Vintage Pulp Oct 22 2014
TITTER FEED
Sixty-five years ago Titter featured a different but very effective kind of messaging.

Peter Driben cover art for Robert Harrison’s Titter, October 1949. Inside, showgirls, showgirls, showgirls, including Jessica Rogers, who was known as the Wow Girl. We're getting a distinct message from this, which is that Harrison was a horny guy. See more Peter Driben art here, here and here.

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Vintage Pulp | Femmes Fatales Oct 22 2014
VIEW TO A GILL
No, not gill like a fish—gill like a Gillian.

Gillian Duxbury was a British actress who appeared in only a few television shows, but she managed another type of fame, starring on many magazines, tabloids, album covers, and—importantly for this website—1970s crime paperbacks. Movie stardom it isn’t, but it’s good enough for us. We have a few examples below.
 

 
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Hollywoodland Oct 20 2014
IN LIKE FLYNN
In Lincoln Heights Jail, that is.


If you suspect the jailhouse photo above is associated with a good story you’re correct. Hollywood party animal Errol Flynn, pictured here in L.A.’s Lincoln Heights Jail, was arrested for public intoxication along with 21-year-old Irish aspiring actress Maura Fitzgibbons. It was an unexpected end to what was supposed to have been a celebratory night. A couple of hours earlier Flynn and Fitzgibbons had been at the Riviera Country Club in Pacific Palisades where the Publicists’ Association was staging an annual costume party called The Ballyhoo Ball. When Flynn and Fitzgibbons made their entrance a man approached for an autograph. Flynn explained, politely according to witnesses, that he would comply but never socialized or signed autographs until he had a drink in his hand. But the man insisted on an immediate autograph—he said the hatcheck girl was his wife and a big Flynn fan.

Flynn reluctantly let himself be led by this insistent man to the hatcheck stand, whereupon he saw that the man’s wife, who appears in the photo at right, was attractive. Since Flynn was a consummate horndog, he suddenly became eager to comply and not only signed an autograph, but even managed to steal a kiss on the cheek. Making polite chit-chat afterward, Flynn asked the man what he did for a living and learned that he was a cop. Or at least said he was. But since the man was in civilian clothes, Flynn said, “If you’re a cop where’s your badge?” Or something to that effect. When the man produced a badge Flynn grabbed it and tossed it to his date Fitzgibbons. This was a costume party, remember, so it’s quite possible Flynn never believed him. And it’s virtually certain the cop never considered that the situation might make any claim to be a cop appear to be a prank. In any case he got upset and arrested Flynn and Fitzgibbons.

Once at the Lincoln Heights Jail the police either decided the arresting officer—whose story was markedly different from Flynn’s, Fitzgibbons’ and several other witnesses—had been overzealous. Or perhaps they simply decided to show a little preferential treatment to a movie star. In any case, they offered to let Flynn go with a warning. But the actor was indignant: “I want to be arrested. I want the whole world to know of the injustice of this deed.” So the cops tossed Flynn in a cell with a group of Mexican drunk and disorderlies who were still singing tequila-fueled ranchero songs. Even as late as 1957 Flynn was one of the most recognizable men in the world, so when the realization struck the detainees that the newly arrived drunk and disorderly was Errol Flynn everyone stared in stunned amazement. Then they began shouting, “Viva El Capitán Blood! Viva El Capitán Blood!” They started up the ranchero songs with renewed vigor, and Flynn sang along in the choruses. As for Fitzgibbons, below, she never earned a single credited role in Hollywood, which makes her Ballyhoo Ball arrest the height of her fame. That all happened in the wee hours today in 1957.


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Vintage Pulp Oct 19 2014
ZONED OUT
She’s dreaming of the day when she gets to change out of that ridiculously uncomfortable outfit.


Above, an alternate promo for Yoru no saizensen: Tôkyô onna chizu, aka Secret Zone of Tokyo. This one is nice, but the previous version is one of the coolest Japanese posters we’ve seen.

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Vintage Pulp Oct 18 2014
SPACE INVADERS
Spain conquers the cosmos.

Above, assorted covers of the Spanish science fiction series Luchadores del Espacio, or Space Fighters, from Editorial Valenciana, created and written by Pascual Enguídanos Usach under the pseudonym George. H. White, with other authors like Alfonso Arizmendi Regaldie, José Luis Sanchis Benet (writing as Joe Bennett), and Pedro Domingo Mutiñó (as P. Danger) also involved. Art is mostly by José Luis Macias, with a few contributions from Vicente Ibáñez Sanchís and José Lanzón Piera. A couple of these images came from audiolibrosdebolsillo (where you can download audio copies), so thanks to them. 

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Vintage Pulp Oct 17 2014
MORBO FASCINATION
Artist C. Renè makes a bold statement in blue.

Finally, an Italian horror novel that wasn’t illustrated by the incomparable Benedetto Caroselli. This time the artist is someone billed as C. Renè, and he/she’s created a beautiful blue cover for Mark Hawk’s Morbo Azzurro (Blue Disease), opting to show a very detailed eye and set of lips rather than a whole face. Very effective work, we think. This appeared in 1961 and was a ristampa—a reprint—of a 1960 release.

