Bogart and Bacall arrive in Italy in Grande style.
Above, a beautiful poster for Il grande sonno, better known as The Big Sleep, with Humphrey Bogart and Lauren Bacall. Was Bacall a redhead? Well, she was in Italy. At the top of the poster you see that this played at the Politeama cinema. Rome? Naples? Palermo? Genoa? Cinemas with that name abounded, so we have no way of knowing exactly where the poster was displayed. You'll see the art attributed to Luigi Martinati on various websites, but we don't think so. It doesn't look like his work, and it's actually signed “Nico” near Bacall's right thigh. Martinati did paint a couple of posters for this movie, though, which we may upload later. We've talked about The Big Sleep—as has every other film noir related site on the internet. We don't have any special insights, but if you're curious what we said anyway, check here. After opening in the U.S. in 1946, The Big Sleep arrived in Italy today in 1947, which the poster tells us was martedì—a Tuesday.
You know what they say about men with big hats.
In this production still from 1946's The Big Sleep featuring a bizarrely large hat in the foreground, Martha Vickers falls into Humphrey Bogart's arms. Bogart, under normal circumstances, would have been smart to likewise fall for Miss Vickers, but his other choice in the movie was Lauren Bacall. Which means it was she who got hat, head, and all the rest.
Trust me, I can do this for a long, long time.
Lauren Bacall gives the camera the look she made famous, and which gave male filmgoers palpitations. Ironically, the look came about because in her first film To Have and Have Not she was so nervous her head was shaking, so she kept her chin down to suppress the tremors, which required her to look from under her eyelids. Or so the story goes. This particular photo was made for her thriller Confidential Agent, and it dates from 1945.
Italian master’s genius spanned decades.
Back in August we showed you a poster from Luigi Martinati, who worked from 1923 to 1967, and said we'd get back to him. Below, seven more great promotional pieces with his distinctive signature on each.
To Have and Have Not
On the Waterfront
Phantom of the Rue Morgue
The Wrong Man
If only their taste in mates matched their taste in music.
The Noir City Film Festival continues its challenging 2016 slate when it screens another pair of classics tonight—Love Me or Leave Me and Young Man with a Horn. Both are musical dramas, and though neither is a noir, both take viewers to dark places. In the 1920s period piece Love Me or Leave Me velvety-voiced Doris Day stars as a struggling chanteuse given a break by gangster James Cagney. He quickly becomes her manager and uses force to launch a national career, blind to the fact that she has real talent and can succeed with no strongarm man to back her. But Cagney doesn't see her talent—show business is gangsterism for him, and bullying is how he operates. When he finally bullies his way into marriage with Day his constant rage transforms her into an indifferent and isolated woman.
This is one of those movies that will, especially in a full house in San Francisco, trigger groans of distaste as Cagney ticks all the worst boxes of reprehensible human beings—treating women like meat, slapping them around, trying to obtain sex by force, dispensing emotional abuse, and using violence as a tool in every situation, against both women and men. But the audience may be just as hard on Day by the final reel forpossessing a level of forgiveness that is alien to people circa 2016. Love Me or Leave Me is an excellent movie—cringe inducing in parts, but deeply involving, and perhaps destined to be the most discussed film of the festival.
Day stars in Young Man with a Horn as well, singing again, this time with Kirk Douglas, who plays a gifted child musician who grows up to be an ace trumpet player thanks to the tutelage of an elder jazzman. Unfortunately he has a congenital inability to conform, particularly when it means playing dance band music over improvisational jazz. The arrival of a femme fatale—in the person of the awesome Lauren Bacall—brings a whole new set of troubles. The gender roles are reversed from Love Me or Leave Me, but the films each explore how a bad relationship saps the joy from the soul of an artist, and Day is winningly sweet in both.
Perhaps by now you’ve noticed the theme that has emerged with this year’s Noir City offerings—they are all about artists or their artistic output. In Rear Window and The Public Eye it’s photographers, in The Two Mrs. Carrolls it’s a painter, In a Lonely Place and The Bitter Stems deal with a screenwriter and journalist, Deception and Humroresque look at classical musicians, and The Dark Corner and Crack Up deal with art ascommerce and contraband respectively. The theme is nice, but once again two films will be screening tonight that present yet another challenge to noir purists attending this year’s fest. Both films are great, but we’ll be surprised if organizers stray this far from the form next year.
