|Vintage Pulp||Feb 21 2016|
Back in August we showed you a poster from Luigi Martinati, who worked from 1923 to 1967, and said we'd get back to him. Below, seven more great promotional pieces with his distinctive signature on each.
To Have and Have Not
On the Waterfront
Phantom of the Rue Morgue
The Wrong Man
|Vintage Pulp||Jan 27 2016|
The Noir City Film Festival continues its challenging 2016 slate when it screens another pair of classics tonight—Love Me or Leave Me and Young Man with a Horn. Both are musical dramas, and though neither is a noir, both take viewers to dark places. In the 1920s period piece Love Me or Leave Me velvety-voiced Doris Day stars as a struggling chanteuse given a break by gangster James Cagney. He quickly becomes her manager and uses force to launch a national career, blind to the fact that she has real talent and can succeed with no strongarm man to back her. But Cagney doesn't see her talent—show business is gangsterism for him, and bullying is how he operates. When he finally bullies his way into marriage with Day his constant rage transforms her into an indifferent and isolated woman.
Perhaps by now you’ve noticed the theme that has emerged with this year’s Noir City offerings—they are all about artists or their artistic output. In Rear Window and The Public Eye it’s photographers, in The Two Mrs. Carrolls it’s a painter, In a Lonely Place and The Bitter Stems deal with a screenwriter and journalist, Deception and Humroresque look at classical musicians, and The Dark Corner and Crack Up deal with art ascommerce and contraband respectively. The theme is nice, but once again two films will be screening tonight that present yet another challenge to noir purists attending this year’s fest. Both films are great, but we’ll be surprised if organizers stray this far from the form next year.
|Vintage Pulp||Nov 5 2015|
|Vintage Pulp||Oct 23 2015|
Above, four more Marilyn Monroe covers of the Danish magazine Billed Bladet, with the first example published after her overdose, declaring that the “myten” may be dead but the “sex-symboliet” will live on. Who says Danish is hard to learn?
|Femmes Fatales||Oct 1 2015|
Two years ago we shared a very rare Japanese promo poster from the 1976 Italian romance Laure, also known as Forever Emmanuelle. The calendar image above from the Japanese cinema and celebrity magazine Roadshow doesn’t directly promote Laure, but it comes from the same photo session, and like the earlier image features French actress Annie Belle doing her imitation of Monday’s supermoon. Both are amazing events, but this one, happily, features fewer craters.
|Vintage Pulp||Sep 19 2015|
|Vintage Pulp||Aug 17 2015|
We like to make fun of the movie Perversion, aka Nathalie: Escape from Hell, but one thing that can’t be denied is that it has interesting art. This Italian locandina style poster doesn’t quite stand up to the nightstick-licking promo we showed you last year, but it’s weirdly funny in its own way, with Patrizia Gori on the receiving end of some corporal punishment from oversexed dominatrix Jacqueline Laurent. Both posters are by unknown artists, but as always we’ll keep digging—someone out there was probably credited at some point, and if they were, they have no more chance of escaping than poor Nathalie. And on the subject of digging, we’ve located some good promos of Patrizia Gori and we’ll share one a bit later.
|Vintage Pulp||Aug 16 2015|
Illustrator J. Oval was a Brit named Ben Ostrick who painted under both his pseudonym and real name. His crisp illustrations helped make Pan Books, which debuted in 1944, one of the most eye-catching mid-century imprints. Pan is still around as part of Britain-based Macmillan Publishers, which is in turn owned by the Georg von Holtzbrinck Publishing Group of Germany. Many of Oval’s pieces for Pan were paired with works so obscure they’re almost impossible to find today, but above you see a good-sized collection, including a few we managed to turn up that haven’t been widely seen. With few exceptions they all use the same formula, though he would occasionally deviate by painting a fully rendered background, or populating a scene with more than one or two figures. You can see a couple more Oval covers in our collection of Asia-influenced paperback art here, and we also shared a small collection of his work back in 2011 that you can find here.
|Vintage Pulp||Jul 3 2015|
The hitchhiker has been a central element of many a mid-century thriller, with the results of these rides ranging from hot sex to bloody murder, and several outcomes between. Below is a collection of paperback covers depicting various characters casting their fates to the road. Wish them luck—they’ll need it. And thanks to all the original uploaders on these.
|Vintage Pulp||Jan 22 2015|
Above and below you will find a large collection of pulp, post-pulp, and sleaze paperback fronts that have as their titles a character’s first name. There are hundreds of examples of these but we stopped at thirty-two. The collection really highlights, more than others we’ve put together, how rarely vintage paperback art focuses on male characters. The prose is virtually all male-centered and male-driven, of course, but because the mid-century paperback market was male-driven too, that meant putting women on the covers to attract the male eye. We tell our girlfriends this all the time, but they still think we just don’t bother looking for male-oriented vintage art. But we do. For this collection we found two novels that have male characters’ names as their titles, and we looked pretty hard. If we had to guess, we’d say less than 5% of all pulp art is male-oriented. In any case, the illustrations come from the usual suspects—Barye Phillips, Robert McGinnis, Jef de Wulf, Paul Rader, et al., plus less recognized artists like Doug Weaver. Thanks to all the original uploaders for these.