Hollywoodland Oct 14 2017
LEARNING TO CRAWL
Phantom actress puts men in their place.

We're back to National Spotlite with a cover published today in 1968. The photo is of actress Carolyn Haynes, and a headline goes to actress Caroline Lee, who says she makes men crawl for her sexual favors. The money quote: “If women use their bodies the right way they can be the most powerful people on Earth.” A quote like that sounds suspiciously like it was fabricated by a man, and in fact while several Caroline Lees appear on IMDB, none fit the profile required to have done this interview—i.e. born sometime in the 1940s or possibly in 1950. National Spotlite is busted again. The editors simply could never have imagined a globally accessible actor database. We also did a search on Haynes and likewise learned she never existed

But some of the celebs are real. In Spotlite's “Dateline: The World” feature readers are treated to a photo of Chris Noel. It's been a long time since we've seen her—eight years to be exact. Spotlite tells us she smashed a vase over the head of a nightclub employee when he tried to force his way into her dressing room in Sydney one night. “The man attempted to romance her but she spurned every overture he made. When he tried to use violence to get his way she spilt open his skull.” We found no mention of the incident in any other source, but we like the story for how it turns out. If her assailant had known anything at all about Chris Noel he'd have rememberd her publicity tours of Vietnam and realized she was one tough celeb.

“Dateline: The World” next regales readers with a tale out of Africa. "Cary Grant arrived in Nairobi to join a hunting safari and has been escorting two six-foot dark-skinned native girls to whatever cafes in town they can get into, and has caused quite a bit of controversy by doing so. Grant traded punches with a man in one spot when the gent took offense at Cary's dates. Cary flattened the man, but the stranger rose to his feet flashing a knife and only the quick efforts of the bartender and cafe owner averted further trouble for the star. Cary and the girls fled while the others were subduing the knife wielder."

Paris: "Juliette Prowse was detained the other night after she threw a make-up case through the window of a drug store. She had purchased some cosmetics at the American Drug on the Champs-Élysées, but brought the order back the same night. She claimed that she'd made a mistake and didn't need the cosmetics. The salesman explained that he would exchange the merchandise or give Prowse credit, but no cash refund. Juliette roared out of the place. Outside she hurled her make-up case through the store's front window. Two policemen saw her smash the window and nabbed her on the spot."


Beirut: "David Niven and wife Hjordis ran into an embarrassing situation in a night spot while making the cafe rounds in this Lebanese city. A belly dancer took such a fancy to David that she did her act for him alone. She even sat on his lap. The patrons objected to her performing for just one man and began to throw things at her and at Niven. David and Hjordis ran for the exits after he pushed the girl off his lap."


Capri: "Noel Coward is nursing bruises on his face. He says he was attacked by two young men while he was out strolling one night. The muggers made off with a pair of cuff links given to him by Raquel Welch and a watch from Greta Garbo. Coward was found half-conscious and bleeding."

You get the gist—celebs in trouble. Back during the heyday of tabloids Confidential had bellhops, bartenders, chauffeurs, maîtres d'hôtel, and cops by the hundreds phoning in hot tips, but Spotlite was never more than a second tier rag and could not have had the resources to uncover the above stories. Therefore the editors either made them up or lifted them from other tabloids. We suspect the latter—with the stories ginned up for entertainment value. Cary Grant in Nairobi with two Kenyan escorts? We'll buy it. Grant risking his million dollar mug in a fistfight? Improbable. But the stories sure are fun. See more from National Spotlite by clicking here.

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Hollywoodland Sep 5 2017
NOW YOU V IT
You know how movie stars sometimes say they wish they could be anonymous? Welcome to the cover of V.


