French magazine celebrates essential American film genre.
Originally posted April 6, 2019
A few years ago we used this image of German actress Dorothée Blanck as a femme fatale, but didn't scan the rest of the magazine in which we had found her. By now you know why—the pages of these old film mags are large and we have to scan them in halves and put them together in Photoshop or GIMP, which is time consuming, something that's a real problem for lazy people like us. But here we are three years later and we've finally done it. Above is the full cover of the issue of Cinémonde—“cineworld” in English—from which Blanck came.
Cinémonde was first published in October 1928 and ran until being interrupted by World War II in 1940. Post hostilities the magazine reappeared, running from 1946 until 1968, taking another pause, running again from 1970 to 1971, and finally folding for good. This issue hit newsstands today in 1965. Like other European magazines of the era, the main attraction with Cinémonde is that its photos generally have not been seen online before. This issue was devoted to the American western, and the subjects include some of the biggest cowboy stars in cinema history, including John Wayne, Glenn Ford, Clint Eastwood, and Jimmy Stewart.
That's the first half of the issue. Afterward editors move outside the western milieu, and you get Marlon Brando, David Niven, Francois Dorléac, Barbara Bouchet, Serge Gainsbourg, hair secrets of the stars, the top ten Don Juans of French cinema, and more. Do we have other issues of this magazine? You bet. We own a group that includes Cinémonde, Ciné-Revue, and others. Will we ever scan them? Well, we make no promises at this point, but you never know—maybe we'll splash out for a bigger scanner and solve the problem with money instead of effort. Seems to work for everyone else. Thirty plus images below.
What's mostly style and virtually no logic? A typical giallo.
Giallo films occasionally take on taboo subject matter. In western cinema little is more taboo than child murder. Non si sevizia un paperino, aka Don't Torture a Duckling unabashedly uses this premise, as police in rural Italy try to solve the murder of a 12-year-old named Bruno. “The guy's obviously going to be a mental case,” one cop says. “The killer's a maniac,” says another. But cops are notoriously obtuse in these films. Was the killer really some nut job? Bruno was one of a trio of close friends who spent a lot of time together playing in the hills. When a second member of the group turns up dead it seems clear that the three boys saw something they shouldn't have and are now being targeted.
As usual in giallo there are extraneous moments littered throughout the plot. Why does creepy ass Florinda Bolkan play in the muck with three voodoo dolls that seem to represent the three boys? Why does a local farmer wander the woods during a late night thunderstorm chopping down foliage with a machete? Why does Barbara Bouchet lounge in her room nude under a sun lamp? Actually, we know the answer to that last question—the filmmakers had one of cinema's great beauties on their hands and weren't about to let the opportunity to show her pass. We couldn't let it pass either. See the promo images below.
Getting back to the positives, we enjoyed watching sex symbol Bolkan dirty herself up to play a mountain witch, loved Bouchet's assortment of ultra cool outfits and cars, and thought the filmmakers used the Basilicata countryside to good effect. But who did the killing? Was it Bolkan the witch? The big city drug addict? The handsome local priest? The mentally disabled man-boy? The priest's strange mother? Giallo mysteries are not usually written in such a way as to be solvable, so in truth it's hard to care. But even if Non si sevizia un paperino isn't an involving puzzle, it's great eye candy with a bizarrely graphic ending that must be seen to be believed. It premiered in Italy today in 1972.
Without her it's just a gaudy mauve bedroom.
Above, a really lovely shot of Barbara Bouchet, considered one of the great beauties of her era, chilling in a hotel room. She was born today in 1943 in the Sudetenland, then part of Germany, today part of the Czech Republic. We've featured her before and all those posts are worth a look, here, here, and here.
Staring down the barrel.
When we first saw this we weren’t sure what it was—we were thinking soundtrack sleeve. Turns out it’s a super 8 film box for the 1972 Italian poliziotteschi Milano calibro 9, aka Caliber 9, and it came from an interesting blog called Passione Super 8. The cover star, who we’ve helpfully enlarged below, is Barbara Bouchet, a Pulp Intl. favorite we’ve talked about once or twice before. We actually haven’t seen this film yet, but now it’s next on the list. You can visit Passione Super 8 at this link.
It’s possible to have too many Bonds.
1967’s Casino Royale wasn’t a global Christmas movie in the sense that today’s films are, however it did premiere Christmas week in ten European countries, as well as today in Japan. The movie wasn’t good. Basic idea: Sean Connery is an imposter, so the real James Bond in the form of David Niven is coaxed out of retirement, and he comes up with a plan to confuse his arch enemies SMERSH by renaming all British agents—male and female—James Bond. Time’s review of Casino Royale was headlined “Keystone Cop Out,” and The New York Times’ Bosley Crowther was just as scathing, noting that “since it’s based more on slapstick than wit, with Bond cliché piled upon cliché, it tends to crumble and sprawl.”
