Mortal man finds himself at the whims of a goddess in 1954's Pushover.
We love this bold yellow poster for Du plomb pour l'inspecteur, which was originally made in the U.S. and known as Pushover. Most important item to note here is that this is Kim Novak's first credited role, when she was aged twenty-one and looked freshly delivered to Earth on a sunbeam. Fred MacMurray plays a cop assigned to get close to her in order to snare her gangster boyfriend. MacMurray is only mortal, unlike Novak, so he immediately falls in love with her and begins seeing her outside his official duties. Not long after that he's plotting to steal her man's cache of $210,000 in bank loot. That would be about two million dollars in today's money, which is no insignificant amount. Any man would compromise his principles for that, but he'd do so even more readily for a chance to nuzzle Novak. There are a lot of old movies out there that hinge on lust as a motivating factor, but in this one it really makes sense. Performance-wise Novak can't act well yet, but like MacMurray, you'll overlook her flaws. After opening in the U.S. in 1954 Pushover premiered in France today in 1955.
Meet the new boss, nothing like the old boss.
Above, a poster for the Japanese actioner Kapone no shatei yamato damashi, aka A Boss with a Samurai Spirit, aka Capone's Younger Brother: Heart and Speculation, starring the prolific Tomisaburô Wakayama. The movie deals with a hired killer whose latest contract turns out to have wide-ranging consequences, making him turn against his employer. We shared the original poster for this as part of a group post back in 2013. This is a re-issue poster. We don't know exactly when it came out, but the film originally premiered in Japan today in 1971.
The future's so bleak he has to wear shades.
Above, a poster for the game changing science fiction adventure The Terminator painted for the Czech (then Czechoslovakian) market by Milan Pecak. The fading effect at the bottom of the art is the way Pecak painted it, rather than the result of a bad scan or photo. This movie may look a bit clunky to modern viewers, but so will Avengers: Infinity War in twenty years. Along with stunners like Alien, Blade Runner, and others, The Terminator changed the idea of what cinematic science fiction could be. It premiered in the U.S. in 1984 and eventually arrived in Czechoslovakia as Terminátor today in 1990.
There's nothing better than a memorable Win.
Win Min Than was born in what was then known as Rangoon, Burma, and became known to the world when she co-starred in the war drama The Purple Plain with Gregory Peck. Ethnically, Than was actually only half Burmese. Her father was Austrian, and she was born Helga Johnson. The movie, obscure today, was successful, but it turned out to be Than's only role. In 1957 she married the Burmese politician Bo Setkya and spent some years in her home country, but today she lives in Austria. This very nice shot was made the year her film came out, 1954.
French publisher Editions Ferenczi had a Verrou unique way of doing things.
Collection le Verrou (The Lock Collection) consisted of 205 pocket-sized crime novels published in France by Editions Ferenczi from 1950 to 1959. Some were written by French authors using pseudonyms that sounded English or American, while other writers used their real names, such as Alexandra Pecker (yes, that's a real name) and René Poupon (idem). Other books were written by U.S. or British writers and had been previously published. For instance, above you see Le singe de cuivre by Harry Whittington, which you might know as The Brass Monkey, and below you'll find entries from Lawrence Blochman and English scribe Peter Cheney, better known as Peter Cheyney. The art on these books is generally quite colorful. The cover above was painted by Michel Gourdon, and below you'll find another piece from him, many efforts from Georges Sogny, and a couple from as-yet-unknowns. We really like Ferenczi's output, so expect us to share more covers from this publisher later.
In a mirror, darkly.
Jennifer Connelly is one modern actress we often see cited as having classic looks, which we suppose to mean she could have been a star in 1945. We imagine she'd have been a star anytime. She debuted on the showbiz scene in the 1982 television series Tales of the Unexpected, appeared in one our favorite movies of the 2000s Requiem for a Dream, and a couple of years later won an Academy Award for A Beautiful Mind. The above imagery of her is from 1990, the same year, appropriately, she starred in The Hot Spot.
Whoa... is the floor swaying or is that me?
Audrey Totter isn't as well known today as she should be, considering she appeared in The Postman Always Rings Twice, The Lady in the Lake, F.B.I Girl, The Unsuspected, The Set-Up, Main Street After Dark, and Tension, but she was well appreciated in her day as a bad girl and film noir stalwart. Her career spanned radio, cinema, and television, and her life spanned ninety-five years, a good run on both counts. This promo photo of her in the typical bad girl's natural habitat—the local gin mill—was made in 1946 and appeared in Life magazine.
