|Vintage Pulp||Feb 12 2017|
This National Spotlite published today in 1968 features cover star Naemi Priegel, a West German television actress and singer who reached the height of her fame during the 1970s. Inside are many interesting Hollywood tidbits, including former child star Hayley Mills allegedly describing herself as a tigress in bed, Marlon Brando beating up two party crashers, Elvis Presley breaking the arm of someone to whom he was demonstrating a karate hold, Richard Burton being pursued by a chorus girl who claimed he fathered her child, Gene Tierney and her husband Howard Lee getting into a public spat, and John Wayne slugging an autograph seeker who mistook him for Robert Mitchum. Was any of this stuff true? We have no idea, but it sure is interesting reading. You can see more in the same vein at our tabloid index, located at this link.
|Hollywoodland||Dec 8 2016|
This issue of The National Tattler hit newsstands today in 1974, and as you can see, it lacks a certain something compared to issues of the 1960s. The earlier Tattler featured fantastically exploitative stories conjured from the darkest reaches of the editors' imaginations, while the 1974 version has content that is—amazingly—mostly true. Mostly. We're not sure about Richard Burton turning to a faith healer to help with his drinking problem, and if he did, it didn't work. Alcohol problems plagued him until his death.
|Vintage Pulp||Nov 8 2014|
This issue of National Informer appeared today in 1970, with an unknown cover model and, unusually for Informer, stories about three actual celebrities—Walter Hickel, Richard Burton, and Jean Seberg. Hickel had been caught using public money to redecorate his congressional office and is deservedly raked over the coals by Informer. Burton endures a mere sideswipe for comments about how heroic he’d be if he found himself on a hijacked plane. Seberg’s affair (or non-affair) with Black Panther Bobby Seale is rehashed over an entire page. If Informer had kept this sort of thing up they’d have begun to resemble a real newspaper, but no worries—didn’t happen. And a good thing, because we love Informer exactly the way it usually is—devoid of truth. Highlight of this issue: The (not so) Great Criswell uses his column of psychic predictions to promote himself, saying, “I predict that Tapesty in Terror, starring Vampira and myself, will soon be seen as an hour TV program in September 1971, so watch for it.” And guess what? The worst prognosticator in history got even that wrong. Tapestry of Terror never made it to television.
|Hollywoodland | Vintage Pulp||Oct 30 2014|
Top Secret is in fine form in this issue from October 1962 as it goes after all the biggest celebrities in Hollywood and Europe. Treading the line between journalism and slander is no easy feat, but take notice—Top Secret’s editors and hacks manage to pull off a high wire act. And of course this was key to the tabloids' modus operandi—they had to present information in a seemingly fearless or even iconoclastic way, yet never actually cross the line that would land them in court.
This issue of Top Secret is, succinctly put, a clinic in mid-century tabloid writing—alliterative and spicy, insinuative and sleazy, but never quite legally actionable. How could Ekberg argue that the tugboat similie wasn’t interpretable as a compliment? Could Christina Paolozzi deny that her ribs show? Could Sinatra claim that his bodyguards neverslugged a photographer? The magazine skirts the edge a bit with Taylor—did you catch how the editors paired “urges for Dick(ie)” with “wide open ways”?—but was she misquoted or truly slandered? Highly doubtful. Top Secret is pure, trashy genius. Magazines don’t have such writing anymore, and that’s probably a good thing—but it sure is fun to look back at how things were. More scans below.