This issue of V was published today in 1948 and features art by Jean David, which accompanies, as always, celeb content and bit and pieces of French culture. As we've noted before, writers like Hilary Conquest and others often don't bother to identify the movie stars in these issues because they're ancillary to the text. For example, the story “Pour l'amour de Tex Julia,” talks about actual women of the Old West, with photos of Jane Russell and others serving merely to illustrate. However the magazine does at least identify Barbara Bates, Juliette Greco, Yvonne DeCarlo, and Olga San Juan. You can probably guess where we're heading with all this—the person on the cover is unidentified. The editors always did this, and it's a bit maddening. Yes, we know—we should recognize this person, us being a nostalgia website and all, but there are a lot of vintage actresses. It's difficult to know all their faces definitively. Have an idea on this one? Drop us a line at editor@pulpinternational.com. The photo is a Warner Bros. promo, and you already have the year.

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Vintage Pulp Jul 16 2017
FINNISH LINES
All greatures great and small.

This might be our first piece of Finnish pulp. Actually, nope—we just checked. We have some Finnish items here, here, and here. So this poster is our fourth entry from that country, and it's a promo for Uga-uga ihmishirviöiden maa, aka Creatures the World Forgot. Finnish is a weird language, but even without knowing how to read it you can probably discern that the movie was re-titled. The poster says, “uga uga a country of human beings.” So we guess the creatures the world forgot lived in Uga Uga. We didn't know that. Another online translator tells us the poster actually says, "the upright country of human beings," and a third tells us it says "the land of the sea of magpie." We have a former roommate who lives in Finland, so maybe he'll help us out with this one, especially the "uga uga" part. Did we mention we went to Finland once? Try drinking with that crowd and after a couple of hours, “uga uga,” is all you'll be able to say. You may also have noticed the creatures of the original movie somehow transformed into “greatures,” at the lower right of the art, one of the funnier misspellings we've seen on a foreign version poster. The film starred Julie Ege, who's in no way uga uga, and is probably the best reason to watch the movie. We've mentioned her before, particularly the publicity stunt Hammer Studios cooked up to promote the film. Read about that here, and read a short review here. Greatures—er, we mean Creatures—the World Forgot premiered in Finland today in 1971.

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Vintage Pulp Jul 11 2017
QUEEN CLEOPATRA
Tall, dark, and dangerous.

We don't share many photo covers, but this novelization caught our eye because it's one of the better images we've seen of Cleopatra Jones star Tamara Dobson. As we've mentioned before, promo images for blaxploitation performers, with a few exceptions, tend to be rare. Dobson was one of the first we ever featured, way back in 2009, and we're sharing this image because Cleopatra Jones opened in the U.S. today in 1973. The screenplay for the film, by the way, was co-written by Max Julien, who was the star of the blaxploitation classic The Mack. The guy was multi-talented. So was Dobson—the 6' 2” former model could look both lethal and deadly. 

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Vintage Pulp May 10 2017
HELLO FOLIES
It's so nice to have you back where you belong.

Above, assorted scans from Folies de Paris et de Hollywood #331, published in 1965, with an unknown cover star and assorted Parisian showgirls in the interior, including Julie Jourdan. We have quite a few of these in the website, and you can see them by clicking here and scrolling down.

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Modern Pulp May 7 2017
FELLINI WITH A FLOURISH
Cohjizukin creates a modern piece of poster art for two classic films.


You know how we always say we're going to get back to something? Some artist, some subject, some mid-century murder spree? And then we never do? Kind of like when you were eight and your parents kept promising to let you buy a grizzly bear but always put you off until finally telling you they weren't going to buy you one and never planned to? Well, we don't want to be like your lying ass parents, so we've decided we need to be better about actually geting back to stuff we said we'd get back to. Consider it a twelve-step program of sorts, which we already started by keeping that five-year old promise about the naked diaries.
 
So here's someone else we promised to revisit—Japanese illustrator Cohjizukin, whose poster for an Ed Wood triple bill we shared back in October. He painted the above poster for Federico Fellini's I vitelloni, known in some circles as The Young and the Passionate, and Giulietta degli spiriti, aka Juliet of the Spirits. We knew nothing about Cohjizukin last year, but we've learned a few things. He's actually award winning artist Koju Suzuki, who was born in 1948, has had innumerable exhibitions, live painting events, published many books, and seemingly even has delved into music, releasing four albums in the 1990s.
 
