Femmes Fatales Dec 21 2016
A CLAIRE WINNER
Trevor makes the most of her smoke break by posing for a master.

Brooklyn born actress Claire Trevor made more than sixty movies over seven decades, including the important film noir entries Raw Deal, Born To Kill, Johnny Angel, Murder My Sweet, and Key Largo, the latter of which snared her an Academy Award for Best Supporting Actress. And if you haven't seen her in it you really should. She was one of film noir's defining artists, an indispensable participant in it. We're also fond of her in lighter fare such as 1965's How To Murder Your Wife, with Jack Lemmon. The noirish shot above was used as a reference photo by the legendary Peruvian artist Alberto Vargas. He painted a portrait of Trevor which you see inset just above, and you also see her posing with the piece below. The portrait was commissioned by her employers Fox Film Corporation as a promo image, a type of work Vargas did often, and the studio used prints of portrait as lobby cards. All of these images came about in 1934.

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Intl. Notebook Aug 13 2014
LAST BACALL
Slipping into darkness.

Lauren Bacall appears here in what may be her most famous publicity image, gazing from the darkness with a knowing, mischievous, heavy-lidded look she made her trademark in The Big Sleep, Dark Passage, and To Have and Have Not, three films that were a sort of informal trifecta of film noir. She also appeared in Key Largo, less a noir than a melodrama, but still excellent. All co-starred Humphrey Bogart, who she married in the middle of this run of films and remained married to until his death in 1957. Bacall joins him more than half a century later, aged eighty-nine.

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Vintage Pulp May 29 2012
REVOLUTIONARY NOIR
Only the good go to sleep at night.


The French coined the term film noir, so it seems only fitting to feature a collection of French posters celebrating the genre. Above and below are fifteen examples promoting films noir from France, Britain, and the U.S., representing some of the best ever produced within the art form, as well as some less celebrated examples that we happen to love. Of those, we highly recommend seeing Le salaire de la peur, for which you see the poster above, and Ride the Pink Horse, below, which played as Et tournent les chevaux de bois in France. Just a word about those films (and feel free to skip ahead to the art, because really, who has time these days to listen to a couple of anonymous internet scribes ramble on about old movies?).
 
1953’s Le salaire de la peur is about a group of men stranded in an oil company town in the mountains of South America. In order to earn the wages to get out, four of them agree to drive two trucks filled with nitroglycerine over many miles of dangerous terrain. The idea is to use the chemicals to put out a raging oil well fire that is consuming company profits by the second, but of course the film is really about whether the men can even get there alive. Le salaire de la peur was critically praised when released in Europe, but in the U.S., political factions raised their ugly heads and got censors to crudely re-edit the prints so as to reduce the movie’s anti-capitalist (and by extension anti-American) subtext. The movie was later remade by Hollywood twice—once in 1958 as Hell’s Highway, and again in 1977 as Sorcerer. The original is by far the best.

1947’s Ride the Pink Horse is an obscure noir, but a quintessential one, in our opinion. If many noirs feature embittered World War II vets as their anti-heroes, Robert Montgomery’s Lucky Gagin is the bitterest of them all. He arrives in a New Mexico border town on a quest to avenge the death of a friend. The plot is thin—or perhaps stripped down would be a better description—but Montgomery’s atmospheric direction makes up for that. Like a lot of mid-century films featuring ethnic characters, the most important one is played by a white actor (Wanda Hendrix, in a coating of what looks like brown shoe polish). It's racist, for sure, but within the universe of the film Lucky Gagin sees everyone around him only as obstacles or allies—i.e., equals within his own distinct worldview. So that makes up for it. Or maybe not. In any case, we think Ride the Pink Horse is worth a look. Fourteen more posters below. 
 

 
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History Rewind
The headlines that mattered yesteryear.
February 21
1947—Edwin Land Unveils His New Camera
In New York City, scientist and inventor Edwin Land demonstrates the first instant camera, the Polaroid Land Camera, at a meeting of the Optical Society of America. The camera, which contains a special film that self-develops prints in a minute, goes on sale the next year to the public and is an immediate sensation.
1965—Malcolm X Is Assassinated
American minister and human rights activist Malcolm X is assassinated at the Audubon Ballroom in New York City by members of the Nation of Islam, who shotgun him in the chest and then shoot him sixteen additional times with handguns. Though three men are eventually convicted of the killing, two have always maintained their innocence, and all have since been paroled.
February 20
1935—Caroline Mikkelsen Reaches Antarctica
Norwegian explorer Caroline Mikkelsen, accompanying her husband Captain Klarius Mikkelsen on a maritime expedition, makes landfall at Vestfold Hills and becomes the first woman to set foot in Antarctica. Today, a mountain overlooking the southern extremity of Prydz Bay is named for her.
1972—Walter Winchell Dies
American newspaper and radio commentator Walter Winchell, who invented the gossip column while working at the New York Evening Graphic, dies of cancer. In his heyday from 1930 to the 1950s, his newspaper column was syndicated in over 2,000 newspapers worldwide, he was read by 50 million people a day, and his Sunday night radio broadcast was heard by another 20 million people.
February 19
1976—Gerald Ford Rescinds Executive Order 9066
U.S. President Gerald R. Ford signs Proclamation 4417, which belatedly rescinds Executive Order 9066. That Order, signed in 1942 by President Franklin D. Roosevelt, established "War Relocation Camps" for Japanese-American citizens living in the U.S. Eventually, 120,000 are locked up without evidence, due process, or the possibility of appeal, for the duration of World War II.
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