Vintage Pulp Aug 12 2016
BAGGAGE CHECK
A suitcase and a sense of adventure will take you anywhere you want to go (and some places you don't).

As noted in the above post, we've gotten a trip together for this summer, so we thought we'd inspire ourselves by collecting a set of paperback covers featuring characters with suitcases. Just about anything can happen once you leave the comfy confines of home and we're hoping several of the scenes depicted here come true for us. See if you can guess which. Hint: not the one above—we already did that last year when we got caught in a monsoonal downpour that shut the airport on the day we were supposed to fly. No, we're thinking we want something more like the below cover to happen. And actually, that's a guarantee because the Pulp Intl. girlfriends are coming with us. Anyway, this group of covers serves as a companion set to our hitchhiker collection from last year. Art is by Robert McGinnis, Mitchell Hooks, George Gross, and others.

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Vintage Pulp Feb 21 2016
MARTINATI CHRONICLES
Italian master’s genius spanned decades.

Back in August we showed you a poster from Luigi Martinati, who worked from 1923 to 1967, and said we'd get back to him. Below, seven more great promotional pieces with his distinctive signature on each.

To Have and Have Not

On the Waterfront

Phantom of the Rue Morgue

Humoresque

Flamingo Road

The Wrong Man

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Vintage Pulp Jan 27 2016
TORTURED ARTISTS
If only their taste in mates matched their taste in music.


The Noir City Film Festival continues its challenging 2016 slate when it screens another pair of classics tonight—Love Me or Leave Me and Young Man with a Horn. Both are musical dramas, and though neither is a noir, both take viewers to dark places. In the 1920s period piece Love Me or Leave Me velvety-voiced Doris Day stars as a struggling chanteuse given a break by gangster James Cagney. He quickly becomes her manager and uses force to launch a national career, blind to the fact that she has real talent and can succeed with no strongarm man to back her. But Cagney doesn't see her talent—show business is gangsterism for him, and bullying is how he operates. When he finally bullies his way into marriage with Day his constant rage transforms her into an indifferent and isolated woman.

This is one of those movies that will, especially in a full house in San Francisco, trigger groans of distaste as Cagney ticks all the worst boxes of reprehensible human beings—treating women like meat, slapping them around, trying to obtain sex by force, dispensing emotional abuse, and using violence as a tool in every situation, against both women and men. But the audience may be just as hard on Day by the final reel forpossessing a level of forgiveness that is alien to people circa 2016. Love Me or Leave Me is an excellent movie—cringe inducing in parts, but deeply involving, and perhaps destined to be the most discussed film of the festival.
 
Day stars in Young Man with a Horn as well, singing again, this time with Kirk Douglas, who plays a gifted child musician who grows up to be an ace trumpet player thanks to the tutelage of an elder jazzman. Unfortunately he has a congenital inability to conform, particularly when it means playing dance band music over improvisational jazz. The arrival of a femme fatale—in the person of the awesome Lauren Bacall—brings a whole new set of troubles. The gender roles are reversed from Love Me or Leave Me, but the films each explore how a bad relationship saps the joy from the soul of an artist, and Day is winningly sweet in both.

Perhaps by now you’ve noticed the theme that has emerged with this year’s Noir City offerings—they are all about artists or their artistic output. In Rear Window and The Public Eye it’s photographers, in The Two Mrs. Carrolls it’s a painter, In a Lonely Place and The Bitter Stems deal with a screenwriter and journalist, Deception and Humroresque look at classical musicians, and The Dark Corner and Crack Up deal with art ascommerce and contraband respectively. The theme is nice, but once again two films will be screening tonight that present yet another challenge to noir purists attending this year’s fest. Both films are great, but we’ll be surprised if organizers stray this far from the form next year.

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Vintage Pulp Nov 5 2015
DUTCH SEXPRESS
Fast lane to the promised land.


We've done a bit of France and Germany this week, so we thought we'd keep Pulp Intl. international by heading over to Holland. Above you see eight pulp style covers from Rotterdam publisher De Vrije Pers for various works of erotica, including Marquis de Sade's Wilde Nachten, aka, The 120 Days of Sodom. These were part of De Vrije Pers's Sexpress collection, and indeed the rear covers inform readers Een nieuw serie ware sex verhalen sprankelen van realisme—a new series of true sex stories sparkle with realism. Which is good, because who doesn't love a little sparkle? We also love the covers. You may remember we shared one a while ago and promised to revisit the collection. So this is us doing that. Middle and late 1960s on these.

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Vintage Pulp Oct 23 2015
MARILYN THE MYTEN
Monroe as always is top Billed.


Above, four more Marilyn Monroe covers of the Danish magazine Billed Bladet, with the first example published after her overdose, declaring that the “myten” may be dead but the “sex-symboliet” will live on. Who says Danish is hard to learn?

