|Vintage Pulp||Dec 25 2016|
A post on Christmas? Don't we ever quit? Well, we wrote some in advance and are allowing our Pulpbot to do the posting. We're actually on a tropical island with the Pulp Intl. girlfriends and have been for several days. But if we were watching the 1945 film noir Cornered it would not be a terrible misuse of time by any means. The movie deals with a war vet seeking revenge for the death of his wife, a member of the French resistance who was killed by French collaborators. While stalking them from Europe to South America he finds himself involved in a hunt for an entire cabal of traitors still up to their scheming ways. Motivations are murky all around, but the hero is hellbent on revenge—even if it upsets the delicate plans of a group of Nazi hunters. Good solid film noir, with good solid Dick Powell in the lead. The movie is set in France and Argentina but the production never left unexotic Culver City, California. Still works, though. Cornered premiered in the U.S. today in 1945.
|Vintage Pulp||Apr 8 2013|
This beautiful poster for Vicente Minelli’s 1952 drama The Bad and the Beautiful was made for the film’s French release as Les ensorceles. A behind-the-scenes look at the rise of a legendary Hollywood producer, the story is told in triptych, with each section focused on someone the producer betrayed during his rise to the top. The three sections are wrapped in a framing device wherein the betrayed have been called together to hear the producer’s pitch for working together again. Of course, all of them are too angry to consider such a collaboration—at least at first.
|Vintage Pulp||Aug 24 2011|
We watched Pitfall for the first time yesterday, and like many noirs the main takeaway here is to be thankful for what you’ve got. Dick Powell plays an insurance investigator, and even though he’s married to Jane Wyatt, he loses a philosophical debate with his own penis and ends up in Lizabeth Scott’s bed. But these fast women are never truly single—there’s always a recent ex and a raft of current admirers. Scott’s ex isn’t the main worry, since he’s cooling his heels in county, but her number one admirer is a gumshoe played by Raymond Burr and he's the sinister scheming type who is capable of just about anything. When the ex eventually gets out of jail, Burr realizes his plan to have Scott is in jeopardy, so he decides to pit the ex against Powell, which should result in one murder and one long prison sentence. Afterward he’ll just scoop up Lizabeth and sail away with her. Did we mention she despises him? Well, no matter—like all sociopaths, Burr figures she’ll come to love him in due time, especially when she finally understands that his violent tendencies are just a symptom of his devotion. Pitfall is a serviceable noir, but it isn’t top notch. The main problem for us is simply that Lizabeth Scott isn’t alluring enough to make us believe a husband would spurn the lovely and supportive Jane Wyatt. We understand that in real life these matters are complicated, but this is a movie and if Powell is going to stray, we think his marriage should be unhappy, or Scott should have more going for her than a platinum coif. Neither is the case, and so his tumble into Scott’s arms is a bit inexplicable. But hey, we’re quibbling. This is a decent movie, and we recommend it. Pitfall premiered in the U.S. today in 1948.
|Hollywoodland||Feb 18 2011|
Above is American actor Dick Powell, née Richard Ewing Powell, seen here in a publicity photo for his 1948 film noir Pitfall. Powell’s career was slow getting started, but when he hit his forties he became a noir stalwart, starring in Murder My Sweet, Cornered, Johnny O’Clock, and Cry Danger, as well a number of more conventional melodramas. We’ll have more on Powell later.