Vintage Pulp Mar 5 2016
TOMB RAIDER
Just point me to the palest of your women. She's the one I want.


This Dutch poster promotes De indische graftempel, which was originally a West German production called De indische grabmal, and later given the English titles The Indian Tomb and The Tomb of Love. Made by Fritz Lang, this was the fourth pass at a 1918 novel by Thea von Harbou, but this version strays far from the source material. The book is about an architect commissioned by a Maharaja to build a fantastic tomb, but who later discovers it's for the Maharaja's wife, who will be killed for being a generally unfit spouse and placed in the structure as soon as it's completed. This must have made for some fun jokes between Lang and von Harbou, since they had been married for a time but were divorced when they worked together here. The adaptation they came up with relegates the architect to secondary status, and instead focuses on the wife Seetha, played by Debra Paget, who is having an affair with a Western lover named Harald, played by Paul Hubschmid.

Just to get right to the heart of it, this isn't one of Lang's best efforts. Despite good location work and excellent sets, the romance is silly, the adventure elements are uninspiring, and there's no emotional realism at all. But the movie is instructive in one area—it could be a case study for this year's Academy Awards race controversy. Every Indian role of consequence is played by a white person in shoe polish. This was the norm back then and it happened in hundreds if not thousands of films. Now, after nearly a century of such silliness, some people are actually offended at demands that ethnic roles be played by ethnic actors, and lead roles be diversified. Those demands are beyond fair. For decades nobody made even a peep about white actors in brown makeup, let alone the industrywide denial of good roles to actors of color, but as soon as someone says maybe Joseph Fiennes shouldn't play Michael Jackson in a film or Star Wars should have a black lead it's suddenly racism against whites. You almost have to laugh. What's also funny is that Paget, though she's supposed to be Indian, is without dark coloration. This is another norm for the period—amidst the brown hordes the most beautiful woman is always the palest.

All that said, watching the spectacle of literally a dozen West German actors in brown make-up is actually quite funny in today's context. But the main attraction here is Paget, whose erotic dance routine before ranks of spray-tanned slaves and beneath a looming, twenty-foot-high, giant-boobed Hindu statue is one of cinema's great sequences. We don't mean great in terms of acting or dancing or directing. It's an immortal moment the same way Alicia Vikander looking at herself in a mirror in Ex Machina is, or Sharon Stone flashing her ragamuffin in Basic Instinct. It's one ofthose instances when mainstream filmmakers push everyone's comfort envelope and remind them that sex is actually the single most important aspect of all our lives. Save for a tiny subset of us, we all exist because of it, our existence can only be assured by having more of it, and pretending it isn't on all our minds much of the time is just a silly rule imposed by the people who conceived our civilizational costume party. In the envelope-pushing respect De indische graftempel is a roaring success. Otherwise, not so much. It premiered today in 1959.

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Vintage Pulp Jul 13 2013
CLINICALLY SUPPRESSED
Half a century and countless social changes later only one story in Suppressed remains shocking.

This July 1955 Suppressed serves up its usual outrage, with Erroll Flynn bedding a woman half his age, Debra Paget scandalizing audiences with her dancing, and Marlene Dietrich, Greta Garbo, Paulette Goddard and others brazenly indulging in “promiscuity, free living and flagrant exhibitionism.” Which is to say, they moved on to other sexual partners without bothering to get divorced. The magazine also takes a swipe at Terry Moore, who “resorts to suggestive gowns rather than talent.” We’d love to have read what Suppressed would have printed when Moore posed nude for Playboy in 1984 at age 55, but it was long defunct by then. After bashing celebs, the editors move on to fashion, offering a primer on hepcat style, but before you rush out to buy a pair of zebra print shoes, remember that the line forms behind us. Later, the magazine offers readers a peek inside a mental asylum, and in the process shows a few hair-raising practices. Among them are violent patients being penned together like cattle, and a delirious alcoholic who is “brought back to reality by shock treatment.” We think the easiest way to shock an alcoholic back to reality is to tell him he’s out of booze, but what do we know? It’s ironic, though, that all the sexual innuendo and moral outrage mustered by Suppressed seems so misplaced now, and the one story editors probably thought of as uncontroversial—electrically shocking alcoholics—is truly frightening. How times change.

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Vintage Pulp Nov 4 2010
HAYAT SWEETS
Ten ways to be adored.

Below, assorted covers of Hayat, which became one of Turkey’s most popular celebrity magazines beginning in the 1950s. From top to bottom the cover stars are Jayne Mansfield, Ursula Andress, Anita Ekberg, no idea because we can't read Turkish and her name isn't on the cover, Marilyn Monroe, Debra Paget, Ava Gardner, Natalie Wood, Ann-Margret, and Brigitte Bardot. 

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Vintage Pulp Aug 17 2010
PINK SLIP
Caution, soft shoulder.
 
More Asian goodness today, with West Point magazine from Hong Kong. This issue was published in 1955 and features a slip-clad Debra Paget on the cover, along with Gina Lollobrigida, Diana Dors, and others inside.


 
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History Rewind
The headlines that mattered yesteryear.
September 21
1937—The Hobbit is Published
J. R. R. Tolkien publishes his seminal fantasy novel The Hobbit, aka The Hobbit: There and Back Again. Marketed as a children's book, it is a hit with adults as well, and sells millions of copies, is translated into multiple languages, and spawns the sequel trilogy The Lord of Rings.
September 20
1946—Cannes Launches Film Festival
The first Cannes Film Festival is held in 1946, in the old Casino of Cannes, financed by the French Foreign Affairs Ministry and the City of Cannes.
September 19
1934—Arrest Made in Lindbergh Baby Case
Bruno Hauptmann is arrested for the kidnap and murder of Charles Lindbergh Jr., son of the famous American aviator. The infant child had been abducted from the Lindbergh home in March 1932, and found decomposed two months later in the woods nearby. He had suffered a fatal skull fracture. Hauptmann was tried, convicted, sentenced to death, and finally executed by electric chair in April 1936. He proclaimed his innocence to the end
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