Slipping into darkness.
Lauren Bacall appears here in what may be her most famous publicity image, gazing from the darkness with a knowing, mischievous, heavy-lidded look she made her trademark in The Big Sleep, Dark Passage, and To Have and Have Not, three films that were a sort of informal trifecta of film noir. She also appeared in Key Largo, less a noir than a melodrama, but still excellent. All co-starred Humphrey Bogart, who she married in the middle of this run of films and remained married to until his death in 1957. Bacall joins him more than half a century later, aged eighty-nine.
Everybody who was anybody was there.
This photo made today in 1954 shows American singer/actress Abbe Lane posing outside Ciro’s nightclub in West Hollywood, California. Lane had begun in show business as a child actress, but became world famous after she married bandleader Xavier Cugat and began fronting his group as a singer. Although this is a famous photo, one you can find elsewhere on the internet, we thought it was worth posting anyway, not just because of Lane, but because supper clubs like Ciro’s really don’t exist anymore. Ciro’s, which by the way was unrelated to the many famous Ciro’s that existed in Europe during the Jazz Age, from its opening in 1940 to its closing in 1957 was a favorite spot of screen personalities, singers, producers, and writers, a place where the night’s meet-ups and trysts were reported in the next day’s gossip columns. Below you see Lane and Cugat, Charlie Chaplin with Paulette Goddard, Lane onstage fronting Cugat’s rumba band, Cary Grant with Betsy Drake, Lucille Ball with Desi Arnaz, Jr., and others.
Reports of her retirement were greatly exaggerated.
Here’s an interesting little item we found on an auction site. It’s a copy of the Argentine film magazine Mundo Argentino with Lauren Bacall, née Betty Joan Perske on the cover. The inset text reads, “Lauren Bacall says goodbye forever to Hollywood,” and while she did disappear from films for four years, she returned in 1963 and has continued acting all the way up until 2012 so far. This cover appeared today in 1959.
For a good time, Bacall.
Above, a 1945 promo shot of a midriff baring Lauren Bacall looking ready to make some mischief. The photo was made for the film To Have and Have Not, from the same sessions that produced these images. Lorenz curves, by the way, describe inequality in wealth or size. We think Bacall is inequitably beautiful here. |
The headlines that mattered yesteryear.
1992—Cocaine Baron Escapes Prison
Pablo Emilio Escobar Gaviria, imprisoned leader of the Medellin drug cartel, escapes from a posh Colombian jail known as La Catedral after he learns authorities intend to move him to a real prison. His taste of freedom doesn't last—he's killed in a shootout a year-and-a-half later.
1925—Jury Decides the Teaching of Evolution Is a Crime
In the famous Scopes Monkey Trial, American schoolteacher John Scopes is found guilty of violating the Butler Act, which forbids the teaching of evolution in schools. The sensational trial pits two great legal minds—William Jennings Bryan and Clarence Darrow—against each other. Ultimately, Scopes and Darrow are destined to lose because the case rests on whether Scopes had violated the Act, not whether evolution is fact.
1969—First Humans Reach the Moon
Neil Armstrong and Eugene 'Buzz' Aldrin, Jr. become the first humans to walk on the moon. The third member of the mission, command module Pilot Michael Collins, remains in orbit in Apollo 11.
1972—Chaos in the Big Apple
In New York City, within a span of twenty-four hours, fifty-seven murders are committed.
1944—Hitler Survives Third Assassination Attempt
Adolf Hitler escapes death after a bomb explodes at his headquarters in Rastenberg, East Prussia. A senior officer, Colonel Claus Schenk von Stauffenberg, is blamed for planting the device at a meeting between Hitler and other senior staff members. Hitler sustains minor burns and a concussion but manages to keep an appointment later in the day with Italian leader Benito Mussolini.
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.