Intl. Notebook Aug 13 2014
LAST BACALL
Slipping into darkness.

Lauren Bacall appears here in what may be her most famous publicity image, gazing from the darkness with a knowing, mischievous, heavy-lidded look she made her trademark in The Big Sleep, Dark Passage, and To Have and Have Not, three films that were a sort of informal trifecta of film noir. She also appeared in Key Largo, less a noir than a melodrama, but still excellent. All co-starred Humphrey Bogart, who she married in the middle of this run of films and remained married to until his death in 1957. Bacall joins him more than half a century later, aged eighty-nine.

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Hollywoodland Jun 19 2013
CIRO HOUR
Everybody who was anybody was there.

This photo made today in 1954 shows American singer/actress Abbe Lane posing outside Ciro’s nightclub in West Hollywood, California. Lane had begun in show business as a child actress, but became world famous after she married bandleader Xavier Cugat and began fronting his group as a singer. Although this is a famous photo, one you can find elsewhere on the internet, we thought it was worth posting anyway, not just because of Lane, but because supper clubs like Ciro’s really don’t exist anymore. Ciro’s, which by the way was unrelated to the many famous Ciro’s that existed in Europe during the Jazz Age, from its opening in 1940 to its closing in 1957 was a favorite spot of screen personalities, singers, producers, and writers, a place where the night’s meet-ups and trysts were reported in the next day’s gossip columns. Below you see Lane and Cugat, Charlie Chaplin with Paulette Goddard, Lane onstage fronting Cugat’s rumba band, Cary Grant with Betsy Drake, Lucille Ball with Desi Arnaz, Jr., and others. 

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Hollywoodland Apr 22 2013
BACALLING ARGENTINA
Reports of her retirement were greatly exaggerated.

Here’s an interesting little item we found on an auction site. It’s a copy of the Argentine film magazine Mundo Argentino with Lauren Bacall, née Betty Joan Perske on the cover. The inset text reads, “Lauren Bacall says goodbye forever to Hollywood,” and while she did disappear from films for four years, she returned in 1963 and has continued acting all the way up until 2012 so far. This cover appeared today in 1959. 

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Femmes Fatales Jan 19 2013
LAUREN'Z CURVES
For a good time, Bacall.

Above, a 1945 promo shot of a midriff baring Lauren Bacall looking ready to make some mischief. The photo was made for the film To Have and Have Not, from the same sessions that produced these images. Lorenz curves, by the way, describe inequality in wealth or size. We think Bacall is inequitably beautiful here.

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Hollywoodland Nov 27 2012
TO HAVE AND HAVE MORE
Sometimes a kiss is not just a kiss.

The above promo shot was made for Humphrey Bogart and Lauren Bacall’s 1944 thriller To Have and Have Not, in which he played a cynical boat captain and she played a tough girl with a heart ready to be given to the right man. It was set in French Martinique, and it’s one of our favorite old movies. Certainly not in the same league as Casablanca, which is the phenomenon it was trying to recreate, yet it was faster, funnier, and far less grandiose, all of which work in its favor. Haven’t seen it? Rent it. Or better yet—in the spirit of Bogart’s rum running character Capt. Harry Morgan—pirate it. Arrr.

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Vintage Pulp May 29 2012
REVOLUTIONARY NOIR
Only the good go to sleep at night.


The French coined the term film noir, so it seems only fitting to feature a collection of French posters celebrating the genre. Above and below are fifteen examples promoting films noir from France, Britain, and the U.S., representing some of the best ever produced within the art form, as well as some less celebrated examples that we happen to love. Of those, we highly recommend seeing Le salaire de la peur, for which you see the poster above, and Ride the Pink Horse, below, which played as Et tournent les chevaux de bois in France. Just a word about those films (and feel free to skip ahead to the art, because really, who has time these days to listen to a couple of anonymous internet scribes ramble on about old movies?).
 
1953’s Le salaire de la peur is about a group of men stranded in an oil company town in the mountains of South America. In order to earn the wages to get out, four of them agree to drive two trucks filled with nitroglycerine over many miles of dangerous terrain. The idea is to use the chemicals to put out a raging oil well fire that is consuming company profits by the second, but of course the film is really about whether the men can even get there alive. Le salaire de la peur was critically praised when released in Europe, but in the U.S., political factions raised their ugly heads and got censors to crudely re-edit the prints so as to reduce the movie’s anti-capitalist (and by extension anti-American) subtext. The movie was later remade by Hollywood twice—once in 1958 as Hell’s Highway, and again in 1977 as Sorcerer. The original is by far the best.

1947’s Ride the Pink Horse is an obscure noir, but a quintessential one, in our opinion. If many noirs feature embittered World War II vets as their anti-heroes, Robert Montgomery’s Lucky Gagin is the bitterest of them all. He arrives in a New Mexico border town on a quest to avenge the death of a friend. The plot is thin—or perhaps stripped down would be a better description—but Robert Montgomery’s atmospheric direction makes up for that. Like a lot of mid-century films featuring ethnic characters, the most important one is played by a white actor (Wanda Hendrix, in a coating of what looks like brown shoe polish). It's racist, for sure, but within the universe of the film Lucky Gagin sees everyone around him only as obstacles or allies—i.e., equals within his own distinct worldview. So that makes up for it. Or maybe not. In any case, we think Ride the Pink Horse is worth a look. Fourteen more posters below. 
 