|Vintage Pulp||Dec 30 2013|
Liz Taylor and her tan star on this cover of Confidential published this month in 1964. The magazine was just a shadow of its former self by this point, but the inside stories still manage to raise eyebrows and give the impression of tabloid spies in every corner of Hollywood. Simon Lee Garth’s exposé accuses Richard Burton of being an abusive drunk, but that was not a scoop—other tabloids had written the same. But elsewhere, investigative journo Beverly Hillis (nice, right?) shares the amusing story of Elvis Presley throwing a party at which only women were invited. Apparently “swivel hips”, as Confidential refers to him, paraded around in a series of bizarre costumes and generally acted the fool, prompting some (but crucially not all) of his guests to leave in a huff. In another story Jack Asher writes about bottomless swimsuits worn by gay men as a response to the topless women’s suits that had appeared on European beaches, and also tells readers the fashion house Lanvin Paris had begun selling a bottomless suit for women. We don’t buy that one for a minute, but there are some interesting photos of women wearing breast-baring dresses. Elsewhere in the issue you get tabloid fave Jayne Mansfield and her husband Mickey Targitay, Peter Sellers sexing himself into a heart attack with Britt Ekland, Barry Goldwater playing dirty politics, and an impressively tasteless graphic of Malcolm X. All below.
|Vintage Pulp||Nov 21 2013|
Rampage returns to Pulp Intl. after a six month absence with this issue published today in 1973. The cover star and interior models are unknowns, and the stories are mostly fiction (a fiend stomps a girl’s guts out, a ghost rapes a girl in graveyard, a husband shoots out a rival’s eyes, a wife shoots her husband because he wanted a beer) but the editors do expend a bit of column space on two real people. The first is Richard Burton, who they call a hopeless drunk with violent tendencies—not a newsflash, since other tabloids had already covered his drinking issues to death. Of marginally more interest is a story on Peter Duel, a little-known figure today, but one who was a major star during the 1970s, half of the famed duo from the hit television show Alias Smith and Jones. Rampage claims Duel did not commit suicide in December 1971, but rather was murdered. The evidence? The testimony of a medium who communicated with Duel’s spirit and reported that the aggrieved entity said, “They… murdered….me! I… was… murdered..! Oh God..!” And of course, ghosts being famously elliptical, Duel transmitted all this across the ether without uttering the name of a single assailant.
The last item of note in Rampage is the group of predictions by Mark Travis. His predictions are usually so off as to be pure comedy, but eerily, he nails a few this time. For instance, he predicts the development of a cream that can allow a person to be whatever shade they wish. While many current day Americans have perhaps heard of these only in relation to porn stars whitening their anuses, skin whitening creams are in fact a multi-billion dollar industry in places like Japan, India, and China, where paleness is perceived as an indicator of wealth. The fact that people could so blatantly kowtow to racist paradigms is another issue entirely. We’ll get into that another time maybe. Travis also predicts that American highways will all become toll roads, and that’s of course a wet dream of today’s privatization sect, and one that’s coming closer to fruition every day. Okay, Travis missed a few too. Goat’s milk has not become a major part of the American diet yet. And as far as we know, Mexico has not yet offered instant citizenship to Americans who purchase property over the border. But here’s the thing about predictions—there’s no time limit. If they haven’t come true yet… just wait. We predict that we’ll have more issues of Rampage soon. Scans below.
|Hollywoodland | Vintage Pulp||Mar 28 2013|
Elizabeth Taylor nude! Those sneaks at Whisper raised the hopes of millions of readers who bought this March 1965 issue, but inside revealed that the whited-out silhouette on the cover with Richard Burton is in reality a wooden statue of Taylor made to promote her role in The Sandpiper. It was to be unveiled at a party aboard the Queen Mary, but producer Joseph E. Levine connived a way for the sculpture to be stowed below decks so his star Carroll Baker wouldn’t be upstaged. In the end, nobody at the party saw the Taylor statue and Carroll Baker—once again wearing that amazing dress, by the way—ruled the day.
