Since we took a look at Barbara Walton's cover work recently we thought we'd circle back to her with an effort for John D. MacDonald's I Could Go On Singing, originally published in 1963 with this Robert Hale Ltd. hardback coming in ’64. This is very different, very minimalist work from Walton compared to what we showed you last time, but it just demonstrates her broad range. It's different work for pop fiction icon MacDonald too, as it was a novelization for a 1963 movie of the same name. Hey, whatever pays the bills. We didn't read it, but we gather that he managed to put his unique stamp on it. 

Below: a small set from Spanish artist Joan Beltrán Bofill, who signed his work as “Noiquet,” here working for a pair of Rotterdam based publishers illustrating novels by Edward Multon, who was an alter ego of Dutch author Herman Nicolaas van der Voort. These are from 1967 and 1968.

So that no confusion arises, Junko Fuji, who you see in this photo, is known today as Sumiko Fuji. But back during the ’60s and ’70s she acted as Junko, and since we're a vintage site that's what we've always called her. As you can see, she's added a razor sharp wakizashi to the pistol we saw her brandishing in a similar photo a few years ago. We found this shot in a 1971 issue of the Japanese magazine Modern Romance, and it was probably originally made for her 1968 yakuza actioner Hibotan bakuto—aka Red Peony Gambler—or for one of its sequels. By the way, Modern Romance? This photo just screams romance, right? 

A while back we shared a promo photo of Glenn Ford and Gloria Grahame from 1953's The Big Heat that was meant to imply oral sex (it absolutely was, and you can see for yourself here). We commented on its weirdness, and noted that an actress would probably not be asked or made to pose that way today. The shot got us thinking about whether there were other kneeling promo shots from the mid-century era, and above you see two others from The Big Heat.

 

Below we have more such shots, and while none are as jarring as that previous promo, they're all interesting. We assumed there would be few if any featuring kneeling males, but we found a couple. Even so, there are probably scores more kneeling actresses that we missed. While many of shots took the form they did to highlight the criminal/victim themes in their parent films, you still have to wonder what else—consciously or not—was in the various photograhers' minds. Anyway, just some food for thought this lovely Thursday. Ready, set discuss!

Rod Taylor and Luciana Pauluzzi swap subordinate positions for 1967's Chuka.

Edmund O'Brien goes for the time honored hair grab on Marla English for 1954's Shield for Murder.

Marilyn Monroe swoons as Richard Widmark snarls for Don't Bother To Knock, 1952.

Inger Stevens and Terry Ann Ross for Cry Terror, an adaptation of a novel we talked about a few years ago.

Kim Hunter soothes an overheated Marlon Brando in a promo for 1951's A Streetcar Named Desire.

George Raft menaces Marlene Dietrich in the 1941 comedy Manpower.

As promos go, these actually make sense. They show three unidentified models mesmerized by vampire Christopher Lee for 1970's Taste the Blood of Dracula.

Glenn Ford is at it again, this time looming over Rita Hayworth for the 1946 classic Gilda.

 

Aldo Ray and Barbara Nichols for 1958's The Naked and the Dead.

This one shows less domination and more protectiveness, as Humphrey Bogart prepares to defend Ida Lupino for High Sierra, 1941.

Humphrey once more. Here he's with Lizabeth Scott for Dead Reckoning, 1947.

This shot shows Brazilian actress Fiorella Mari with an actor we can't identify in a movie we also can't identify.

Shelly Winters and Jack Palance climb the highest mountain together for I Died a Thousand Times, 1955.

As we said, we didn't find as many examples of kneeling men, but we found this gem—Cappucine makes a seat of director Blake Edwards on the set of The Pink Panther in 1963. Does this count, though? While Edwards is subordinate, he isn't kneeling and it really isn’t a legit promo.

And lastly, in a curious example, Hugo Haas seems to tell Cleo Moore to stay in a shot made for 1953's One Girl's Confession. 

Above: the front and rear covers of two paperbacks from South Asia with interesting color illustrations. The first is from Malaysia, published in 1964, and the second is from Singapore, published in 1966. These aren't fiction. They're actually both “educational” books about anatomy and sex, but there's nothing explicit inside unless you count medical drawings. We thought the comic style art made these appropriate to share. In any case, they're certainly eye-catching. Do you happen to remember some of the other items we've shared from Malaysia? It was a long time ago. Check here, here, and here for a reminder. You'll be amazed.