He also likes creepy eyes. Everybody in this poster looks like they're trying to drain your vital essence. We checked to see if either of these movies involved essence-draining, but they're both comedy/dramas. Not sure Fellini would have approved of psycho faces on a poster for his films, but the art is amazing. Cohjizukin created it for a double-bill sometime during the 1990s, probably for some film festival or other. You can learn more about him by visiting the (also a bit scary) website maintained at this link, but it's text heavy and without Japanese probably useless to you. We'll dig up more pieces from him later. That's a promise we'll keep.

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Vintage Pulp Apr 4 2017
BIG MACK ATTACK
It's hard out there for a pimp.


The Mack is about pimping. Let's just get that out there. Those with twenty-first century sensibilities will probably hate the film on principle. But is there anything more to it than sexual exploitation? Well, it's an offering in the blaxploitation genre that deals with an ex-con's plan to rise to the top of the macking game in the city of Oakland. The main character, named Goldie, has a brother who intends to rid the streets of crime. Goldie's main antagonists are a pair of corrupt cops who see no difference between him and his brother. The subtext is interesting. Goldie and his brother represent opposite forms of direct engagement—one works to improve his environment while opposed by authorities who see political activism as a threat; the other works illegally to get ahead and get out while opposed by authorities charged with fighting crime.

The movie chooses as its backdrop one of the most activist cities in the U.S., with one of the most corrupt police forces. Both of these facts were true when The Mack was made and remain true today. For example, while Oakland police are tasked with preventing crime, they repeatedly and brazenly break the law, and have paid out more in civil damages than almost any police force in the nation. This dichotomy callsinto question whether the police actually exist for the good of the community at all, or for a more complex purpose—say to protect the interests of elites by both containing crime and hemming in the possibility of political empowerment. Actually, the question is rhetorical. We've been to many countries, and in all of them police suppress political activity among the underclass. So yeah, there's more to The Mack than just pimping.

The movie was actually inspired by the real life struggle between the Ward Brothers, who were leaders of Oakland's black underworld, and the Black Panthers. Both groups wanted to bring Oakland under their respective control for opposite reasons. Film critic Elvis Mitchell described The Mack succinctly in 2013, saying: “Do you become this horrible kind of mutation of free enterprise, or do you take the nationalist route and help your people?” But the Oakland police ultimately considered power achieved through crime and power achieved through politics to be equally unacceptable. And that may be the entire disturbing point of the film. The Mack premiered in the U.S. today in 1973, and the awesome poster was painted by Fred Pfeiffer.

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Vintage Pulp Jun 6 2016
PLENTY OF BLAM TO GO AROUND
Future cat shows her slinky side for Horwitz.


It's another Horwitz Publications celeb paperback. You know the drill by now—the Aussie publisher licenses (or just appropriates) the image of an up-and-coming star for their Carter Brown series. We've already shown you what they did with Joan Collins, Senta Berger and Elke Sommer. Do you recognize the woman on the front of 1959's amusingly titled Blonde, Beautiful, and – Blam!? Take a sec. No? It's everyone's favorite Catwoman Julie Newmar, seen at age twenty-six when she was still going by Julie Newmeyer, and it's one of the rare images of her with close-cropped hair. Just so you believe us, there she is at right, looking a bit more recognizable. Check out the other Horwitz celeb covers here, here, and here.

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Vintage Pulp Dec 17 2015
INSATIABLE APPETITES
Reiko Ike and Sandra Julien get together and sparks fly.


