Intl. Notebook Aug 13 2014
LAST BACALL
Slipping into darkness.

Lauren Bacall appears here in what may be her most famous publicity image, gazing from the darkness with a knowing, mischievous, heavy-lidded look she made her trademark in The Big Sleep, Dark Passage, and To Have and Have Not, three films that were a sort of informal trifecta of film noir. She also appeared in Key Largo, less a noir than a melodrama, but still excellent. All co-starred Humphrey Bogart, who she married in the middle of this run of films and remained married to until his death in 1957. Bacall joins him more than half a century later, aged eighty-nine.

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Hollywoodland Jun 19 2013
CIRO HOUR
Everybody who was anybody was there.

This photo made today in 1954 shows American singer/actress Abbe Lane posing outside Ciro’s nightclub in West Hollywood, California. Lane had begun in show business as a child actress, but became world famous after she married bandleader Xavier Cugat and began fronting his group as a singer. Although this is a famous photo, one you can find elsewhere on the internet, we thought it was worth posting anyway, not just because of Lane, but because supper clubs like Ciro’s really don’t exist anymore. Ciro’s, which by the way was unrelated to the many famous Ciro’s that existed in Europe during the Jazz Age, from its opening in 1940 to its closing in 1957 was a favorite spot of screen personalities, singers, producers, and writers, a place where the night’s meet-ups and trysts were reported in the next day’s gossip columns. Below you see Lane and Cugat, Charlie Chaplin with Paulette Goddard, Lane onstage fronting Cugat’s rumba band, Cary Grant with Betsy Drake, Lucille Ball with Desi Arnaz, Jr., and others. 

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Vintage Pulp Jun 9 2013
CHAMBRE DU SECRETS
Everybody loves Raymond’s art.

We’ve mentioned artist and fashion designer Raymond Brenot, aka Pierre-Laurent Brenot a couple of times before in relation to the French magazine V. This is the first time we’ve seen his work on a book cover. It’s a copy of Journal d'une chambre de femme by Jean-Albert Foëx, and it was published by E.D.I.C.A. in 1958 as part of their Collection Le Mauvais Oeil, or Evil Eye Collection. Brenot’s cool cover also wraps onto the rear of the book, as you can see below.

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Hollywoodland Apr 22 2013
BACALLING ARGENTINA
Reports of her retirement were greatly exaggerated.

Here’s an interesting little item we found on an auction site. It’s a copy of the Argentine film magazine Mundo Argentino with Lauren Bacall, née Betty Joan Perske on the cover. The inset text reads, “Lauren Bacall says goodbye forever to Hollywood,” and while she did disappear from films for four years, she returned in 1963 and has continued acting all the way up until 2012 so far. This cover appeared today in 1959. 

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Femmes Fatales Jan 19 2013
LAUREN'Z CURVES
For a good time, Bacall.

Above, a 1945 promo shot of a midriff baring Lauren Bacall looking ready to make some mischief. The photo was made for the film To Have and Have Not, from the same sessions that produced these images. Lorenz curves, by the way, describe inequality in wealth or size. We think Bacall is inequitably beautiful here.

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Femmes Fatales Jan 16 2013
ANNIE GET YOUR PANTS
One fashion that never goes out of style is Belle bottom.

Above, an exceedingly rare Japanese poster of French actress Annie Belle, née Annie Brilland, promoting her role in the 1976 Italian erotic drama Laure. Belle made about thirty films, mostly in Italy, and today is a social worker. We have another poster of similar style we’ll try to get up later. 

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Hollywoodland Nov 27 2012
TO HAVE AND HAVE MORE
Sometimes a kiss is not just a kiss.

The above promo shot was made for Humphrey Bogart and Lauren Bacall’s 1944 thriller To Have and Have Not, in which he played a cynical boat captain and she played a tough girl with a heart ready to be given to the right man. It was set in French Martinique, and it’s one of our favorite old movies. Certainly not in the same league as Casablanca, which is the phenomenon it was trying to recreate, yet it was faster, funnier, and far less grandiose, all of which work in its favor. Haven’t seen it? Rent it. Or better yet—in the spirit of Bogart’s rum running character Capt. Harry Morgan—pirate it. Arrr.

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Vintage Pulp Sep 13 2012
V, VOIR, VOILA
Whatever it was called, we love it.

More from France today with V magazine of winter 1965. This particular issue, in the masthead in extremely small print, reveals that V is short for Voilà. Other issues we have do not mention that, so it’s news to us, and probably to many other people as well, especially because we shared an issue a while back that clearly says on the cover “Supplement au No. 445 de Voir Magazine.” So it is Voilà, Voir, or just V? To tell the truth, we wondered in the past if the 1950s V was the same as the earlier magazine that published through the ’40s, but it was. The publisher, editor, and even the street address changed, but we’ve seen an issue from 1949 that shows an unmistakable visual transition between the two versions. If indeed the magazine was ever actually called Voilà, or Voir, the full name never appeared on the cover, as far as we know. Speaking of covers, this one was painted by Raymond Brenot, aka Pierre-Laurent Brenot, who was both an artist and a successful fashion designer, and he joined a special fraternity of brilliant V cover artists such as René Caille, Jean David, and Georges Pichard. The interior illustrations are from Brenot, Pichard, Le Gano, Renoir and others. Plus there are photos of Margaret Lee, Catherine Frank, Mara Berni, Liten Østern, dancer Sonia Vareuil, et.al. Generally, the more a magazine costs us the more pages we scan, just so we can feel like we got our money’s worth. This one was ten euros, so below are more than thirty images for your enjoyment.