|Vintage Pulp||Nov 24 2011|
On the cover of this issue of Midnight published today in 1969, editors tell readers that presidential widow Jacqueline Kennedy Onassis hates Americans. The story extensively quotes an acquaintance named Lisa Whalley, who says at one point, “She (Jackie) thinks of Americans as a herd of mindless sheep who follow after famous personalities as though they were gods and goddesses.” It’s an interesting line, but it isn’t really news. Jacqueline Kennedy’s feelings about the U.S. were well known. After her husband was murdered, she and Robert Kennedy stated that they believed JFK had been felled by domestic opponents, the key words in there being “domestic”, i.e. American, and “opponents”, more than one person. And when Robert Kennedy was assassinated in 1968, Jackie came to the conclusion that the entire Kennedy family was a target. According to RFK biographer C. David Heymann, she said, “I hate this country. I despise America and I don’t want my children to live here anymore. If they’re killing Kennedys, my children are number one targets. I want to get out of this country.” Four months later she married Aristotle Onassis and moved to Greece. So the Midnight headline isn’t any great stretch, though to the editors’ credit, they do a pretty good job of framing it as a scoop. Inside the issue you get Elizabeth Taylor and Richard Burton on the rocks, Italian bombshell Nuccia Cardinali, Chinese beauty Irene Tsu, and a pretty nice shot of Czech-born sex symbol Barbara Bouchet. All of that and more below.
|Hollywoodland | Vintage Pulp||Aug 6 2011|
We’re back to the gossip magazine Uncensored today, with its info-packed cover telling us about gay Toronto, lesbian Hollywood, Sean Connery’s sex secrets and rumors about Liz Taylor and Richard Burton. But the standout item here (aside from the appearance of the non-word “rejuvination” and the misused term “capitol”) is the one on Cary Grant and his experimentation with LSD. Before the Beatles, Timothy Leary, and Carlos Castaneda, LSD was the drug of choice for a rarefied circle of glamorous elites who ingested it as part of their psychiatric therapy sessions. We’re talking about people as famous and diverse as aquatic actress Esther Williams, Time publisher Henry Luce, director Sidney Lumet, authors Aldous Huxley and Anais Nin, and composer André Previn. Cary Grant never tried to keep his LSD use secret. In fact, he spoke glowingly about it in a 1959 interview with Look magazine, saying that it had brought him close to happiness for the first time in his life. He also said that LSD taught him immense compassion for other people, and had helped him conquer his own shyness and insecurity.
But by 1968 the U.S. government—which had experimented extensively with LSD in hopes of using it as a truth serum or a form of chemical warfare, and had dosed thousands of people both willingly and unwillingly—was moving toward declaring the drug illegal. Grant’s wife Dyan Cannon had famously cited LSD usage as a primary factor in seeking a 1967 divorce, and the counterculture embrace of the drug was beginning to frighten middle America and the White House. That’s the backdrop against which this August 1968 Uncensored appeared, and by October of the year LSD was illegal. But the fact that public opinion had shifted—or more accurately, had been pushed by a steady, government-initiated anti-LSD campaign—did not particularly harm Grant’s public standing. When he died in 1986 he was still one of the most revered Hollywood actors ever. And about his LSD usage he had no regrets. Quite the opposite—he commented: “Yes, it takes a long time for happiness to break through either to the individual or nations. It will take just as long as people themselves continue to confound it. You’ll find that nowadays they put you away for singing and dancing in the street. ‘Here now, let’s have none of that happiness, my boy. You cut that out; waking up the neighbors!’ Those darn neighbors need waking up, I can tell you, constable!”
|Vintage Pulp||Feb 25 2011|
Here’s a fascinating February 1960 issue of the mid-century tabloid Top Secret with a selection of dish on the celebs of the day. Of particular note is the item on Lana Turner and Elizabeth Taylor. Top Secret claims scandals made them the highest-paid stars in Hollywood. What were the scandals? Well, in 1958 Lana Turner’s teenaged daughter Cheryl Crane stabbed mob enforcer Johnny Stompanato to death. The sensational murder trial that followed ended in Crane’s acquittal on the grounds of justifiable homicide, i.e., Stompanato had been beating Turner and Crane put a stop to it. As for Taylor, her scandal involved taking Eddie Fisher away from his wife, the incredibly popular and beloved singer/actress Debbie Reynolds. Later the same year Taylor agreed to star in Cleopatra for a million dollars—an astonishing sum at the time. But while Top Secret draws a direct line between this kind of pay and a messy personal life, there’s another possible consideration. In light of Lana Turner’s 1958 Academy Award nomination, and Elizabeth Taylor’s eventual five nominations and two wins, maybe the two were highly paid because of their talent. It’s just crazy enough to be true.