, this issue discusses millionaires’ secret playgrounds while parking quotation marks around words like “classy,” and “the right people.” The actual playgrounds are described as “last stand” resorts, where the rich can feel safe from the rabble of middle class America. A few pages later the editors decry nepotism in Hollywood, naming a dozen famous actors and actresses who allegedly got their start because of mommy and daddy’s money. All in all, Suppressed is a head spinning mixture, and at the end of each issue a typical reader was probably convinced of one thing—the only good people in the world were those who were exactly like him.


Vintage Pulp Aug 18 2012
Continental Film Review was a leading voice of foreign film in Britain, as well as a leading source of cheap thrills.

We’re showing you this August 1966 Continental Film Review for one reason—Raquel Welch. She appears in both the front and back of the magazine, and the latter photo was made while she was in the Canary Islands filming One Million Years B.C. That photo session featuring a blonde, windblown Welch was incredibly fruitful, at least if we’re to judge by the many different places we’ve seen frames from the shoot, including here, here, here and especially here. There had not been a sex symbol quite like Welch before, and in 1966 she had reached the apex of her allure, where she’d stay for quite a while.

On the cover of the magazine are Christina Schollin and Jarl Kulle, pictured during a tender moment from the Swedish romantic comedy Änglar, finns dom? aka Love Mates. Inside you get features on the Berlin and San Sebastian film festivals, Sophia Loren, Nieves Navarro, Anita Ekberg, and more. CFR had launched in 1952, and now, fourteen years later, was one of Britain’s leading publications on foreign film. It was also a leading publication in showing nude actresses, and in fact by the 1970s was probably more noteworthy for its nudity than its journalism. The move probably undermined its credibility, but most magazines—whether fashion, film, or erotic—began showing more in the 1970s. CFR was simply following the trend, and reached its raciest level around 1973, as in the issue here. Fifteen scans below. 


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History Rewind
The headlines that mattered yesteryear.
November 28
1942—Nightclub Fire Kills Hundreds
In Boston, Massachusetts, a fire in the fashionable Cocoanut Grove nightclub kills 492 people. Patrons were unable to escape when the fire began because the exits immediately became blocked with panicked people, and other possible exits were welded shut or boarded up. The fire led to a reform of fire codes and safety standards across the country, and the club's owner, Barney Welansky, who had boasted of his ties to the Mafia and to Boston Mayor Maurice J. Tobin, was eventually found guilty of involuntary manslaughter.
November 27
1934—Baby Face Nelson Killed
In the U.S., killer and bank robber Baby Face Nelson, aka Lester Joseph Gillis, dies in a shoot-out with the FBI in Barrington, Illinois. Nelson is shot nine times, but by walking directly into a barrage of gunfire manages to kill both of his FBI pursuers before dying himself.
November 26
1922—Egyptologists Enter Tut's Tomb
British Egyptologists Howard Carter and Lord Carnarvon become the first people to enter the tomb of Pharaoh Tutankhamun in over 3000 years. Though sometimes characterized as scholars, Carter and Carnarvon were primarily interested in riches, and cut up Tut's mummy to more easily obtain the jewels and gold affixed to him.

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