Rafael DeSoto painted this cover for the 1951 Dell paperback edition of Martha Albrand's 1950 novel Wait for the Dawn. This is one of the author's many romance thrillers, and what you get is a woman living in France who meets the perfect man, only to find out that he's a murderous goon. Pretty much every woman will have experienced that at some point. But this guy isn't all bad—he's rich, and as we know that buys a lot of second chances. Albrand was born in Germany as Heidi Loewengard, and wrote as Albrand, Katrin Holland, and Christine Lambert. In all she churned out around forty novels and was respected enough that an award was named after her, the Martha Albrand Award for First Nonfiction, which was active from 1989 to 2006, then discontinued. You can see a couple more cool DeSoto covers here and here.

Inside Story of August 1957 offers up stories on Elsa Martinelli, Ann Sothern, Clark Gable and others, but the subhead reading “The Night Audrey Hepburn Can’t Forget” is irresistible. So what happened on the night in question? Nothing fun, unfortunately. Fully expecting to read about some wild party or drunken escapade, journo Gwen Ferguson instead tells us that in 1942, when Hepburn was a Dutch teen named Audrey Kathleen Ruston, she was “brutally kidnapped and subjected to terrible indignities” by a Nazi soldier. As is typical for mid-century tabloids, this claim comes not from direct interviews, but rather from a fly-on-the-wall third person account. In this case, the magazine claims she confessed what happened to prospective husband Mel Ferrer, pictured next to her below, because she wanted him to have a chance to rescind his marriage proposal. The implication is clear—“indignities” is a euphemism for rape. Or else why would Ferguson suggest Ferrer might turn tail and run?

 

Ever notice how often pulps and noirs are centered on circuses and carnivals? We noticed it too, which is why we put together a collection of circus posters from the U.S.A., Belgium, Holland, Britain, the Soviet Union, et.al., circa 1930s to 1960s. Which circus would we see? The dynamite tossing clowns just below are enticing, but Big Otto the blood-sweating hippopotamus is by far the star attraction of this group. Otto and more below, and check out a collection of magic posters here. 

Above is a great shot of American actress and dancer Ann Miller, who was born Johnnie Collier (a much better name, in our opinion) and who appeared in many films, beginning with 1934’s Anne of Green Gables and ending with 2001’s Mulholland Dr. This shot is from her 1944 Columbia musical Hey, Rookie!, in which she had the lead role. Miller died in 2004.

Yep, it’s rush week once again in America’s hallowed enclaves of higher learning. Millions of teen girls are beginning the long, arduous process of accumulating the crucial skills needed to serve them the rest of their lives. And the most important of those is, beyond a doubt, denying any recollection of events from the previous night. Just repeat: “Yes, I understand I vomited in your mouth then said I was a mama penguin and you were my baby—I’m just telling you if it happened after the third vodka Red Bull I don’t remember it.”     

Dutch covers for two of Michael Avallone’s Ed Noon thrillers. These are The February Doll Murders, from 1966, and The Bedroom Bolero, from 1963. Avallone died this month in 1999.