It gets awfully boring waiting for your big break.
Lauren Hutton was one of the first supermodels, back when every semi-famous woman walking the runway wasn't bestowed with that term. Hutton shot a series of nudes in 1963, when she was twenty years old and an unknown in New York City, still several years from her first professional contract. We've seen many photos from this session but the above shot, which has been bouncing around online for a few months, seems to us by far the best.
Tiki bra offers support where others fear to venture.
Last month we showed you a piece of art by Raymond Brenot and noted the eclectic industries for which he worked. Well, he also painted advertisements. The ad above is a very nice piece of tropical themed art, apparently for the technologically advanced Tiki bra, designed according to LOU guidelines, whatever those are, and incorporating innovative side straps, whatever those are. No, we don't know much about bras. But thanks to this ad we learned that one would be called in French a soutien-gorge. At least back then. To us that sounds like some sort of surgical procedure you have on your digestive tract. And in fact if you break the word apart, soutien translates as “support,” which is encouraging enough, but gorge translates as “throat,” which raises terrifying images. Love this piece of south seas island art, though. It's, erm, gorgeous.
One good turn deserves another, and another, and another...
French illustrator Raymond Brenot, aka Pierre-Laurent Brenot painted many magazine covers and pin-ups, and a few paperback fronts, as well. He also painted sleeves for numerous records. You see a beautiful example above for French trumpeter Fred Gérard's Si nous dansions... en 16 tours. The close-up image shows the unique aspect of the art—its mise en abîme element, or what the Dutch call a Droste effect, an identical image within the image, with infinite repetitions implied.
The title of the record translates to “If we danced... 16 turns,” which is weird because there are actually twenty songs. The tunes cover various dance styles, such as mambo, Charleston, foxtot, etc., and we know what you're thinking. You're thinking sixteen dance styles must be covered. No—only nine styles are played, so the 16 tours part of the title is a mystery to us. If you know the answer to the riddle, you know how to reach us. But don't expect an immediate response—we'll be busy foxtrotting.
Update: It is incredibly informative having readers from all over the world. The answer came from Jo B. in France, who informed us: "16 tours is the rotation speed of the record in 1 minute."
You know what they say about men with big hats.
In this production still from 1946's The Big Sleep featuring a bizarrely large hat in the foreground, Martha Vickers falls into Humphrey Bogart's arms. Bogart, under normal circumstances, would have been smart to likewise fall for Miss Vickers, but his other choice in the movie was Lauren Bacall. Which means it was she who got hat, head, and all the rest.
Trust me, I can do this for a long, long time.
Lauren Bacall gives the camera the look she made famous, and which gave male filmgoers palpitations. Ironically, the look came about because in her first film To Have and Have Not she was so nervous her head was shaking, so she kept her chin down to suppress the tremors, which required her to look from under her eyelids. Or so the story goes. This particular photo was made for her thriller Confidential Agent, and it dates from 1945.
Italian master’s genius spanned decades.
Back in August we showed you a poster from Luigi Martinati, who worked from 1923 to 1967, and said we'd get back to him. Below, seven more great promotional pieces with his distinctive signature on each.
To Have and Have Not
On the Waterfront
Phantom of the Rue Morgue
The Wrong Man
If only their taste in mates matched their taste in music.
The Noir City Film Festival continues its challenging 2016 slate when it screens another pair of classics tonight—Love Me or Leave Me and Young Man with a Horn. Both are musical dramas, and though neither is a noir, both take viewers to dark places. In the 1920s period piece Love Me or Leave Me velvety-voiced Doris Day stars as a struggling chanteuse given a break by gangster James Cagney. He quickly becomes her manager and uses force to launch a national career, blind to the fact that she has real talent and can succeed with no strongarm man to back her. But Cagney doesn't see her talent—show business is gangsterism for him, and bullying is how he operates. When he finally bullies his way into marriage with Day his constant rage transforms her into an indifferent and isolated woman.
This is one of those movies that will, especially in a full house in San Francisco, trigger groans of distaste as Cagney ticks all the worst boxes of reprehensible human beings—treating women like meat, slapping them around, trying to obtain sex by force, dispensing emotional abuse, and using violence as a tool in every situation, against both women and men. But the audience may be just as hard on Day by the final reel forpossessing a level of forgiveness that is alien to people circa 2016. Love Me or Leave Me is an excellent movie—cringe inducing in parts, but deeply involving, and perhaps destined to be the most discussed film of the festival.
Day stars in Young Man with a Horn as well, singing again, this time with Kirk Douglas, who plays a gifted child musician who grows up to be an ace trumpet player thanks to the tutelage of an elder jazzman. Unfortunately he has a congenital inability to conform, particularly when it means playing dance band music over improvisational jazz. The arrival of a femme fatale—in the person of the awesome Lauren Bacall—brings a whole new set of troubles. The gender roles are reversed from Love Me or Leave Me, but the films each explore how a bad relationship saps the joy from the soul of an artist, and Day is winningly sweet in both.
Perhaps by now you’ve noticed the theme that has emerged with this year’s Noir City offerings—they are all about artists or their artistic output. In Rear Window and The Public Eye it’s photographers, in The Two Mrs. Carrolls it’s a painter, In a Lonely Place and The Bitter Stems deal with a screenwriter and journalist, Deception and Humroresque look at classical musicians, and The Dark Corner and Crack Up deal with art ascommerce and contraband respectively. The theme is nice, but once again two films will be screening tonight that present yet another challenge to noir purists attending this year’s fest. Both films are great, but we’ll be surprised if organizers stray this far from the form next year. |
The headlines that mattered yesteryear.
1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder
, Carmen Jones
, The Man with the Golden Arm
, and Stalag 17
, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease.
1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot.
1912—Pravda Is Founded
The newspaper Pravda, or Truth, known as the voice of the Communist Party of the Soviet Union, begins publication in Saint Petersburg. It is one of the country's leading newspapers until 1991, when it is closed down by decree of then-President Boris Yeltsin. A number of other Pravdas appear afterward, including an internet site and a tabloid.
1983—Hitler's Diaries Found
The German magazine Der Stern claims that Adolf Hitler's diaries had been found in wreckage in East Germany. The magazine had paid 10 million German marks for the sixty small books, plus a volume about Rudolf Hess's flight to the United Kingdom, covering the period from 1932 to 1945. But the diaries are subsequently revealed to be fakes written by Konrad Kujau, a notorious Stuttgart forger. Both he and Stern journalist Gerd Heidemann go to trial in 1985 and are each sentenced to 42 months in prison.
1918—The Red Baron Is Shot Down
German WWI fighter ace Manfred von Richthofen, better known as The Red Baron, sustains a fatal wound while flying over Vaux sur Somme in France. Von Richthofen, shot through the heart, manages a hasty emergency landing before dying in the cockpit of his plane. His last word, according to one witness, is "Kaputt." The Red Baron was the most successful flying ace during the war, having shot down at least 80 enemy airplanes.
1964—Satellite Spreads Radioactivity
An American-made Transit satellite, which had been designed to track submarines, fails to reach orbit after launch and disperses its highly radioactive two pound plutonium power source over a wide area as it breaks up re-entering the atmosphere.
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