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Musiquarium Oct 16 2014
SEXUAL HEARING
Spread-eagled Aslan art helped cure the guilt of buying pirated music.

We said we were done with France for the moment, but we’re veering back there briefly today to show you this Cure album sleeve featuring art from the French painter Aslan. Live at Paradiso is a bootleg, same as the other Aslan-fronted Cure record we showed you back in January. The people who pressed this weren’t messing around, either—they opted for one of the artist’s more explicit paintings. No complaints here, but we bet Aslan was a bit annoyed when he saw his work appropriated yet again. It wouldn’t be the last time. We’ll get to more bootleg sleeves a bit later.

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Vintage Pulp Oct 15 2014
MASTERFUL KEY
Glass Key paperback art is tops thanks to another Italian master.

Brian Donlevy and Veronica Lake’s film noir The Glass Key, which was Hollywood’s second try at Dashiell Hammett’s novel, premiered this month in 1942. To be exact, it opened yesterday in New York City and throughout the U.S. on October 23. The poster most often seen online is the theatrical release version we showed you several years ago, but alternates were produced and two of them appear below. What we really wanted to share, though, is this great paperback cover from UK-based Digit Books. It’s from 1961 and features the art of Italian illustrator Enrico de Seta, who we’ve mentioned before. If you haven’t watched The Glass Key we recommend it, and if you haven’t read the book, just know that it was Hammett’s personal favorite. 

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Femmes Fatales Oct 15 2014
ALIAS ALEXIS
Undercover but not inconspicuous.

Above, Canadian actress Alexis Smith, née Gladys Smith, in a Universal International Pictures promo shot made in 1950 for her cop thriller Undercover Girl. She also appeared in Conflict, Of Human Bondage, The Two Mrs. Carrolls, and more than fifty other films.

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Vintage Pulp Oct 14 2014
NOUS WORLD
Out of the fires of war came romance.


We’re sharing one last item from our France trip before moving on to other items. We haven’t run out of Parisian purchases, though—we’re just saving the rest of our finds for later. Above is another cover of the photo romance publication Nous Deux, which we mentioned was a French version of an Italian magazine put together by the brother of the two Italian publishers. That brother was Cino Del Duca, who was a major cog in the French Resistance during World War II, and earned the Croix de Guerre for his efforts.
 
After the war he launched a small publishing house in Paris and built that into a successful business. Later he diversified into cinema, and extended his publishing arm into West Germany, Great Britain, and his native Italy, building an empire in the process, and using his ample profits for philanthropic pursuits. When he died in 1967 streets were named for him in Paris and Biarritz, and today a major French literary award bears his name—the Prix Mondial Cino Del Duca.

The cover of this Nous Deux, with its happy and colorful holiday theme, is by Aslan, a prize-winner in his own right (he was given the prestigious Commandeur des Arts et Lettres in 2003). Some online sources say his covers appeared on the magazine only in the early 1960s, but 1968 is the date on this, and it’s one of his more beautiful pieces, we think. Now it’s time to put our French material aside and focus on other countries the way Cino Del Duca did. We’ll have more from him and Nous Deux later.

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History Rewind
The headlines that mattered yesteryear.
October 23
1935—Four Gangsters Gunned Down in New Jersey
In Newark, New Jersey, the organized crime figures Dutch Schultz, Abe Landau, Otto Berman, and Bernard "Lulu" Rosencrantz are fatally shot at the Palace Chophouse restaurant. Schultz, who was the target, lingers in the hospital for about a day before dying. The killings are committed by a group of professional gunmen known as Murder, Inc., and the event becomes known as the Chophouse Massacre.
1950—Al Jolson Dies
Vaudeville and screen performer Al Jolson dies of a heart attack in San Francisco after a trip to Korea to entertain troops causes lung problems. Jolson is best known for his film The Jazz Singer, and for his performances in blackface make-up, which were not considered offensive at the time, but have now come to be seen as a form of racial bigotry.
October 22
1926—Houdini Fatally Punched in Stomach
After a performance in Montreal, Hungarian-born magician and escape artist Harry Houdini is approached by a university student named J. Gordon Whitehead, who asks if it is true that Houdini can endure any blow to the stomach. Before Houdini is ready Whitehead strikes him several times, causing internal injuries that lead to the magician's death.
October 21
1973—Kidnappers Cut Off Getty's Ear
After holding Jean Paul Getty III for more than three months, kidnappers cut off his ear and mail it to a newspaper in Rome. Because of a postal strike it doesn't arrive until November 8. Along with the ear is a lock of hair and ransom note that says: "This is Paul’s ear. If we don’t get some money within 10 days, then the other ear will arrive. In other words, he will arrive in little bits." Getty's grandfather, billionaire oilman Jean Paul Getty, at first refused to pay the 3.2 million dollar ransom, then negotiated it down to 2.8 million, and finally agreed to pay as long as his grandson repaid the sum at 4% interest.

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