Vintage Pulp May 29 2012
REVOLUTIONARY NOIR
Only the good go to sleep at night.


The French coined the term film noir, so it seems only fitting to feature a collection of French posters celebrating the genre. Above and below are fifteen examples promoting films noir from France, Britain, and the U.S., representing some of the best ever produced within the art form, as well as some less celebrated examples that we happen to love. Of those, we highly recommend seeing Le salaire de la peur, for which you see the poster above, and Ride the Pink Horse, below, which played as Et tournent les chevaux de bois in France. Just a word about those films (and feel free to skip ahead to the art, because really, who has time these days to listen to a couple of anonymous internet scribes ramble on about old movies?).
 
1953’s Le salaire de la peur is about a group of men stranded in an oil company town in the mountains of South America. In order to earn the wages to get out, four of them agree to drive two trucks filled with nitroglycerine over many miles of dangerous terrain. The idea is to use the chemicals to put out a raging oil well fire that is consuming company profits by the second, but of course the film is really about whether the men can even get there alive. Le salaire de la peur was critically praised when released in Europe, but in the U.S., political factions raised their ugly heads and got censors to crudely re-edit the prints so as to reduce the movie’s anti-capitalist (and by extension anti-American) subtext. The movie was later remade by Hollywood twice—once in 1958 as Hell’s Highway, and again in 1977 as Sorcerer. The original is by far the best.

1947’s Ride the Pink Horse is an obscure noir, but a quintessential one, in our opinion. If many noirs feature embittered World War II vets as their anti-heroes, Robert Montgomery’s Lucky Gagin is the bitterest of them all. He arrives in a New Mexico border town on a quest to avenge the death of a friend. The plot is thin—or perhaps stripped down would be a better description—but Robert Montgomery’s atmospheric direction makes up for that. Like a lot of mid-century films featuring ethnic characters, the most important one is played by a white actor (Wanda Hendrix, in a coating of what looks like brown shoe polish). It's racist, for sure, but within the universe of the film Lucky Gagin sees everyone around him only as obstacles or allies—i.e., equals within his own distinct worldview. So that makes up for it. Or maybe not. In any case, we think Ride the Pink Horse is worth a look. Fourteen more posters below. 
 

 
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Femmes Fatales Dec 6 2010
HELP ME RHONDA


American actress Rhonda Fleming, who was a rarity due to actually being born and raised in the city of Hollywood, became known as “The Queen of Technicolor” because of her flaming red hair. It isn’t evident in this promo shot from the mid 1940s, but it might evident in film titles such as The Redhead and the Cowboy, in which she starred with Glenn Ford, and Those Redheads from Seattle, which paired her with Gene Barry. Fleming is still around, and we'll have more on her a little later. 

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Vintage Pulp Feb 14 2009
GILDA AS CHARGED
Sixty-three years ago today Rita Hayworth electrified as the archetypal femme fatale.

Gilda is a film that appears on every list of top ten noirs we’ve ever seen, and still it is impossible to overstate how great the movie is. Rita Hayworth had acted in more than a dozen features before this one, but she was a revelation here. Her husband steps into her bedroom saying, “Gilda, are you decent?” And she appears with a hairflip and a wicked smile, saying, “Me?” Right away you know you’re in for a ride. You know this is a woman who is never decent. Something about the blazing eyes seems to promise unimaginable carnal adventures. She stands backlit in a nearly sheer shirt that shows the silhouettes of her breasts. After a song and dance routine she allows a stranger onstage to try and zip her out of her strapless black dress. At one point, about to ride off into the night with a suitor, she says, “Haven’t you heard, Gabe? If I’d been a ranch they’d have named me the Bar Nothing.” All this just to drive poor Glenn Ford mad with jealousy. Yes, Gilda is a femme fatale for the ages, and Gilda is a must-see piece of American cinema.

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Vintage Pulp Dec 7 2008
RED HEAT
A classic noir raises the temperature in the icy north.

When Swedes heard about The Big Heat, they said “Gud, tack själv,” because they were all freezing their asses off and though the movie was a documentary about how to stay warm. But no, it was just top-notch film noir, which generated its own warmth, especially if you conjured up dirty thoughts of Gloria Grahame. The movie was directed by film noir black-belt Fritz Lang, and tough guy Lee Marvin had a great supporting role. Oh, and if you’re wondering, yes, Jocelyn Brando is related to Marlon—she was his older sister. She died in 2005 after a lengthy career acting mostly on the telly. The Big Heat opened today in Stockholm, 1953.

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History Rewind
The headlines that mattered yesteryear.
February 01
1920—Royal Canadian Mounted Police Forms
In Canada, The Royal Canadian Mounted Police, aka Gendarmerie royale du Canada, begins operations when the Royal Northwest Mounted Police, founded 1873, and the Dominion Police, founded 1868, merge. The force, colloquially known as Mounties, is one of the most recognized law enforcement groups of its kind in the world.
1968—Image of Vietnam Execution Shown in U.S.
The execution of Viet Cong officer Nguyen Van Lem by South Vietnamese National Police Chief Nguyen Ngoc Loan is videotaped and photographed by Eddie Adams. This image showed Van Lem being shot in the head, and helped build American public opposition to the Vietnam War.
January 31
1928—Soviets Exile Leon Trotsky
Leon Trotsky, a Bolshevik revolutionary, Marxist theorist, and co-leader of the Russian October Revolution, is exiled to Alma Ata, at the time part of the Soviet Union but now located in Kazakhstan. He is later expelled entirely from the Soviet Union to Turkey, accompanied by his wife Natalia Sedova and his son Lev Sedov.
January 30
1933—Hitler Becomes Chancellor
Adolf Hitler is sworn in as Chancellor of Germany in President Paul Von Hindenburg's office, in what observers describe as a brief and simple ceremony. Hitler's first speech as Chancellor takes place on 10 February. The Nazis' seizure of power subsequently becomes known as the Machtergreifung.

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