Vintage Pulp Jan 12 2017
FIRE AT WILL
When Mafia thugs take on Oklahoma roughnecks it's an oil or nothing battle to the death.

We finally picked up a new scanner and life is good again. You may have noticed the difference in recent uploads. No moire patterns. No weird rainbows. All clean. You may also have noticed the website looks a bit different. We were making some changes over the holidays and got caught in the middle, but we'll finish everything as soon as we can and get it all working properly again. We know, we know. We're really slow with this stuff. But we'll get there.

Meanwhile, today we have for your enjoyment an issue of Australia's Adam magazine, published this month in 1972 with a cover illustrating Martin Rudyard's tale “The Mafia Oil Stakes,” about an organized crime cartel trying to take over a group of Oklahoma oil fields. Most of the owners sell out, but one stubborn cuss refuses, and sabotage followed by violence soon results. The climactic fight takes place against the backdrop of an oil well conflagration. A femme fatale is at the root of all this craziness, and her name is Angela Fierce. Sometimes writers try a little too hard, don't they?

The inside cover star, just above, is Lois Mitchell, someone we've been meaning to feature. She was a popular glamour model during the ’70s, and appeared in copious amounts of high quality images shot by men's magazine contributors Ron Vogel, Edmund Leja, and others. The photo appearing here is new to the internet as far as we can tell. We have thirty-some scans of today's Adam, forty-eight other issues inside the website, and about thirty more we plan on sharing down the line.

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Vintage Pulp Aug 20 2015
NO LAFFING MATTER
They didn’t think it was funny in Oklahoma.

This issue of Laff from this month in 1949 contains a rather amusing story about burlesque queen Lilly Christine being censored from University of Oklahoma campus newspaper Covered Wagon by scandalized administrators. Seems members of the newspaper staff had been in New Orleans the previous year for the Sugar Bowl and had caught Christine in residency at the 500 Club. When later she toured through Oklahoma City the newspaper staff arranged a trip to see her, and that led to the quite logical idea of working up a story about her—which was when administrators stepped in to nix the plan. Christine saw a chance for free publicity and proceeded to appear at the campus health clinic seeking a chest x-ray. You couldn’t make this stuff up. After a bit of runaround she was refused. Meanwhile newspaper staff were seething over their unceremonious shackling—they saw it as a free speech issue, while the greyhairs saw it as a morals issue. The editor declared that there would be no more issues of Covered Wagon, but that’s when one of OU’s frats quickly ran off a scab issue of the paper to prove the point that Covered Wagon staffers were replaceable. Leave it to a bunch of entitled Greeks to side with the establishment, right? Checkmated, the editor and several loyalists quit. Meanwhile, Lilly Christine had long since minced on her merry way, no doubt accustomed to leaving a bit of chaos in her wake. See more Christine at this link (and elsewhere in the site if you search).

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Femmes Fatales Jan 28 2015
GOLDEN GRAHAME
It was a wonderful Life.

An ethereal Gloria Grahame poses for a promo photo during a session that would produce a famous cover for Life. Grahame was a true great of acting who starred in the classics It’s a Wonderful Life, The Bad and the Beautiful, Human Bondage, and Oklahoma!, but who we prefer to remember for her film noir roles—among them: In a Lonely Place, The Big Heat, Crossfire, Sudden Fear, and Naked Alibi. Born and raised in Los Angeles, she took the town by storm and made an indelible mark in film. The above photo and cover below are from 1946.
 

 
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Politique Diabolique May 8 2014
DEVILISH DILEMMA
Who’s that goat-legged fellow, Smithers? I like the cut of his jib.


When you have a site category called politique diabolique, it’s malpractice to leave stories like this alone. In Oklahoma back in 2012, a state representative named Mike Ritze used a legal loophole to get a plaque of the Ten Commandments installed on the lawn of the statehouse in Oklahoma City. State sponsorship of religious displays is expressly forbidden there because of that whole separation of church and state thing, but because Ritze was also a private citizen and he made a gift of the plaque, it was supposedly not covered by separation laws. An impartial court might have had something different to say about that, but in any case, thanks to Ritze warping state law, Christian groups finally got what they wanted—a religious monument on state property and a brazen in-your-face to America’s founding fathers. Congratulations and backslapping all around.  