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Vintage Pulp May 29 2012
REVOLUTIONARY NOIR
Only the good go to sleep at night.


The French coined the term film noir, so it seems only fitting to feature a collection of French posters celebrating the genre. Above and below are fifteen examples promoting films noir from France, Britain, and the U.S., representing some of the best ever produced within the art form, as well as some less celebrated examples that we happen to love. Of those, we highly recommend seeing Le salaire de la peur, for which you see the poster above, and Ride the Pink Horse, below, which played as Et tournent les chevaux de bois in France. Just a word about those films (and feel free to skip ahead to the art, because really, who has time these days to listen to a couple of anonymous internet scribes ramble on about old movies?).
 
1953’s Le salaire de la peur is about a group of men stranded in an oil company town in the mountains of South America. In order to earn the wages to get out, four of them agree to drive two trucks filled with nitroglycerine over many miles of dangerous terrain. The idea is to use the chemicals to put out a raging oil well fire that is consuming company profits by the second, but of course the film is really about whether the men can even get there alive. Le salaire de la peur was critically praised when released in Europe, but in the U.S., political factions raised their ugly heads and got censors to crudely re-edit the prints so as to reduce the movie’s anti-capitalist (and by extension anti-American) subtext. The movie was later remade by Hollywood twice—once in 1958 as Hell’s Highway, and again in 1977 as Sorcerer. The original is by far the best.

1947’s Ride the Pink Horse is an obscure noir, but a quintessential one, in our opinion. If many noirs feature embittered World War II vets as their anti-heroes, Robert Montgomery’s Lucky Gagin is the bitterest of them all. He arrives in a New Mexico border town on a quest to avenge the death of a friend. The plot is thin—or perhaps stripped down would be a better description—but Robert Montgomery’s atmospheric direction makes up for that. Like a lot of mid-century films featuring ethnic characters, the most important one is played by a white actor (Wanda Hendrix, in a coating of what looks like brown shoe polish). It's racist, for sure, but within the universe of the film Lucky Gagin sees everyone around him only as obstacles or allies—i.e., equals within his own distinct worldview. So that makes up for it. Or maybe not. In any case, we think Ride the Pink Horse is worth a look. Fourteen more posters below. 
 

 
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Vintage Pulp Jul 7 2011
STREETS OF SAN FRANCISCO
Dark Passage is the least thrilling of Bogie and Bacall’s three collaborations, but it’s still a worthy film noir.

Humphrey Bogart rose to unparalleled heights as a mid-century movie star, but even he has a few films that could be considered underappreciated. 1947’s Dark Passage probably fits the bill. It’s a polarizing movie, long admired by critics and noir aficionados, but off-putting to casual cinema fans. The first hour is shot from first person perspective, which means we don’t see Bogart at all except when he happens to pass by a mirror. What we glimpse when he does is a head wrapped in bandages, for he has gone under the plastic surgeon’s knife in an effort to change his identity and elude the law. Assisting him in his desperate plan is Lauren Bacall, who dazzled with Bogie in To Have and Have Not and Key Largo. Unfortunately, the romantic sparks don’t quite fly between the real life spouses here the way they did in those collaborations but, as constructed, perhaps that was never the intention. Just the same, we recommend Dark Passage for its taut atmosphere and clever camera work. Plus, for the historically oriented, a bonus is a detailed look at post-WWII San Francisco, beautifully shot by director Delmer Daves and cinematographer Sidney Hickox. Above you see the movie’s French promo art, created for its release as Les passagers de la nuit today in 1948. 

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History Rewind
The headlines that mattered yesteryear.
October 02
1919—Wilson Suffers Stroke
U.S. President Woodrow Wilson suffers a massive stroke, leaving him partially paralyzed. He is confined to bed for weeks, but eventually resumes his duties, though his participation is little more than perfunctory. Wilson remains disabled throughout the remainder of his term in office, and the rest of his life.
1968—Massacre in Mexico
Ten days before the opening of the 1968 Summer Olympics in Mexico City, a peaceful student demonstration ends in the Tlatelolco Massacre. 200 to 300 students are gunned down, and to this day there is no consensus about how or why the shooting began.
October 01
1910—Los Angeles Times Bombed
A massive dynamite bomb destroys the Los Angeles Times building in downtown Los Angeles, California, killing 21 people. Police arrest James B. McNamara and his brother John J. McNamara. Though the brothers are represented by the era's most famous lawyer, Clarence Darrow, of Scopes Monkey Trial fame, they eventually plead guilty. James is convicted and sentenced to fifteen years in prison. His brother John is convicted of a separate bombing of the Llewellyn Iron Works and also sent to prison.
1975—Ali Defeats Frazier in Manila
In the Philippines, an epic heavyweight boxing match known as the Thrilla in Manila takes place between Muhammad Ali and Joe Frazier. It is the third, final and most brutal match between the two, and Ali wins by TKO in the fourteenth round.
September 30
1955—James Dean Dies in Auto Accident
American actor James Dean, who appeared in the films Giant, East of Eden, and the iconic Rebel without a Cause, dies in an auto accident at age 24 when his Porsche 550 Spyder is hit head-on by a larger Ford coupe. The driver of the Ford had been trying to make a left turn across the rural highway U.S. Route 466 and never saw Dean's small sports car approaching.
1962—Chavez Founds UFW
Mexican-American farm worker César Chávez founds the United Farm Workers in California. His strikes, marches and boycotts eventually result in improved working conditions for manual farm laborers and today his birthday is celebrated as a holiday in eight U.S. states.

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