If you know anything about Christina Lindberg, you may be asking yourself how on Earth a poster designer ever decided it was a good idea to cut the most famous breasts of the era in half. Well, don’t judge too harshly—Lindberg didn’t become known as “The Girl with Them” and “The Sensation Girl” until her debut outing Rötmånad, aka Dog Days, aka What Are You Doing After the Orgy? earned an English-language release in 1971. Like many of the sexploitation stars, Lindberg wasn’t an expert actress, but she personified the sexual liberation that had swept the West. Sex was suddenly acknowledged as a healthy part of being human, and it was acceptable to explore erotic themes in the open via cinema. By the time the seventies were over video would take depictions of sex to places undreamt of, all of them fetishistic, and mainstream cinema would begin to shy away from the subject of even romantic, loving sex. But for a while Christina Lindberg was the muse of international erotic cinema, and it all began when Rötmånad premiered in Sweden, today in 1970. Pretty soon we’ll share some Lindberg images that have never appeared on the internet before. 

Summer is dwindling in the parts of the world that have actual seasons. As a reminder of everyone’s favorite time of year we’ve searched the internet and cobbled together a collection of thirty vintage images featuring some of yesteryear’s fittest femmes and hommes enjoying the sun, and sometimes each other. If you haven’t had a summertime moment like one of those below, there’s still time. Get to it.

The other day we realized that nearly all of our femmes fatales released records at some point, so we have a megapost of sleeves today representing a fraction of these multi-talented women’s musical output. We’ve heard most of the music, believe it or not, and while its quality varies, we do suggest you check out both Marilyn Chambers and Reiko Ike—their simulated orgasms are quite pleasing to the, er, ears.

Above is the lovely Swedish actress Christina Lindberg, who appeared in the pinku classic Sex & Fury, seen here on two promo posters for the sexploitation flick Exponerad, aka Exposed, 1971. These images have never appeared on the internet before.     

We always talk about how Pulp Intl. is like an old bookstore that you need to sort through to find the good stuff. Here’s a prime example. Whenever we screw up a post the blank template sits in the database staring at us, so rather than be reminded of our past mistakes, we eventually use those spots to add items to the website to reward visitors who look really hard. Case in point—a full four years after originally messing up this little spot in the database we've filled it with the above covers of the West German nudie magazine Sexy, all featuring Christina Lindberg in various states of undress and from various lovely angles. As smut mags go, Sexy was a class act, and many aspiring and actual movie stars appeared in its pages. Examples—Edwige Fenech and Marlene Wiese. These four shots of Lindberg were published from 1971 to 1974, and if you’ve found them, they were certainly worth the effort weren’t they?

Here’s one of our favorite old magazines, the great Continental Film Review, with a cover shot of one our favorite vintage actresses, Christina Lindberg, who you may remember from our post about Sex & Fury a while back. CFR was published in Britain and, like other magazines of its ilk, such as France’s Cine-Revue, purposely blurred the line between journalism and smut by publishing sober reviews and features, while not-so-incidentally showing acres of skin. Their wry, we’re-not-really-porn approach was a roaring success across four decades, from 1952 until 1983. We have some racy interior pages below, featuring more Lindberg, as well as Marion Forster, Gabriela Grimaldi, Veronique Vendell and others. And at bottom, in the final panel, we've located the orginal image upon which CFR based their cover image. Enjoy.

Any time you get Reiko Ike in a flick, vital fluids will stain the walls. Furyô anego den: Inoshika Ochô, aka Sex & Fury, falls into a category generally known as “pinky violence,” which was conceived and created by the movie studio Toei Company. Like yesterday’s Seijû gakuenaka, this film is a Norifumi Suzuki-conducted symphony of lesbian sex, shock-nudity and hyperviolent action.

Near the mid-point Suzuki treats us to a sequence in which the heroine is surprised in the bath by eight Yakuza, but leaps from the tub and fights them naked. The vicious sword battle spills from the bath chamber into a courtyard, all in wonderfully choreographed slow motion, with arterial spray jetting hither and yon like water from the Bellagio Fountain. It’s one of the most famous and daring sequences in cinema history, and was echoed by David Cronenberg in his recent thriller Eastern Promises.

You may notice that Reiko Ike is upstaged on the poster (and the black-bordered alternate version below) by a bare-breasted Christina Lindberg. Ms. Lindberg is a sexploitation queen who we’ll talk more about in the future. Furyô anego den: Inoshika Ochô premiered in Japan today in 1973.