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Femmes Fatales Oct 1 2015
SUPER MOON
October 1st marks the second rare lunar event this week.

Two years ago we shared a very rare Japanese promo poster from the 1976 Italian romance Laure, also known as Forever Emmanuelle. The calendar image above from the Japanese cinema and celebrity magazine Roadshow doesn’t directly promote Laure, but it comes from the same photo session, and like the earlier image features French actress Annie Belle doing her imitation of Monday’s supermoon. Both are amazing events, but this one, happily, features fewer craters. 

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Vintage Pulp Sep 19 2015
WEEKEND AT SYLVA'S
It’s always best to let sleeping corpses lie.

It’s a Dino de Laurentiis production, so you know it’s going to be bad. Filmed in black and white, Cadavere per signora, aka Corpse for a Lady deals with a wealthy woman, played by the transcendent Sylva Koscina, who is blackmailed and calls her three childhood friends for help. The four of them arrange a deal with the blackmailer, but he ends up dead and they’re stuck with the body. Hilarity ensues as they try to get rid of it. Not recommendable, but we love the poster. Cadavere per signora premiered in Italy today in 1964. 

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Vintage Pulp Aug 17 2015
HUSSY WHIPPED
And that one's for saying 50 Shades of Grey sucked ass!

We like to make fun of the movie Perversion, aka Nathalie: Escape from Hell, but one thing that can’t be denied is that it has interesting art. This Italian locandina style poster doesn’t quite stand up to the nightstick-licking promo we showed you last year, but it’s weirdly funny in its own way, with Patrizia Gori on the receiving end of some corporal punishment from oversexed dominatrix Jacqueline Laurent. Both posters are by unknown artists, but as always we’ll keep digging—someone out there was probably credited at some point, and if they were, they have no more chance of escaping than poor Nathalie. And on the subject of digging, we’ve located some good promos of Patrizia Gori and we’ll share one a bit later. 

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Vintage Pulp Aug 16 2015
OSTRICK RECIPE
J. Oval’s style was as clean and vivid as a master chef’s.

Illustrator J. Oval was a Brit named Ben Ostrick who painted under both his pseudonym and real name. His crisp illustrations helped make Pan Books, which debuted in 1944, one of the most eye-catching mid-century imprints. Pan is still around as part of Britain-based Macmillan Publishers, which is in turn owned by the Georg von Holtzbrinck Publishing Group of Germany. Many of Oval’s pieces for Pan were paired with works so obscure they’re almost impossible to find today, but above you see a good-sized collection, including a few we managed to turn up that haven’t been widely seen. With few exceptions they all use the same formula, though he would occasionally deviate by painting a fully rendered background, or populating a scene with more than one or two figures. You can see a couple more Oval covers in our collection of Asia-influenced paperback art here, and we also shared a small collection of his work back in 2011 that you can find here. 

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Vintage Pulp Jul 3 2015
ALL THUMBS
Well, mostly thumbs.

The hitchhiker has been a central element of many a mid-century thriller, with the results of these rides ranging from hot sex to bloody murder, and several outcomes between. Below is a collection of paperback covers depicting various characters casting their fates to the road. Wish them luck—they’ll need it. And thanks to all the original uploaders on these. 

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History Rewind
The headlines that mattered yesteryear.
August 29
1949—Soviet Union Joins Nuclear Club
The Soviet Union detonates a nuclear weapon at a test site in Kazakhstan. American experts are shocked and dismayed because they had thought the Soviets were still years away from having a workable bomb. The resultant fear helps trigger an arms race that would see the Americans and Soviets stockpile approximately 32,000 and 45,000 nuclear devices.
August 28
1963—King Gives Famous Speech
In the U.S., Martin Luther King, Jr., at the culmination of his march on Washington for jobs and freedom, gives his famous "I Have a Dream Speech," advocating racial harmony and equality.
1981—Scientists Announce Existence of New Disease
The National Centers for Disease Control announce a high incidence of pneumocystis and Kaposi's sarcoma in gay men. These illnesses are later recognized as symptoms of a blood-borne immune disorder, which they name AIDS. The disease is initially thought to have developed in the late 1970s among gay populations, but scientists now know it developed in the late 1800s or early 1900s in Africa during the height of European conquest of the continent.
August 27
1975—Haile Selassie I Dies
Haile Selassie I, former Emperor of the Kingdom of Ethiopia, dies of respiratory failure. Selassie was most famous for his landmark speech before the League of Nations in 1936, in which he pleaded for help against an Italian invasion, but to no avail. He warned that fascist aggression would not end with Ethiopia. His words, "It is us today; it will be you tomorrow," turn out to be prophetic when Germany's fascists later spark World War II.

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