Fast forward and a group calling itself the Satanic Temple has designed a statue to be displayed at the statehouse as well. Privately financed, also technically a gift, the Satanist monument, of which a model was unveiled recently, shows a goat-headed Prince of Darkness holding court over two enthralled children. Now legal authorities are moving heaven and earth to prevent the installation of the monument, notwithstanding the fact that doing so will conclusively prove the Satanists’ point that the Ten Commandments plaque is exactly what it appears to be—not a private gift but a state endorsement of Christianity over other religions. The only way Oklahoma lawmakers can truly prove that they aren’t expressing political preference for Christianity is to allow other religious displays. Suggesting there's no support for the Satanist monument raises the question of how the Ten Commandments got there without a public vote. What a pickle.
 
The same lawmakers are now working hard to pervert more laws—specifically those regarding historic preservation—to stop Satan’s arrival. There are three possible conclusions to the fiasco. If the Satanic monument is blocked, particularly by using preservation laws to protect a two-year-old plaque, lawmakers will have proven that what they say about inclusive religious freedom is false, because future monuments,whether Jewish, Mormon, or other, would be likewise blocked. If they allow the monument, Satanists will have equal standing with God on state property and children who pass by will exclaim, “Mommy, look a goat man! Can I go for a ride?” And if lawmakers remove the Ten Commandments, everyone from Satanists to Constitutional scholars will get what they wanted in 2012, and Ritze and Co. will drink the bitter milk of defeat. Only men blinded by piety could paint themselves into such a corner. For our part, we don’t want Satan at the statehouse, if only to spare Oklahomans the future scandal of certain legislators being caught genuflecting before him under a sickle moon. Do you doubt it? Then you don't know politics.


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Vintage Pulp Jun 5 2013
EARL'S GIRLS
What are little girls made of? Pencil, paint, and lots of practice.

It’s been a while since we shared a calendar, so today we have The MacPherson Sketch Book for 1949, which contains not just finished pin-up art, but sketches and studies. Oklahoma born artist Earl MacPherson published more than one of these—nine, we’ve heard, selling millions of copies—and we imagine they were pretty inspiring stuff, quite possibly sending numerous future painters, illustrators and comic book artists on their first steps along the path of visual art. Looking at the twelve scans below it’s easy to see why.

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Hollywoodland Mar 6 2012
HAIRY SITUATION
Lucy, you got some ’splainin’ to do.

Here’s a rare promo shot from the 1933 pre-Hays Code musical Roman Scandals, an interesting film about a guy from West Rome, Oklahoma who has a vivid dream that he lives in ancient Rome. If you can deal with the sight of Eddie Cantor cavorting in blackface, it’s probably worth a rental. The movie was produced by the Samuel Goldwyn Company, and starred Sam Goldwyn’s dance troupe the Goldwyn Girls, whose most famous ex-member is Lucille Ball. And in fact, that’s Lucille Ball above, on the right, though it may be hard to believe. Trust us, though. The Hays Code, by the way, was actually enacted in 1930 but ignored until 1934, which is why cinema historians consider Roman Scandals to be a pre-Code production. The Code was finally ditched in 1968, but unfortunately in favor of the almost equally arbitrary MPAA rating system. Below, just for the fun of it, we’ve posted the back of the photo because with its writing and tape marks it strikes us as a pretty nice piece of abstract art. And at bottom we’ve posted a much clearer shot of Miss Ball.

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The Naked City Aug 18 2011
TANGLED WEBB
Was Madeline Webb a cold-blooded killer or just a woman blinded by love?

This Real Detective from August 1942 hit newsstands during the height of America’s conflict in the Pacific against the Japanese and it tells the story of Madeline Webb, who was the central figure in a murder case so sensational that it managed to distract the country, however briefly, from war. Webb had moved from Stillwater, Oklahoma to New York City with small town dreams of being a Broadway star. Instead she met a petty crook named Eli Shonbrun and fell in love. Webb was living on an allowance from home, but Shonbrun’s income was more sporadic—he survived by stealing women’s jewelry. Eventually he needed another score and, along with two accomplices named John Cullen and Murray Hirschl, he hatched a scheme to rob a wealthy acquaintance of Webb’s, a woman named Susan Flora Reich.

