French magazine celebrates essential American film genre.
A few years ago we used this image of German actress Dorothée Blanck as a femme fatale, but didn't scan the rest of the magazine in which we had found her. By now you know why—the pages of these old film mags are large and we have to scan them in halves and put them together in Photoshop or GIMP, which is time consuming, something that's a real problem for lazy people like us. But here we are three years later and we've finally done it. Above is the full cover of the issue of Cinémonde—“cineworld” in English—from which Blanck came.
Cinémonde was first published in October 1928 and ran until being interrupted by World War II in 1940. Post hostilities the magazine reappeared, running from 1946 until 1968, taking another pause, running again from 1970 to 1971, and finally folding for good. This issue hit newsstands today in 1965. Like other European magazines of the era, the main attraction with Cinémonde is that its photos generally have not been seen online before. This issue was devoted to the American western, and the subjects include some of the biggest cowboy stars in cinema history, including John Wayne, Glenn Ford, Clint Eastwood, and Jimmy Stewart.
That's the first half of the issue. Afterward editors move outside the western milieu, and you get Marlon Brando, David Niven, Francois Dorleac, Barbara Bouchet, Serge Gainsbourg, hair secrets of the stars, the top ten Don Juans of French cinema, and more. Do we have other issues of this magazine? You bet. We own a group that includes Cinémonde, Ciné-Revue, and others. Will we ever scan them? Well, we make no promises at this point, but you never know—maybe we'll splash out for a bigger scanner and solve the problem with money instead of effort. Seems to work for everyone else. Thirty plus images below.
She's committing Rio grand larceny.
There aren't many good photos of Movita, aka Movita Castaneda. Here she's stealing—i.e. committing larceny—in her thriller Girl from Rio. The relative dearth of Movita photos is a bit surprising considering the extent of her film career. She began acting in 1930 as a teenager, and gained widespread fame when she married Marlon Brando in 1960. The marriage would have been tabloid fodder anyway because Brando was Brando, but Movita was seven years older than him. Cradle robber. This photo is from 1939, when she was a mere twenty-three.
End of the line—Brando's place.
Above, a striking West German poster for Endstation Sehnsucht, which you know better as A Streetcar Named Desire. Admit it. You've heard of it, you know who Tennessee Williams is, but you haven't seen it (or seen or read the much racier Pulitzer Prize winning play it's based on). A famous critic once explained that a good book teaches you how to read it. The same can apply to movies. You have to let yourself be immersed in A Streetcar Named Desire. The first twenty minutes you might be tempted to give up. But once the dubious southern accents and style of the production settle into your head, you'll find a movie well worth watching, with a nice performance by Marlon Brando, who was comfortable in his role of the beefcakey Stanley Kowalski after having played it on Broadway. A Streetcar Named Desire is over the top—and over the needed running time, in the opinions of many—but it's an involving experience. After its U.S. premiere in September 1951 it rolled into West Germany as Endstation Sehnsucht today the same year.
Brando and Niven break hearts and bank accounts on the French Riviera.
Les séducteurs had its French premiere today in 1964, with the above promo art by Russian born illustrator Boris Grinsson paving the way for a U.S. production featuring Marlon Brando, Shirley Jones, and David Niven. Séducteurs translates to “deceivers,” but the original title was Bedtime Story. What you have is a couple of con men who fleece women out of jewels, cash, and more. When they cross paths on the French Riviera their egos bring about a clash of wills and a high stakes wager to see which of them can scam ripe target Shirley Jones out of $25,000. Later the bet shifts to which of them can scam her out of her clothes. File the movie with set-in-France caper comedies like To Catch a Thief, Charade, and Beg, Borrow or Steal. For that matter file it with 1988's Dirty Rotten Scoundrels, which is actually a quasi-remake of this flick. For most watchers Bedtime Story won't be up to the standards of those other films—even the one based upon it—but we thought it was pretty damned good.