Gendai poruno-den: Sentensei inpu, aka Modern Porno Tale: Inherited Sex Mania, aka The Insatiable is a Noribumi Suzuki-directed tale of sexual awakening, but we bet most viewers don't awaken until co-stars Reiko Ike and Sandra Julien end up in the shower together. Pretty steamy stuff, and as a bonus the two migrate into bed, which you see in the photo below. Prefacing that agreeable sequence are less agreeable but standard pinku elements, including legions of slimy horndogs, shameful voyeurism, forced de-virginization, a drugging, and an alcohol fueled orgy. The only good thing that happens is that Ike falls into bed with Pulp Intl. fave Miki Sugimoto. Actually, that's nearly the opening sequence, which is nice because it lets you know exactly where the movie plans to take you. But that interlude aside, other aspects of Reiko's life really suck, and her escalating problems eventually lead to a brawl which she escapes by hiding in a parked car. The man who owns that car seems to bethe person destined to save her from the sordid club girl life she's made for herself. Or is he? He slaps her within minutes of their initial meeting, but can you blame the guy? She was trying to kiss him. We can't pretend to truly understand these movies, and since there are no real reviews of this one online we're flying blind with our interpretation, but the message seems to be that sluttiness is genetic. In any case, we love the two posters at top. We also love the two promo images below of Ike and Julien. Gendai poruno-den: Sentensei inpu opened in Japan today in 1971.

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Vintage Pulp Oct 17 2015
24 HOURS OF DAY
Doris Day finds herself hunted around the clock by a demented killer.

In the thriller Julie Doris Day finds out her second husband is a murderer. Who did he murder? Her first husband. No spoiler there. Day learns this within the first fifteen minutes, leaving the plot to revolve around her efforts to escape being permanently silenced for her discovery. By the end of this romp set in and around the wilds of Carmel, Monterrey, and finishing in San Francisco, she’s probably developed a fear of flying, a fear of driving, a fear of piano music, a fear of the dark, and of course a fear of ever having a third husband. It’s psychological warfare at its cruelest, and Day, along with co-stars Louis Jourdan and Barry Sullivan, do a nice job of making it all work. We don’t have a Japanese premiere date to match the nice Japanese poster above, but Julie opened in the U.S. today in 1956.

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History Rewind
The headlines that mattered yesteryear.
May 19
1962—Marilyn Monroe Sings to John F. Kennedy
A birthday salute to U.S. President John F. Kennedy takes place at Madison Square Garden, in New York City. The highlight is Marilyn Monroe's breathy rendition of "Happy Birthday," which does more to fuel speculation that the two were sexually involved than any actual evidence.
May 18
1926—Aimee Semple McPherson Disappears
In the U.S., Canadian born evangelist Aimee Semple McPherson disappears from Venice Beach, California in the middle of the afternoon. She is initially thought to have drowned, but on June 23, McPherson stumbles out of the desert in Agua Prieta, a Mexican town across the border from Douglas, Arizona, claiming to have been kidnapped, drugged, tortured and held for ransom in a shack by two people named Steve and Mexicali Rose. However, it soon becomes clear that McPherson's tale is fabricated, though to this day the reasons behind it remain unknown.
1964—Mods and Rockers Jailed After Riots
In Britain, scores of youths are jailed following a weekend of violent clashes between gangs of Mods and Rockers in Brighton and other south coast resorts. Mods listened to ska music and The Who, wore suits and rode Italian scooters, while Rockers listened to Elvis and Gene Vincent, and rode motorcycles. These differences triggered the violence.
May 17
1974—Police Raid SLA Headquarters
In the U.S., Los Angeles police raid the headquarters of the revolutionary group the Symbionese Liberation Army, resulting in the deaths of six members. The SLA had gained international notoriety by kidnapping nineteen-year old media heiress Patty Hearst from her Berkeley, California apartment, an act which precipitated her participation in an armed bank robbery.
1978—Charlie Chaplin's Missing Body Is Found
Eleven weeks after it was disinterred and stolen from a grave in Corsier near Lausanne, Switzerland, Charlie Chaplin's corpse is found by police. Two men—Roman Wardas, a 24-year-old Pole, and Gantscho Ganev, a 38-year-old Bulgarian—are convicted in December of stealing the coffin and trying to extort £400,000 from the Chaplin family.
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