 
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Vintage Pulp Jul 7 2011
STREETS OF SAN FRANCISCO
Dark Passage is the least thrilling of Bogie and Bacall’s three collaborations, but it’s still a worthy film noir.

Humphrey Bogart rose to unparalleled heights as a mid-century movie star, but even he has a few films that could be considered underappreciated. 1947’s Dark Passage probably fits the bill. It’s a polarizing movie, long admired by critics and noir aficionados, but off-putting to casual cinema fans. The first hour is shot from first person perspective, which means we don’t see Bogart at all except when he happens to pass by a mirror. What we glimpse when he does is a head wrapped in bandages, for he has gone under the plastic surgeon’s knife in an effort to change his identity and elude the law. Assisting him in his desperate plan is Lauren Bacall, who dazzled with Bogie in To Have and Have Not and Key Largo. Unfortunately, the romantic sparks don’t quite fly between the real life spouses here the way they did in those collaborations but, as constructed, perhaps that was never the intention. Just the same, we recommend Dark Passage for its taut atmosphere and clever camera work. Plus, for the historically oriented, a bonus is a detailed look at post-WWII San Francisco, beautifully shot by director Delmer Daves and cinematographer Sidney Hickox. Above you see the movie’s French promo art, created for its release as Les passagers de la nuit today in 1948. 

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Vintage Pulp Feb 17 2010
WILLIAM TALES
Even southern girls get the blues.

You know we like to share these pulp style covers certain publishing houses cooked up for reprints of serious pieces of literature. Today, it’s William Faulkner’s turn, and the subject is his 1931 novel Sanctuary, which Signet released in 1950 with this cover. Sanctuary was Faulkner’s fifth book and first success, but he wasn’t particularly fond of it, dismissing it as commercial claptrap written purely for financial reasons. If that was truly his intention, it seems like leaving out all the depravity and violence would have been a better way to go about it. In any case, critics did not consider the book lightweight in the least, and a central rape scene involving a corncob understandably generated quite a bit of controversy. When the book was adapted into a 1933 movie entitled The Story of Temple Drake starring Miriam Hopkins, the corncob was removed, but the film still caused a stir and helped bring about the introduction of the Hays Code—the censorship doctrine that predated the establishment of the MPAA. In 1961 Sanctuary was adapted again, and this time not only was the corncob removed, but a sizeable chunk of Faulkner’s original plot. Despite his professed distaste for commercialism, Faulkner had by then worked on dozens of movie projects. He wrote screenplays for To Have and Have Not and The Big Sleep, and also became a sought after script doctor, massaging projects like Mildred Pierce, The Southerner and Gunga Din. We have a collection of posters from some of his projects below. If you’ve neglected to see any of these films, we highly recommend them and, of course, his novels are well worth a read. 

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Hollywoodland Nov 15 2009
GOOD BACALL
Screen legend receives overdue honor.

Screen icon Lauren Bacall, circa 1952. The Academy of Motion Picture Arts and Sciences gave her an honorary Academy Award yesterday during a private ceremony at the Kodak Theatre in Los Angeles. Other deserving honorees included B-movie legend Roger Corman, and cinematographer Gordon Willis.

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History Rewind
The headlines that mattered yesteryear.
September 20
1946—Cannes Launches Film Festival
The first Cannes Film Festival is held in 1946, in the old Casino of Cannes, financed by the French Foreign Affairs Ministry and the City of Cannes.
September 19
1934—Arrest Made in Lindbergh Baby Case
Bruno Hauptmann is arrested for the kidnap and murder of Charles Lindbergh Jr., son of the famous American aviator. The infant child had been abducted from the Lindbergh home in March 1932, and found decomposed two months later in the woods nearby. He had suffered a fatal skull fracture. Hauptmann was tried, convicted, sentenced to death, and finally executed by electric chair in April 1936. He proclaimed his innocence to the end
September 18
1919—Pollard Breaks the Color Barrier
Fritz Pollard becomes the first African-American to play professional football for a major team, the Akron Pros. Though Pollard is forgotten today, famed sportswriter Walter Camp ranked him as "one of the greatest runners these eyes have ever seen." In another barrier-breaking historical achievement, Pollard later became the co-head coach of the Pros, while still maintaining his roster position as running back.
1932—Entwistle Leaps from Hollywood Sign
Actress Peg Entwistle commits suicide by jumping from the letter "H" in the Hollywood sign. Her body lay in the ravine below for two days, until it was found by a detective and two radio car officers. She remained unidentified until her uncle connected the description and the initials "P.E." on the suicide note in the newspapers with his niece's two-day absence.

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