Once again demonstrating that people with an overabundance of money will buy anything, a private bidder yesterday purchased a pair of Eva Braun's panties at auction. Yes—Eva Braun. Yes—panties. The sale took place in the English town of Malvern, at Philip Serrell Auctioneers & Valuers, and along with the monogrammed fascist frillies, which you see above, were sold a gold ring, a red lipstick, and a silver lipstick holder, all once possessed by Braun. But it was the undies that fetched the top price, going for £2,900, or about $3,600. That's a lot of money for panties. But according to a representative of the auction house, “an array” of prospective buyers offered bids on the item, pushing the price more than seven times higher than expected.

Now that the buyer has the undies, you're doubtless wondering what he plans to do with them (and you just know it's a "he" we're dealing with, by the way). He could display them at home, maybe frame them. Or he could tuck them safely away for later resale at a profit. He could even donate them to Munich's Pinakothek art museums, which collect such items. But he'll do none of those things. Nope. He's going to wear them.

But there's more. If the wearer combines the panties with the lipstick and ring he or she will actually have sex with and marry the absolute worst person in the world. And he or she will do it even if it means utter isolation from friends, family, and anything that even resembles real life. And they'll stay loyal even after it becomes obvious their mate is dragging themstraight to doom. Unfortunately, said doom could destroy the valuable panties along with the wearer, but guess what? There are other pairs. One turned up in Ohio just last year. And another was sold in Maryland. Others surely exist, so if you want to waltz blithely through the rarefied world of vulture capitalists, sexual predators, and corrupt politicians, now you know how to do it. And if you navigate this world cleverly and maybe even thrive in it, in time maybe one day people will need Eva's panties just to tolerate you.

This bit of World War II propaganda, which was created by the Graphics Division of the U.S. government's Office of Facts and Figures in 1942, caught our eye for a couple of reasons. It features champion boxer Joe Louis, which is interesting enough, but it also features a quote he had uttered while taking part in a military charity event: “We’re going to do our part… and we’ll win because we’re on God’s side.”

This is an interesting turn of phrase because of its inversion of "our" and "God." The way Louis formulates the idea suggests God desired the war and the U.S. was just helping out. Usually you hear the sentiment expressed as, “God is on our side,” but Louis's quote has more power loaded into it than the standard iteration. It casts Japan as not just battling an enemy nation that has God's help, but battling the natural order of the cosmos.

Of course, the Japanese also thought they were divinely guided, and over in Europe where Germany was fighting several countries at once, the opportunistic Adolf Hitler, though a skeptic in private, declared himself a Christian in public and busily used religious sentiment in his devoutly Catholic nation to whip up support for his rule. Thus God was presumably rooting for both sides. We have a sizable collection of World War II propaganda inside Pulp Intl., originating from many countries, which we think is worth a look. You can see some of it here, here, here, here, here, and here.

Written by The Gordons, who were the tandem of spouses Gordon Gordon and Mildred Gordon, FBI Story follows Agent John Ripley as he investigates the disappearance of a woman named Genie. She's wanted for theft by the FBI, and by the Los Angeles police as a person of interest in a murder case. Ripley finds that he and the missing woman have a lot in common, a fact revealed by his perusal of her bookshelf and diary. Is she really a criminal or just a desperate woman in deep trouble? As the investigation unfolds and the search spans the entire United States, we learn that other people are after her, including a millionaire American fascist who looks like Hitler and rants about the master race. Eventually Ripley uncovers jewel thievery, treason, and the mysterious Genie herself.

In a story entitled “What Kim Novak Won’t Tell Her Psychiatrist,” this issue of Uncensored from April 1962 promises “the most intimate, revealing self-portrait of a guilt-tormented soul that you have ever read.” What does the magazine reveal? Apparently Novak’s father was disappointed to have had a daughter instead of a son. Novak’s father is portrayed as domineering and distant, and this relationship is cited as the cause of all her “neuroses,” from her preference for slacks and shirts over dresses and skirts, to her supposed shame over sex. Even her short hair is blamed on her father—she allegedly cut it off as an expression of self-loathing. But here’s the bit we love: “He is a father who raised no objection when nightclub entertainer Sammy Davis, Jr. showed up at Kim’s home in Chicago with a engagement ring one Christmas.” Yes, this father of hers was truly the lowest of the low.

The story goes on to describe all the various hells Novak put her employers and paramours through, reveals a lifetime of analysis beginning in childhood, and outs her for an alleged late 1950s stint in a psychiatric facility, where she received “mechanical tests”—i.e. an EEG. It finally ends on a melodramatic note: “Kim fled the hospital, fled the analyst, fled the dark memories. She went back to making movies, to throwing temper tantrums. And, on occasion, to more solid things. She went back to the loneliness she dreads. To the big house that is haunted by shapes, people, memories she dare not dredge up and face lest the strain be too much, added to other strains.” You’d almost think journalist Marian Simms was writing a Harlequin novel—a bad one.

This image of German born French actress Dorothée Blanck appeared on the cover of France's Cinémonde magazine today in 1965. Blanck died in January at the age of 81 after decades in cinema, including roles in Jean-Luc Godard's Une femme est une femme, Jean Renoir's Elena et les hommes, and Jacques Demy's Les parapluies de Cherbourg. She came from the humblest of beginnings—born in prison in Aichach, where her mother was serving time for political crimes like numerous leftists resistant to the rising Nazis; shuttled around to various orphanages and institutions; not even given an official name for the first two years of her life. Her film career began in 1953 and, with occasional lulls, she worked often throughout her life, appearing in some forty films. Her last project, entitled Jours de France, or Days of France, is in post-production and is slated to hit cinemas sometime this year. 

Adolf Hitler and cohorts enjoy an uproarious 1941 Berlin Christmas party, where the mood may have been somewhat subdued due to the fact that attempts to crush Russia had so far failed at the cost of more than 800,000 German casualties. The photo was shot by Hugo Jaeger, one of the Führer’s personal photographers, and didn’t come to light until published by Life magazine in 2010. 

Check an English language bio on Gisela Fleischer and it’ll likely say she’s a West German woman who claimed to be Adolf Hitler’s daughter, and that the Swiss paper Tribune de Genève broke the story in 1966. Well, guess what? The above Midnight is from today in 1965, and inside, readers are told that Abigail Van Buren—aka Dear Abby—received a letter from West Germany that began: “I need some advice in a hurry. Should I marry a rabbi? I am the daughter of Adolf Hitler.” Fleischer’s mother Tilly Fleischer had competed in javelin at the 1936 Olympic games. According to Gisela, Hitler was impressed enough to invite her mother to the Berghof for dinner and that meeting in Obersalzberg was the beginning of an eight-month affair.

Fleischer was mostly ignored until she revealed all in a 1966 book called Mein Vater Adolf Hitler, published in France as Adolf Hitler mon père. Reactions to this event were skeptical, to say the least. A famous wit of the day wrote a satirical piece called, “I was Hitler’s toothbrush.” Fleischer kept her story alive with interviews in other magazines, but she had stiff competition—two people claiming to be the offspring of Hitler and Eva Braun had surfaced, a woman named Eleanor Bauer claimed to be Hitlerspawn, and the same assertion was made by a Frenchman named Jean Marie Loret. Even Martin Bormann’s son claimed to be in reality the result of an encounter between Hitler and a girl known only as Uschi.