Laura Gemser bites off more than she can chew in z-grade zombie epic.
Finally! We've learned that the Italian poster artist who signed his work Aller was a man named Carlo Alessandrini, and we owe that information to a new book by Roberto Curti called Italian Gothic Horror Films 1970-1979. Above you see Alessandrini's work for the Laura Gemser sexploitation flick Le notti erotiche dei morti viventi, aka Sexy Nights of the Living Dead. Gemser started in erotica in 1974, and as the years wore on she basically traded on her name and did less and less actual performing, appearing in several films in little more than cameo roles. In this one she secures top billing for not showing up until the thirty-three minute mark, and not uttering a line of dialogue until probably forty minutes in.
Plotwise, a sailor takes a greedy gringo developer and his prostie companion to a deserted island where the American wants to build the finest resort in the Caribbean. The place is called Cat Island and whenever anyone mentions it to the locals who live on nearby islands they run out of the room. To normal people this would be a strong non-endorsement concerning travel to Cat Island, but such blatant hints are lost on lunkheads in horror movies. So a-boating they go. When the developer announces his plan to pave over the old island cemetery to build a heliport you just know he's sticking his dick somewhere he's likely to lose it—Gemser's mouth (see below). Her army of zombies are equally opposed to gentrification, and lodge their protests by chasing the living all over the place. But all is not lost. As the hero explains at one point: “The advantage we have is that they move at a snail's pace.”
So does the movie. One plus is that it was made primarily on beautiful beaches in the Dominican Republic, and several scenes were shot in Santo Domingo, which is interesting to see pre-tourist era. Another plus is that there's wall to wall sex featuring such beauties as Dirce Funari, who's the real star of the movie, and Lucia Ramirez. The unrated version goes all the way, and even treats viewers to a Tijuana donkey show-worthy routine involving a stripper and a Champagne bottle. None of the X action includes Gemser, who was strictly softcore her entire career, though her nudity is more explicit than usual here. Basically, it's all just as dumb as it sounds, but we'll admit it's accidentally funny in parts, which helps. Le notti erotiche dei morti viventi premiered in Italy today in 1980.
All jerks and no play make Linda a very dull movie.
Some of the other titles of the West German sexploitation flick Linda are Captive Women, Naked Super Witches of the Rio Amore, and Orgy of the Nymphomaniacs. Those should tell you everything about the content of this movie. Plotwise, it involves a woman forced to work as a prostitute at a bdsm brothel on the island of Madeira, Portugal. How that actually happens doesn't much matter. The circumstances are ridiculous, and not at all the point. The point is nudity, which is delivered often and steadily. Characterwise, almost every man in the film deserves to be drawn and quartered, which makes it too bad that doesn't actually happen. It's actually a scorpion that turns the tide and allows the heroine to finally escape.
The movie is notable really for only two things: it was one of more than 100 productions helmed by Jesus Franco, that misunderstood genius, and it features 1979 Playboy centerfold Ursula Buchfellner, billed here as Ursula Fellner. Three things, actually: it's as humorless a sexploitation flick as we've ever seen. Even Katja Bienert in the title role can't save it. No way we can recommend this one, but we wanted to show you the Italian promo poster. It has the look of pieces painted by Mafé, but he signed all his work, as far as we know, so this must just be a convincing imitation. Linda premiered in West Germany for the first time today in 1981, and don't say we didn't try to steer you away.
Bonus material: just for the hell of it, just because they exist, we've uploaded a couple of promo shots of Bienert and Buchfellner below. Their names together sound kind of like a cop show, like a prime time drama where every problem is solved within an hour. We think it would have been a hit, because they've solved our problems in just a couple of minutes. But our previous advice holds true: don't watch the movie.
Just one look was all it took.
British actress Barbara Steele became known for starring in Italian gothic horror films, a genre in which she could put her penetrating eyes to good use. Some of her films include The Pit and the Pendulum, Nightmare Castle, and The Horrible Dr. Hitchcock, as well as mainstream efforts like 8½, Pretty Baby, and 2016's Minutes Past Midnight. She also moved into producing shows for television, earning credits on The Winds of War, Queer Eye, and other shows. No date on the above shot but we're thinking it's from around 1965.
Experts reach consensus—she was exquisite.
Above is a little artifact from our last swing through Spain, discovered at the Mercat del Vell de l'Estació de Sants in Barcelona. It's an issue of Colleción Idolos del Cine, a magazine that devoted itself each month entirely to one celebrity, with rare photos and personal anecdotes. This one is from 1958 and features Ana Maria Pierangeli, who adopted the lyrical stage name Pier Angeli after debuting on the international cinema scene in Vittoria De Sica's Domani è troppo tardi and winning a Nastro d'Argento, or Silver Ribbon, from the Sindacato Nazionale Giornalisti Cinematografici Italiani. Angeli was a dewy eighteen in that role and looked so young as to be almost half-formed, which was perfect for her portrayal of a teen in the throes of first love. She maintained a youthful and innocent appearance for twenty more years, and is another actress who died young, in her case aged thirty-nine, via drug overdose, though accidental, officially. The printing quality of Colleción Idolos del Cine isn't the best, but the photos are very interesting. Mucho más Angeli below, and we managed to buy five other examples of this magazine, with stars such as Ava Gardner, Analia Gadé, and Belinda Lee, so look for those later.