But when the robbery was over Reich was dead, suffocated by the adhesive tape that had been placed over her mouth. Eli Shonbrun and company went into hiding, but the police soon tracked them down, whereupon Hirschl immediately made a deal to testify against the others. He admitted helping to plan the crime, but swore he was not present in the hotel room where it occurred. Madeline Webb also denied being present, and Shonbrun backed up her claim, but Hirschl said she was lying and had actually lured Reich to the hotel. A jury of twelve men deliberated for five hours and returned a verdict of guilty for all three defendants. Shonbrun and Cullen were sentenced to death and Webb was given life in prison. When her punishment was announced in court she sobbed, “Please, please, I didn't!” Shonbrun cried, “You have crucifed her!”

What seemed to mesmerize the American public was the spectacle of Webb and Shonbrun clinging to their love in the face of adversity. They had frequently disrupted the trial with outbursts of support for each other. Whenever Webb seemed to wither Shonbrun managed to pass her notes of encouragement. On the few occasions they came into physical contact they kissed and exchanged “I love yous.” And when Shonbrun’s date with the executioner came in April 1943, he received a final love letter from Webb. He read it in the death chamber at Sing-Sing Prison, then surrendered it to the warden to be destroyed. Five minutes after being strapped into the electric chair Eli Shonbrun was dead.

Madeline Webb served twenty-five years at Westfield State Farm in Bedford Hills, New York, and was by all accounts a model inmate. She promoted educational programs for imprisoned women, taught many illiterate inmates to read, and ran the prison library. Her life sentence carried no possibility of parole, but her sentence was commuted in 1967. After her release she returned to Stillwater where she worked with variouscommunity organizations and cared for her elderly mother, who had spent her life savings on her daughter’s legal fees. Webb died of cancer in 1980 at age sixty-seven, and she did so still protesting her innocence. She was indeed an unlikely murderer. Her family had money back in 1942, and if she had required any she need only have sent a telegram asking for it. But just as New York City proved too much for her show business ambitions, its men may have proved too much for her better judgment. It's entirely possible she was simply too lovestruck by the rough and tumble Eli Shonbrun to derail his scheme. Some light could possibly be shed on this question if the content of her last letter was known—but that went to grave with her. 

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History Rewind
The headlines that mattered yesteryear.
November 23
1936—First Edition of Life Published
Henry Luce launches Life, a weekly magazine with an emphasis on photo-journalism. Life dominates the U.S. market for more than forty years, publishing scores of iconic photographs that remain some of the most recognizable ever shot, and peaking at one point with a circulation of more than 13.5 million copies a week.
1963—Doctor Who Debuts on BBC
The BBC broadcasts the first episode of Doctor Who, starring William Hartnell as a mysterious alien who time travels in his spaceship, the TARDIS. With his companions, he explores time and space while facing a variety of foes and righting wrongs. The show would become the longest-running science fiction series ever broadcast.
November 22
1963—John F. Kennedy Is Assassinated
In Dallas, Texas, U.S. President John F. Kennedy is killed and Texas Governor John B. Connally is seriously wounded as they ride in a motorcade through Dealy Plaza. Lee Harvey Oswald, an employee of the schoolbook depository from which the shots were suspected to have been fired, was arrested on charges of the murder of a local police officer and was subsequently charged with the Kennedy killing. He denied shooting anyone, claiming he was a patsy, but was killed by Jack Ruby on November 24, before he could be indicted or tried. Today, Americans who believe JFK was killed as the result of a conspiracy are routinely dismissed in the press, yet the vast majority of them believe Oswald did not act alone.
November 21
1959—Max Baer Dies
Former heavyweight boxing champ Max Baer dies of a heart attack in Hollywood, California. Baer had a turbulent career. He lost to Joe Louis in 1935, but two years earlier, in his prime, he defeated German champ and Nazi hero Max Schmeling while wearing a Star of David on his trunks. The victory was his legacy, making him a symbol to Jews, and also to all who hated Nazis.
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