| Vintage Pulp | Apr 12 2020 |
Look what the cat dragged in.
Cats get a bad rap in ’70s horror films. They're always shown lurking, staring, yowling, hissing, flying into frame from some elevated position off-camera, and standing sentinel over murdered bodies. Felines come to the fore once again in the Italian giallo-horror flick La morte negli occhi del gatto, aka Seven Deaths in the Cat's Eye, as beautiful young Jane Birkin ventures into the Scottish countryside for a stay at creepy old Castle Dragonstone, which seems cursed or haunted by a feline or felines. Shortly after her arrival bodies start appearing. Who's doing the killing? Is there really a curse? Why does that darn cat keep turning up?
All of the answers and more are revealed, as is the reason behind the carnage, and guess what? It isn't the cat's doing at all. The problem is entirely human and has to do with coveting the castle. Seems everyone wants their own pile of rocks in windblown bumfuck Scotland. Yes, the plot is as blah as we made it sound, but at least the poster art is excellent. There's a another poster, an even better one, with Birkin on it. We digitally restored it to hi-rez perfection, then Photoshop corrupted the file right when we were putting the final touches on it. We aren't going to repeat all that work, so you'll never see what we did. Maybe there's a curse after all. La morte negli occhi del gatto premiered in Italy today in 1973.
ItalyLa morte negli occhi del gattoSeven Deaths in the Cat's EyeJane BirkinHiram Kellerposter artcinemahorrorgiallomovie review
| Femmes Fatales | Musiquarium | Feb 28 2020 |
Sugar and spice and everything nice.
Above is shot of cinematic girl-next-door Jane Powell, who rose to fame in Hollywood musicals such as Holiday in Mexico, Seven Brides for Seven Brothers, and Royal Wedding. While Powell is fondly remembered for those and similar roles, she found it ridiculous that she played teenagers into her mid-twenties even though she had children of her own by that point. Under the studio system she had little choice, but later she did manage to expand her repertoire, co-starring in the Hedy Lamarr melodrama The Female Animal. Afterward she turned her attentions mainly to television, with guest slots on everything from Goodyear Theatre to Fantasy Island. She also had stage and singing careers, and scored a top 20 hit with 1956's “True Love.” The photo you see here was made to promote her 1957 musical The Girl Most Likely, and a shot from the same session appeared on the cover of the soundtrack album, which you see below. We don't generally do musicals here, but we will certainly check out her dramatic turn in The Female Animal. Meanwhile you may want to check out this rare photo we shared a couple of years ago.
Holiday in MexicoSeven Brides for Seven BrothersRoyal WeddingThe Girl Most LikelyThe Female AnimalGoodyear TheatreFantasy IslandJane PowellHedy Lamarrtelevision
| Femmes Fatales | Dec 12 2019 |
Monteros gives a boost to Tahitian tourism.
The glowing figure you see above is Mexican actress Rosenda Monteros, who appeared in such films as The White Orchid and The Magnificent Seven, and is seen here in a production photo made for the 1962 movie Tiara Tahiti. This really is a beautiful image. Since the movie was actually was filmed mainly in Tahiti, rather than in, like, Long Beach, this shot was doubtless made on the island. A cinema is the closest most people will ever get to that legendary Pacific paradise, but we bet Monteros made plenty of people want to go. If you want to see more of her and more Tahiti you can check a trailer for Tiara Tahiti here, and we have another nice shot below.
| Intl. Notebook | Dec 9 2019 |
Everything tastes better with Marilyn.
With holiday season upon us perhaps you're looking for something to add to your man cave that will make friends and loved ones question your taste. Above is a Marilyn Monroe whiskey decanter, commemorating her blockbuster comedy The Seven Year Itch, manufactured by the McCormick Distilling Company. This would go well with that wall mounted singing trout you bought back in the ’80s, and the novelty gumball machine you never bothered to refill. But probably the best thing about this item is that when your wife pokes her head in the room and asks if you're coming to bed anytime soon, you can pour another drink and say, “Marilyn wants me to stay.” Get 'em while supplies last.
| Intl. Notebook | Jun 9 2019 |
Endless sights in the City of Light.
