|The Naked City||May 15 2017|
|Hollywoodland||Feb 21 2017|
When we describe Dynamite as a new tabloid, it's only partly true. It was a new imprint. But its publisher, the Modern Living Council of Connecticut, Inc., was headquartered at the Charlton Building in Derby, Connecticut, which is where Top Secret and Hush-Hush based operations. When you see that Dynamite carried the same cover font as Top Secret and Hush-Hush, and that those two magazines advertised in Dynamite, it seems clear that all three had the same provenance. But unlike Top Secret and Hush-Hush, it doesn't seem as if Dynamite lasted long. The issue above, which appeared this month in 1956, is the second. We are unable to confirm whether there was a third. But if Dynamite was short-lived it wasn't because of any deficiencies in the publication. It's identical in style to other tabloids, and its stories are equally interesting.
There's a lot more to learn about Nina Dyer—her modeling career, her adventures in the south of France, her free-spirited ways in the Caribbean, her 1962 E-Type Jaguar Roadster that was found in Jamaica in 2015 and restored for a November 2016 auction, and more. So we'll be getting back to her a little later. We still have about fifty tabloids from the mid-1950s and we're betting she appears in more than a few. Meanwhile, elsewhere in Dynamite is a story tracking Marilyn Monroe's movements around Fire Island during a summer 1955 vacation, a report about Frank Sinatra being barred from the Milroy Club in London, an exposé on prostitution in Rome, a breakdown of the breakdown of Gene Tierney's engagement to Aly Khan (Sadruddin Aga Khan's brother), and a couple of beautiful photos of Diana Dors. We have about thirty scans below for your enjoyment. Odds are we'll never find another issue of Dynamite, but we're happy to own even one. It's great reading.
|Hollywoodland||Jul 16 2015|
It was in this July 1957 issue of Confidential that journalist “Horton Streete’ infamously outed cover star Liberace in the most vicious and dehumanizing way with an article entitled “Why Liberace’s Theme Song Should Be ‘Mad About the Boy’.” We’ve talked about it before. Streete willfully attempted to damage the singer’s career by spinning a shocking tale of how he attacked a young, male press agent. The article refers to Liberace as Fatso, Pudgy, Dimples, and other, less flattering monikers.
These early issues of Confidential are a cesspool of journalistic ethics, no doubt, but they’re also a visual treat. Using black, red, blue, and yellow, plus the white of the pages themselves, the designers put together a bold and gaudy package that would influence every other tabloid on the market. The layouts on Kitt, Liberace, Alan Dale, and Lex Barker are among the most eye-catching we’ve seen from the period. Elsewhere you get Anthony Quinn, and a host of other stars. We have a bunch of scans below. Remember, you can always see more from Confidential and other tabs by visiting our tabloid index at this link.
|Hollywoodland | Sex Files||Feb 26 2014|
A long while ago we shared the cover of a 1956 Whisper featuring George Sanders. The same issue had an article on Liberace, and we’re returning to that today as part of our look at mid-century tabloid attitudes toward gay culture. In general of course, the tabloids were brutally insulting, using overt as well as coded language to get intimations of homosexuality across. Theoretically, when dealing with public figures they had to be somewhat cautious, but both Rave and Inside had in 1954 written stories insinuating that Liberace was gay, and in 1955 Suppressed and Private Lives did the same. In Whisper, a journalist writing under the name Sylvia Tremaine refers to Liberace as a “creature,” labels his speech as “simpering,” and describes his move to television this way: “From there it was just a brief flutter to a local TV program.”
You’ll notice there’s deniability in all those words—Whisper could claim there was nothing defamatory in the language. Ridiculous, of course. Clearly the magazine was calling Liberace gay, and only a fool would claim otherwise, but defamation had not occurred to an extent that would stand up in court. Thus we see the joy of coded language. The same occurs in the U.S. today in certain media outlets with language directed at African Americans. The disparagement is clear, but deniable. Or for a cinematic example of coding, consider the Maltese Falcon and how the character of Joel Cairo is announced by flute trills on the soundtrack. Clear, and yet deniable. But in its Liberace article Whisper then throws deniability out the window with this: “Hollywood snickerers are wondering, in fact, if all the male hormones earmarked for the Liberace boys weren’t hogged by George, leaving Lee with only his nimble fingers.” That goes a bit beyond code, wouldn’t you say?
|Vintage Pulp||Aug 24 2011|
Rave, for which you see a cover above, was a low budget U.S.-based magazine that launched in 1953 as a celeb publication, quickly moved into scandal and gossip, but didn’t survive beyond 1956, as far as we can tell. The graphic design was revamped twice, and so we suspect it just never found its niche in a crowded tabloid market. But it wasn’t for lack of providing celebrity rumormongers what they craved. This August 1955 issue discusses Serge Rubinstein’s murder, Anita Ekberg’s bombshell status, Jackie Gleason and more, but of special note are two stories: one about Sonja Henie, and another about Sheree North.
Sheree North, not well known today, was a dancer-turned-actress who in the mid-1950s was groomed (like so many other women) as the next Marilyn Monroe. She even made the cover of Life with the caption: “Sheree North Takes Over from Marilyn Monroe.” But it didn’t happen. Though North had a couple of hit films, her on-deck status was quickly usurped by another bottled blonde named Jayne Mansfield. North had done some burlesque early in her career, and Rave claims she had a few stag reels floating around. We don’t know about that, but there was a 1951 clip called the “Tiger Dance” that certainly pushed the bounds of contemporary sexiness. We found an upload of it, and you can see it here.
The story on Sonja Henie is a bit more interesting. A Norwegian-born world and Olympic champion figure skater, Henie shot to international fame at age fourteen and turned that recognition into a Hollywood career. She became extremely popular as a screen star, and the same drive that sparked that success fueled her personal life. She married three times and had numerous affairs, including with Tyrone Power and allegedlywith champion boxer Joe Louis. But the mystery man Rave hints at on its cover is none other than piano player Liberace, just above. If you know anything about Liberace then you know his dates with Henie were just for show. But as a gay or bi celebrity—and both were designations he denied until his dying day—dating women would have been a completely understandable strategy to avoid being outed by the time's vicious tabloids and losing his musical career.
Henie, on the other hand, rarely let controversy get in the way of her decisions if she thought the result would ultimately be a net gain. This is possibly why she publicly greeted Adolf Hitler with a Nazi salute at a Berlin exposition in 1936, and why she sought Joseph Goebbels’ help in distributing one of her films in Germany. Yet you have to assume that anyone who would hang out with and possibly sleep with Joe Louis didn’t have rock solid racist views. But as millions died, her behavior can only be seen as shameful. However she returned to Norway with Holiday on Ice in 1953 and again the year Rave published the above cover and was warmly greeted, if not quite totally forgiven. Henie died of cancer in 1969, but as another fascinating product of a complex time, we suspect her name will come up on this website again.