But one thing about holiday blockbusters—past and present—is that they’re expensively promoted. The many posters produced to sell Casino Royale were top notch. A U.S. poster painted by the legendary Robert McGinnis remains one of his most iconic pieces, but we also like these Italian quattro foglio promos painted by the extensively and expensively collected Giorgio Olivetti. We saw a set of these asking $8,500 at an auction site. By contrast, below are several U.S. promos, not paintings but photo-illustrations, on which the film’s secondary players get starring roles. They aren’t nearly as collectible as the movie’s paintings, but they’re pretty, so we’re sharing them as well.
The year’s longest day in a season that’s always too short.
In some places the weather is warm every day, pretty much, but in others, warmth is a fleeting gift. Regardless of where you are, we are officially at the beginning of summer, with the solstice arriving today or tomorrow, depending on your time zone. So we’ve decided to pull together some summery promo pix. These are from Japanese magazines and feature stars who were most famous during the 1950s and 1960s, including Raquel Welch, Ursula Andress, Yvette Mimieux, and others. You can similar summer collections from previous years here and here.
You can never have too much information.
Every time we see a cover of the Japanese celeb/cinema magazine Movie Information/Movie Pictorial we find ourselves thinking how cool they look. It’s a publication that goes all the way back to the early 1950s, and it had a few different periods, graphically speaking, but for some reason we always preferred these clean, colorful late-1960s early-1970s covers. So we thought we’d upload a few fronts and backs we’ve found over the years and see if you agree. As far as the name goes, we usually see the magazine referred to in English as Movie Pictorial, and in fact the back cover does say that, obviously. But the front cover writing definitely says “Movie Information.” So there you go. But we’ve actually turned screwing up these translations into a fine art, so we won’t be heartbroken if we’re wrong. Anyway, see below. And FYI, the girl in the scuba tank is Barbara Bouchet, so she’s on three covers. The scuba image is a promo shot from Voyage To the Bottom of the Sea. You can see two more front covers here and here.
Jackie Kennedy decides to get out of the line of fire.
On the cover of this issue of Midnight published today in 1969, editors tell readers that presidential widow Jacqueline Kennedy Onassis hates Americans. The story extensively quotes an acquaintance named Lisa Whalley, who says at one point, “She (Jackie) thinks of Americans as a herd of mindless sheep who follow after famous personalities as though they were gods and goddesses.” It’s an interesting line, but it isn’t really news. Jacqueline Kennedy’s feelings about the U.S. were well known. After her husband was murdered, she and Robert Kennedy stated that they believed JFK had been felled by domestic opponents, the key words in there being “domestic”, i.e. American, and “opponents”, more than one person. And when Robert Kennedy was assassinated in 1968, Jackie came to the conclusion that the entire Kennedy family was a target. According to RFK biographer C. David Heymann, she said, “I hate this country. I despise America and I don’t want my children to live here anymore. If they’re killing Kennedys, my children are number one targets. I want to get out of this country.” Four months later she married Aristotle Onassis and moved to Greece. So the Midnight headline isn’t any great stretch, though to the editors’ credit, they do a pretty good job of framing it as a scoop. Inside the issue you get Elizabeth Taylor and Richard Burton on the rocks, Italian bombshell Nuccia Cardinali, Chinese beauty Irene Tsu, and a pretty nice shot of Czech-born sex symbol Barbara Bouchet. All of that and more below.
I’d rather go naked and wear fur.
German-Czech actress Barbara Bouchet, from a July 1976 issue of the Belgian film mag Ciné-Revue.
The headlines that mattered yesteryear.
1964—Warren Commission Issues Report
The Warren Commission, which had been convened to examine the circumstances of John F. Kennedy's assassination, releases its final report, which concludes that Lee Harvey Oswald, acting alone, killed Kennedy. Today, up to 81% of Americans are troubled
by the official account of the assassination.
1934—Queen Mary Launched
The RMS Queen Mary, three-and-a-half years in the making, launches from Clydebank, Scotland. The steamship enters passenger service in May 1936 and sails the North Atlantic Ocean until 1967. Today she is a museum and tourist attraction anchored in Long Beach, U.S.A.
1983—Nuclear Holocaust Averted
Soviet military officer Stanislav Petrov, whose job involves detection of enemy missiles, is warned by Soviet computers that the United States has launched a nuclear missile at Russia. Petrov deviates from procedure, and, instead of informing superiors, decides the detection is a glitch. When the computer warns of four more inbound missiles he decides, under much greater pressure this time, that the detections are also false. Soviet doctrine at the time dictates an immediate and full retaliatory strike, so Petrov's decision to leave his superiors out of the loop very possibly prevents humanity's obliteration. Petrov's actions remain a secret until 1988, but ultimately he is honored at the United Nations.
2002—Mystery Space Object Crashes in Russia
In an occurrence known as the Vitim Event, an object crashes to the Earth in Siberia and explodes with a force estimated at 4 to 5 kilotons by Russian scientists. An expedition to the site finds the landscape leveled and the soil contaminated by high levels of radioactivity. It is thought that the object was a comet nucleus with a diameter of 50 to 100 meters.
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