We're back from Paris and it was as expected. We found a lot of great items we'll be uploading in the next days and weeks. And months, probably. Paris has many great sights, in every part of the city, but this time we ended up staying in Montmartre, an area that reminds us a bit of Washington Square, in San Francisco, that same feel of a tourist zone in a big city that has somehow managed to hang onto a neighborhood identity. As we wandered around town we saw scores of bookstores, some of which you see photos of below, and many had the type of material we were searching for. The focus this time ended up being on cinema magazines and comic books. Keep your eyes peeled. We have amazing things to show you.
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FranceParisMontmartreThe Seven Year Itch7 ans de réflexionMidnight LacePiège à minuitMarilyn MonroeDoris Daycinema
| Femmes Fatales | May 1 2018 |
She can barely contain herself.
We have a second calendar page for you today. Above you see German actress Uschi Glas in a May 1968 feature from the West German magazine Bravo called Star de Monats, or “star of the month.” We watched her recently in the Italian giallo flick Sette orchidee macchiate di rosso, aka Seven Blood-Stained Orchids, and she was by far the best performer in it. We'll be seeing more of her later.
West GermanyGermanyBravo MagazineSette orchidee macchiate di rossoSeven Blood-Stained OrchidsUschi Glasgiallo
| Vintage Pulp | Feb 24 2018 |
Seven ways to die in Rome.
We mentioned a while back we were taking a closer look at vintage giallo flicks, and today you see a Renato Casaro poster for Sette orchidee macchiate di rosso, aka Seven Blood-Stained Orchids. During a train trip a serial killer who's been dispatching women in various diabolical ways tries to make a victim of Uschi Glas. Uschi's man Antonio Sabato is the police's number one suspect, and the only way he can disprove their suspicions is by finding the killer. Uschi plays sidekick for him, which is good, because he looks terribly confused most of the time. This falsely-accused-must-find-real-killer gimmick had already reached perennial status when Antonio arrived on the scene, so you'd hope for a fresh take on it—and be disappointed. This isn't a bad movie, but it's undistinguished, a giallo without the high style of the best entries in the genre. Umberto Lenzi, who had directed numerous films but was making his first giallo here, would do a bit better later. Sette orchidee macchiate di rosso premiered in Italy today in 1972.
It's a self portrait. I don't know why I painted myself bloody and mutilated. Just a weird inspiration.
It's a self portrait. I don't know why I painted myself bloody and mutilated. Just a weird inspiration.
These are my new strangling gloves. 100% lambskin. Nice, right?
My last victim didn't like gloves so this time I'm going bareback!
Not cutting him down. Me either.
Wait, what? That's not fair. I didn't even see him until just now.
This mystery is probably far less complicated than we think.
This mystery is probably far less complicated than we think.ItalyRomeSette orchidee macchiate di rossoSeven Blood-Stained OrchidsAntonio SabatoUschi GlasMarisa MellUmberto LenziRenato Casaroposter artcinemagiallomovie review
| Femmes Fatales | Jan 10 2018 |
What can I say? It's my favorite color.
Hidemi Aoki gained early fame via the beauty contest route, winning a major pageant at sixteen. She modeled, made commercials, then moved into cinema, with her second credited role being 1976's British-produced comedy Seven Nights in Japan, in which she co-starred with major star Michael York. But the expected international film career didn't happen, and today Aoki is best known for appearing on Japanese television. The above shot of her trying to pull off the tricky red-leather-head-to-toe look was made in 1970, when she was still a model.
| Vintage Pulp | Nov 30 2017 |
This ought to really blow your skirt up.
Above is an epic Italian poster for the film The Seven Year Itch, which in Italy was called Quando la moglie è in vacanza, or “when the wife is on vacation.” They probably changed the title because Italians don't understand the concept of a seven year itch. They have a seven week itch—it happens about seven weeks before the wedding. The art here is by P. Franco, aka Franco Picchioni, whose work you can find more of by clicking his keywords below. There's also a very interesting West German poster for the film here.
ItalyQuando la moglie è in vacanzaThe Seven Year ItchMarilyn MonroeTow EwellFranco PicchioniP. Francoposter artcinema
| Femmes Fatales | Jul 26 2016 |
She's at the top of the scale.
We're big fans of return engagements, especially when they look like this. So here's Evelyn Keyes reprising her first femme fatale appearance, which was back in January of 2013. Keyes was a versatile actress, playing a mocking wife in The Seven Year Itch, an ambitious city girl in 99 River Street, and a quirky genie in A Thousand and One Nights, among many other roles. She's been great in everything we've seen so far, and has become one of our favorites. This excellent promo photo dates from around 1950.
