Only the good go to sleep at night.
The French coined the term film noir, so it seems only fitting to feature a collection of French posters celebrating the genre. Above and below are fifteen examples promoting films noir from France, Britain, and the U.S., representing some of the best ever produced within the art form, as well as some less celebrated examples that we happen to love. Of those, we highly recommend seeing Le salaire de la peur, for which you see the poster above, and Ride the Pink Horse, below, which played as Et tournent les chevaux de bois in France. Just a word about those films (and feel free to skip ahead to the art, because really, who has time these days to listen to a couple of anonymous internet scribes ramble on about old movies?).
1953’s Le salaire de la peur is about a group of men stranded in an oil company town in the mountains of South America. In order to earn the wages to get out, four of them agree to drive two trucks filled with nitroglycerine over many miles of dangerous terrain. The idea is to use the chemicals to put out a raging oil well fire that is consuming company profits by the second, but of course the film is really about whether the men can even get there alive. Le salaire de la peur was critically praised when released in Europe, but in the U.S., political factions raised their ugly heads and got censors to crudely re-edit the prints so as to reduce the movie’s anti-capitalist (and by extension anti-American) subtext. The movie was later remade by Hollywood twice—once in 1958 as Hell’s Highway, and again in 1977 as Sorcerer. The original is by far the best.
1947’s Ride the Pink Horse is an obscure noir, but a quintessential one, in our opinion. If many noirs feature embittered World War II vets as their anti-heroes, Robert Montgomery’s Lucky Gagin is the bitterest of them all. He arrives in a New Mexico border town on a quest to avenge the death of a friend. The plot is thin—or perhaps stripped down would be a better description—but Robert Montgomery’s atmospheric direction makes up for that. Like a lot of mid-century films featuring ethnic characters, the most important one is played by a white actor (Wanda Hendrix, in a coating of what looks like brown shoe polish). It's racist, for sure, but within the universe of the film Lucky Gagin sees everyone around him only as obstacles or allies—i.e., equals within his own distinct worldview. So that makes up for it. Or maybe not. In any case, we think Ride the Pink Horse is worth a look. Fourteen more posters below.
, Le Salaire de la peur
, Le crime était presque parfait
, Dial M. for Murder
, L’Etreinte du passé
, Out of the Past
, Le corbeau
, Les filles du service secret
, Et tournent les chevaux de bois
, Ride the Pink Horse
, Les forbans de la nuit
, Night and the City
, Un condamné a mort s’est échappé
, Nous sommes tous des assassins
, À 23 pas du mystère
, 23 Paces to Baker Street
, Le coup de l’escalier
, Key Largo
, 13 Rue de Madelaine
, John Huston
, Andre Cayatte
, Alfred Hitchcock
, Henri-Georges Clouzot
, Robert Bresson
, Ava Gardner
, Fred MacMurray
, Van Johnson
, Vera Miles
, Harry Belafonte
, Shelley Winters
, Robert Montgomery
, Wanda Hendrix
, Rita Hayworth
, Glenn Ford
, Yves Montand
, Grace Kelly
, Ray Milland
, Robert Mitchum
, Jane Greer
, Humphrey Bogart
, Lauren Bacall
, Edward G. Robinson
, poster art
, film noir
Sixty-three years ago today Rita Hayworth electrified as the archetypal femme fatale.
Gilda is a film that appears on every list of top ten noirs we’ve ever seen, and still it is impossible to overstate how great the movie is. Rita Hayworth had acted in more than a dozen features before this one, but she was a revelation here. Her husband steps into her bedroom saying, “Gilda, are you decent?” And she appears with a hairflip and a wicked smile, saying, “Me?” Right away you know you’re in for a ride. You know this is a woman who is never decent. Something about the blazing eyes seems to promise unimaginable carnal adventures. She stands backlit in a nearly sheer shirt that shows the silhouettes of her breasts. After a song and dance routine she allows a stranger onstage to try and zip her out of her strapless black dress. At one point, about to ride off into the night with a suitor, she says, “Haven’t you heard, Gabe? If I’d been a ranch they’d have named me the Bar Nothing.” All this just to drive poor Glenn Ford mad with jealousy. Yes, Gilda is a femme fatale for the ages, and Gilda is a must-see piece of American cinema.
The headlines that mattered yesteryear.
1967—Nation of Sealand Established
The Principality of Sealand, located on a platform in the North Sea, is established under the rule of Prince Paddy Roy Bates. Proving that paradise is a pipe dream as long as humans are involved, Sealand has already endured a coup, a war, and a hostage crisis since its formation.
1973—J.R.R. Tolkien Dies
British fantasy novelist J.R.R. Tolkien, author of The Hobbit and The Lord of the Rings trilogy, dies at the age of 82.
1902—French Go to Moon
Georges Méliès' Le voyage dans la lune, aka A Trip to the Moon, is released in France. It is the first science-fiction film ever made.
1939—Germany Starts World War II
Nazi Germany, along with the Soviet Union and Slovakia, attack Poland, beginning the chain reaction that leads to war across Europe.
1972—Fischer Beats Spassky
In Reykjavík, Iceland, American Bobby Fischer beats Russian Boris Spassky and becomes the world chess champion. The match had been portrayed as a Cold War battle, and thus was a major propaganda victory for the United States.
1948—Mitchum and Leeds Snared in Drug Raid
Actor Robert Mitchum and actress Lila Leeds are arrested in a Hollywood drug raid and convicted of criminal conspiracy to possess marijuana. Mitchum serves 43 days in jail
, but in 1951 the conviction is overturned when it is exposed as a set-up. The entire episode has zero effect on his popularity. Leeds, conversely
, becomes a heroin addict while behind bars and is never able to rekindle her career.
1997—Princess Diana Killed in Accident
Princess Diana dies after a car crash in the Pont de l'Alma tunnel in Paris, along with Egyptian jet-setter Dodi Al-Fayed, and driver Henri Paul, who loses control of the car while attempting to elude paparazzi. Despite lengthy resuscitation attempts, including internal cardiac massage, Diana dies at 4 a.m. local time. Her funeral six days later is watched by an estimated 2.5 billion people worldwide.
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.