Clothes encounters of the Hollywood kind.
We've been gathering rare wardrobe and hairdresser test shots from the golden era of Hollywood, and today seems like a good day to share some of what we've found. It was standard procedure for all the main performers in a movie to pose for such photos, but the negatives that survive tend to belong to the most popular stars, such as Cary Grant, who you see at right. You'll see Marilyn Monroe more than amply represented below. What can we do? She's possibly the most photographed Hollywood figure ever, and she was beautiful in every exposure. But we've also found shots of a few lesser known stars, such as Giorgia Moll and France Nuyen.
Some of the shots are worth special note. You'll see Doris Day as a mermaid for The Glass Bottom Boat, Liz Taylor as a kid for National Velvet and an adult for Cat On a Hot Tin Roof, Farrah Fawcett in lingerie, Sheree North in both front and rear poses, and Yul Brynner looking like an actual man by sporting a body that had to that point seemingly known neither razor nor wax (he ditched the fur for his actual onscreen appearances). Usually the photos feature a chalkboard or card with pertinent information about the production and star, but not always, as in the case of Brynner's photo, and in Audrey Hepburn's and Joan Collins' cases as well. If the names of the subjects don't appear on the chalkboards you can refer to the keywords at bottom, which are listed in order. We may put together another group of these wardrobe shots later.
Wherever celebrities misbehave National Spotlite is on the scene.
This National Spotlite published today in 1968 features cover star Naemi Priegel, a West German television actress and singer who reached the height of her fame during the 1970s. Inside are many interesting Hollywood tidbits, including former child star Hayley Mills allegedly describing herself as a tigress in bed, Marlon Brando beating up two party crashers, Elvis Presley breaking the arm of someone to whom he was demonstrating a karate hold, Richard Burton being pursued by a chorus girl who claimed he fathered her child, Gene Tierney and her husband Howard Lee getting into a public spat, and John Wayne slugging an autograph seeker who mistook him for Robert Mitchum. Was any of this stuff true? We have no idea, but it sure is interesting reading. You can see more in the same vein at our tabloid index, located at this link.
A different kind of movie star.
So, here's a Pulp Intl. moment for you. We occasionally ask our girlfriends to look at an image and give us their thoughts. The whole fresh eyes thing. Get a new perspective. We showed them this shot of Marlo Brando and they had no idea who he was. But they thought he looked creepy and dangerous, which gave us a chance to explain how Brando combined a bit of sinister threat with his sex appeal, and the photo really captures that. Their response: “Well, whatever, no thanks.” But millions of women said thanks to Brando at this point in his career. If he wasn't the top male sex symbol in the U.S., he was second, surpassed—maybe—by only one other person. This shot was made as a promo for The Wild One, 1953.
Italian master’s genius spanned decades.
Back in August we showed you a poster from Luigi Martinati, who worked from 1923 to 1967, and said we'd get back to him. Below, seven more great promotional pieces with his distinctive signature on each.
To Have and Have Not
On the Waterfront
Phantom of the Rue Morgue
The Wrong Man
The headlines that mattered yesteryear.
1942—Ted Williams Enlists
Baseball player Ted Williams of the Boston Red Sox enlists in the United States Marine Corps, where he undergoes flight training and eventually serves as a flight instructor in Pensacola, Florida. The years he lost to World War II (and later another year to the Korean War) considerably diminished his career baseball statistics, but even so, he is indisputably one of greatest players in the history of the sport.
1924—Leopold and Loeb Murder Bobby Franks
Two wealthy University of Chicago students named Richard Loeb and Nathan Leopold, Jr. murder 14-year-old Bobby Franks, motivated by no other reason than to prove their intellectual superiority by committing a perfect crime. But the duo are caught and sentenced to life in prison. Their crime becomes known as a "thrill killing", and their story later inspires various works of art, including the 1929 play Rope by Patrick Hamilton, and Alfred Hitchcock's 1948 film of the same name.
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
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