Giovanni Simonelli was a virtual one-man industry in Italian cinema.
It’s been too long, so today we’re back to the incomprable Benedetto Caroselli, with a cover he painted for L’incubo scarlatto, aka “The Scarlet Nightmare,” by Simon O’Neil for EPI’s I Capolavori della Serie KKK Classici dell’Orrore, 1970. O’Neil would have been an Italian writer working under a pseudonym, and in this case it was Giovanni Simonelli, who wrote about seventy-five screenplays between 1958 and 1998. Some of those gems include L’uomo dalla pistola d’oro, released in English as Doc Hands of Steel, Dos pistolas gemelas, aka Sharp Shooting Twin Sisters, and Agente 3S3: Passaporto per l’inferno.
L’incubo scarlatto is set in London and involves a woman who thinks she might be a vampire because men around her keep turning up violently killed. Considering one was her potential rapist and another was a sadistic drug lord, they both deserved it, but she needs to know the truth and pairs up with a psychiatrist to get to the bottom of the mystery. Simonelli did more than write macabre books and scripts. He also directed, composed music, and even acted in two movies, appearing in 1966’s Kommissar X - Jagd auf Unbekannt, aka Kiss Kiss, Kill Kill, under the name Sim O’Neill. Quite a career. We wouldn’t be surprised to run across his work again. Meantime, you can see plenty more art from Benedetto Caroselli here.
Building a better future through movies.
María Baxa was born in 1946 in Belgrade, which in today’s deconstructed Yugoslavia makes her Serb. She appeared in a few Serbian-language films, then ascended into Italian cinema, appearing in productions such as Il commissario Verrazzano with Janet Agren and Patrizia Gori, and Incontri molto... ravvicinati del quarto tipo, aka Very Close Encounters of the Fourth Kind. According to Michele Giordano’s 2000 retrospective La commedia erotica Italiana: vent’anni di cinema sexy, Baxa left the movies in the late 1980s and became an architect. This shot is from 1970.
Marilù, Italian style.
Above, a photo of Italian actress Marilù Tolo, who appeared in many movies between 1960 and 1985, including 1964’s Matrimonio all’italiana, aka Marriage Italian Style, and 1966’s Se tutte le donne del mondo, aka Kiss the Girls and Make Them Die. This shot is from a 1966 issue of the Belgian magazine Ciné-Revue.
He’s everything a man is, except he turns on only when you want him to.
Above, Edizioni Periodici Italiani’s Il robot maledetto, 159 in the I Capolavori della Serie KKK Classici dell'Orrore, written by Dyana Evan, a psuedonym of Franco Marotta, 1971. The art featuring a lingerie clad woman and a phallic robot is more suggestive of romance or sleaze than horror, but it’s great work by Benedetto Caroselli, who you can see more of here.
When the wolf is on the prowl.
Above, the cover of Ken Atkins’ 1965 werewolf novel Belva nella notte, aka The Wolf in the Night. This was published for Edizioni Periodici Italiani’s I Capolavori della Serie KKK Classici dell’Orrore, and Atkins was a pseudonym owned by Domenico Dubbini, who also wrote as John Durbin, John Lane, Hassan Mills, Perry Rock, and other names. The art is by Benedetto Caroselli, who we knew nothing about until a couple of years ago, but who we’re now obsessed by, as evidenced by our posts here, here, and here. We have even more to share from Benedetto, so stay tuned.
The headlines that mattered yesteryear.
1912—Piltdown Man Discovered
A hominid fossil known as Piltdown Man is found in England's Piltdown Gravel Pit by paleontologist Charles Dawson. The fragments are thought by many experts of the day to be the fossilized remains of a hitherto unknown form of early man, but in 1953 it is discovered to be a hoax composed of a human skeleton and an orangutan's jawbone. The identity of the Piltdown forger remains unknown, but suspects have included Dawson, Pierre Teilhard de Chardin, Arthur Conan Doyle and others.
1967—Australian Prime Minister Disappears
The Prime Minister of Australia, Harold Holt, who was best known for expanding Australia's role in the Vietnam War, disappears while swimming at Cheviot Beach near Portsea, Victoria and is presumed drowned.
1969—Project Blue Book Ends
The United States Air Force completes its study of UFOs, stating that sightings are generated as a result of a mild form of mass hysteria, and that individuals who fabricate such reports do so to perpetrate a hoax or seek publicity, or are psychopathological persons, or simply misidentify various conventional objects.
1985—Gotti Ascends to Mafia Throne
In New York City, mafiosi Paul Castellano and Thomas Bilotti are shot dead on the orders of John Gotti, paving the way for Gotti to assume leadership of the powerful Gambino crime family. Gotti is eventually arrested by federal authorities in 1990, and dies of throat cancer in 2002 in a federal prison hospital.
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