I'll have both your badges for this outrage. In the meantime, either of you got a condom?
Pretty tame by today's standards, 1959's Sex Life of a Cop is the book that turned into a legal nightmare for publisher Sanford Aday when he shipped copies out of California, was indicted in Arizona, Michigan, and Hawaii in 1961 of interstate trafficking of obscene material, and finally convicted in Michigan in 1963. The story deals with two small town cops named Dempsey and Thorne who give a fat helping of nightstick to any woman whose path they cross, everyone from the hot new dispatcher to a female reporter who goes for a ride along. Ahem. The action starts right on page one outside the police station and doesn't let up. Aday, who was also the author of this as Oscar Peck, earned himself a $25,000 fine and twenty-five years in prison, a sentence that was eventually overturned.
Sex Life of a Cop later caused legal reverberations all the way to the Supreme Court, where it was ruled not obscene in 1967. This was a stroke of good luck for publisher Reuben Sturman (the genius behind It's Happening), because he too was arrested and charged with obscenity when Cleveland police liberated more than 500 copies of the book from his warehouse. The Supreme Court ruling cleared him of wrongdoing. All this for a book that differs little from other sleaze of the era save that it stars two cops. But therein lies the lesson. When you cast aspersions upon law enforcement they'll move heaven and earth to punish you, first amendment be damned. We have covers for the original 1959 edition and the 1967 reprint.
Hitchcock's epic thriller shows his directorial gifts but misses the mark.
This Italian poster for Io ti salverò, aka Spellbound is wonderful. The movie, directed by Alfred Hitchcock, isn't. The central plot device involves a man who may have blacked out committing a murder. That's a good place for a thriller to start, but the actual psychiatric science is approached clumsily, the love story is overwrought, and the orchestral musical score is omnipresent and overbearing. You have to wonder if composer Miklós Rozsa actually watched the film, because while Spellbound is big, his music is positively galactic. A re-edit with 60% of his output removed would make this one a much smoother ride. It's always a danger to criticize a classic film, we know, but not all classics are created equal. This one lives on Hitchcock's reputation, the overall technical execution, and a groundbreaking dream sequence designed by renowned artist Salvador Dalí. At the end of the dream a faceless man drops a wheel. Maybe it was a steering wheel, because despite all the money and star power poured into Spellbound, somehow it went down a middling road. It premiered in 1945 and reached Italy as Io ti salverò today in 1947.
Stop squirming, stupid, or you might make me cut the damned thing off.
It’s anonymously written and the cover art isn’t great quality, but we couldn’t resist sharing this one. This is as low rent as sleaze fiction gets, even from a company—Special Collection Series—that published such fare as Hot-Assed Snow Bunnies, Degradation of Nurse Mercy, and the worrisomely titled Her Security Dogs. Do you really wonder why these authors refuse credit for their work?
The headlines that mattered yesteryear.
1987—Andy Warhol Dies
American pop artist Andy Warhol, whose creations have sold for as much as 100 million dollars, dies of cardiac arrhythmia following gallbladder surgery in New York City. Warhol, who already suffered lingering physical problems from a 1968 shooting, requested in his will for all but a tiny fraction of his considerable estate to go toward the creation of a foundation dedicated to the advancement of the visual arts.
1947—Edwin Land Unveils His New Camera
In New York City, scientist and inventor Edwin Land demonstrates the first instant camera, the Polaroid Land Camera, at a meeting of the Optical Society of America. The camera, which contains a special film that self-develops prints in a minute, goes on sale the next year to the public and is an immediate sensation.
1965—Malcolm X Is Assassinated
American minister and human rights activist Malcolm X is assassinated at the Audubon Ballroom in New York City by members of the Nation of Islam, who shotgun him in the chest and then shoot him sixteen additional times with handguns. Though three men are eventually convicted of the killing, two have always maintained their innocence, and all have since been paroled.
1935—Caroline Mikkelsen Reaches Antarctica
Norwegian explorer Caroline Mikkelsen, accompanying her husband Captain Klarius Mikkelsen on a maritime expedition, makes landfall at Vestfold Hills and becomes the first woman to set foot in Antarctica. Today, a mountain overlooking the southern extremity of Prydz Bay is named for her.
1972—Walter Winchell Dies
American newspaper and radio commentator Walter Winchell, who invented the gossip column while working at the New York Evening Graphic, dies of cancer. In his heyday from 1930 to the 1950s, his newspaper column was syndicated in over 2,000 newspapers worldwide, he was read by 50 million people a day, and his Sunday night radio broadcast was heard by another 20 million people.
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