Confidential sinks its teeth into the juiciest celebrity secrets.
Confidential magazine had two distinct periods in its life—the fanged version and the de-fanged version, with the tooth pulling done courtesy of a series of defamation lawsuits that made publisher Robert Harrison think twice about harassing celebrities. This example published this month in 1955 is all fangs. The magazine was printing five million copies of each issue and Harrison was like a vampire in a blood fever, hurting anyone who came within reach, using an extensive network spies from coast to coast and overseas to out celebs' most intimate secrets.
In this issue editors blatantly call singer Johnnie Ray a gay predator, spinning a tale about him drunkenly pounding on doors in a swanky London hotel looking for a man—any man—to satisfy his needs. The magazine also implies that Mae West hooked up with boxer Chalky White, who was nearly thirty years her junior—and black. It tells readers about Edith Piaf living during her youth in a brothel, a fact which is well known today but which wasn't back then.
The list goes on—who was caught in whose bedroom, who shook down who for money, who ingested what substances, all splashed across Confidential's trademark blue and red pages. Other celebs who appear include Julie London, Jack Webb, Gregg Sherwood, and—of course—Elizabeth Taylor. Had we been around in 1955 we're sure we would have been on the side of privacy rights for these stars, but today we can read all this guilt-free because none of it can harm anyone anymore. Forty panels of images below, and lots more Confidential here.
So I told the creep off and slammed the door in his face. He won't be back.
In Comes Death is the seventh and last entry in Paul Whelton's series starring newspaperman Garry Dean of fictional Belle City. Dean is convinced to try and save a wrongly convicted man from prison. You know the drill. Nobody believes him—not his editor, not the cops, etc. The art on this, which depicts an actual scene in the narrative involving murder and a silk stocking, is uncredited, circa 1951.
Most people thought her place was in the house. She thought her place was in the Senate.
This photo shows a quartet of overdressed campaign workers cleaning graffiti from a Mildred Younger billboard in Hollywood, California. Running as a Republican, Younger lost a bid to become the first woman elected to the California senate. During her run she dealt with all the expected problems—dismissal, ridicule, hate mail and, apparently, defaced billboards. Despite all this she was defeated only narrowly. According to reports she took the loss hard, but afterward kept her hand in politics by helping direct the career of her husband, state attorney general Evelle J. Younger, and later by serving as a consultant to Richard M. Nixon. The photo just below shows Younger in mid-campaign, looking confident. Both shots are from 1954.
That's no lady—that's Brigitte Bardot.
Above, an iconic poster painted by Giorgio Olivetti for the 1957 Brigitte Bardot comedy Una parigina, originally released as La Parisienne. The Bardot figure here was the first femme fatale graphic ever used as the symbol of Pulp Intl., which some of you may remember. Olivetti painted two promos for the film. The second one, just below, is less famous, but still beautiful. We talked about this movie over the summer, and in short it's Bardot running around Paris creating Monroesque chaos among the male population, though with a winkingly more adult subtext than in your average Monroe romp. In other words, there's a hint here and there that Bardot actually gets laid. We don't think that ever happened in Marilyn's comedies. If you're curious about the movie, or interested in seeing the nice U.S. poster—which also features Bardot in her famous red dress—have a look here.
Prosecution maintains that the only way to know if these are in fact the witness's panties is to have her try them on.
As the great defense attorney Johnny Cochran once so memorably intoned, “If the panties don't fit you must acquit.” Lawyering is all about snappy rhymes. Robert Traver knew this because he was in reality John D. Voelker, first a prosecutor, second a justice on the Michigan Supreme Court, and all the while the author of numerous novels. The most famous of those was Anatomy of a Murder, which became an Otto Preminger motion picture starring Jimmy Stewart and Lee Remick. Looking at the odd cover scene above, you probably want to know what's happening. An assistant prosecutor is trying his first case, which centers around a house painter who “did ravish and carnally know” a young woman named Gloria. But it turns out Gloria's mother had interrupted what was actually a consensual encounter, exploded with shame and outrage, and forced her daughter to file rape charges. The case falls apart in court and the young prosecutor is made to look like a fool, so the cover art tries to capture that event. Trouble Shooter was originally published as Trouble-Shooter: The Story of a Northwoods Prosecutor in 1943, with this Bantam paperback edition coming in 1947.
You guys have fun on the mountain. I'm skiing directly over to the chalet and hot tub.
There are those that ski and those that get loaded on Champagne in the jacuzzi. U.S. born actress Jane Wald seems to be in the latter category. Though she may have been a high altitude partier, she was more of a medium altitude actress, with a career comprising mostly guest slots on television shows, including two appearances on Batman. But this shot is epic. It's from 1966 and first appeared in the Belgian magazine Ciné-Revue.
You know why I'm great at my job? Because I'm sweating like a racehorse in this get-up and you can't tell.
French artist Alex Pinon knocks this cover for the spy thriller Mission spéciale à Rio out of the park with his black clad femme fatale and backdrop of Guanabara Bay and its famed Sugarloaf Mountain. Since Rio's average daily temperature never drops below 80 Fahrenheit, no Brazilian would actually dress like this, at least not during daytime, but the art is great. The book was published by Société des Éditions Nouvelles Valmont and its author called himself Commandant René. You're probably assuming that's a pseudonym, and you're right. It was used by Jacques Dubessy, Guy de Wargny, Henri Certigny, and other authors. Between them they wrote more than thirty books as this Commandant person, with the above coming in 1959. We have a lot of French art in the website, so poke around if it interests you. We'll have more soon.
Don't look now but you're soaking in it.
Above, an amazing Japanese poster for the French adult film Orgies en cuir noir, which was known in the U.S. as Water Blue. It starred Anna Lombardi, Annick Chatel, Elinia Martinelli, Eva Jaeger, and Minouche, and it's a ridiculously low budget effort about a bdsm sex cult ensconced in a Parisian basement. The group lures a woman into its circle and, after feeding her what appears to be ecstasy, introduces her to assorted carnal variations. The movie is notable for its pansexual content, including gay and transexual scenes. You can find it online if you care to, but we don't recommend it—the copy we saw looks like it spent months soaking in the enema water that features prominently in the plot. Just enjoy the poster art. The movie premiered in France today in 1984.
Yeah! This is so fun! These photos will really make people remember me!
If you look around the internet literally every site from IMDB to Ebay will tell you this is U.S. actress Martha Vickers dancing for a photo series made while filming the 1955 United Artists drama The Big Bluff. But surprise! Everyone is wrong. This isn't Vickers. This is actually Rosemarie Stack. It's pretty obvious. She and Vickers don't look alike anyway, and Vickers is blonde in the film, not brunette, but also, Stack plays a hot-blooded showgirl named Fritzi Darvel while Vickers plays an invalid, so clearly this is Stack doing a little riff on her role as a dancer. What are we the internet police? Hah, no. But we thought the forgotten Miss Stack deserved to have her credit restored for starring in this great series. Make a note. And the movie? Meh.
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